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The Cambridge History of Western Music Theory
Tonal organization in seventeenth-century music theory
edited_book
Author(s):
Gregory Barnett
Publication date:
April 25 2002
Publisher:
Cambridge University Press
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Numerical Algebra, Matrix Theory, Differential-Algebraic Equations, and Control Theory
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Tonal Structures in Early Music
Michael Dodds
,
Cristle Collins Judd
(1998)
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Between Modes and Keys: German Theory, 1592–1802
(1989)
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Is Mode Real? Pietro Aron, the Octenary system, and Polyphony,
(1992)
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Book Chapter
Publication date:
April 25 2002
Pages
: 407-455
DOI:
10.1017/CHOL9780521623711.015
SO-VID:
746e7d2a-82c6-4a9d-9aea-82f6b152b1cc
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Book chapters
pp. 107
Greek music theory
pp. 136
The transmission of ancient music theory into the Middle Ages
pp. 193
Tuning and temperament
pp. 305
Notes, scales, and modes in the earlier Middle Ages
pp. 695
Rhythm in twentieth-century theory
pp. 927
Energetics
pp. 223
The role of harmonics in the scientific revolution
pp. 246
From acoustics toTonpsychologie
pp. 407
Tonal organization in seventeenth-century music theory
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