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Beyond Exoticism : Western Music and the World
Peopling the Stage
edited_book
Publication date:
2007
Publisher:
Duke University Press
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Beyond “Culture”: Space, Identity, and the Politics of Difference
Akhil Gupta
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James Ferguson
(1992)
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Of Other Spaces
Jay Miskowiec
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Michel Foucault
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Imperial Eyes
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Book Chapter
Publication date:
2007
Pages
: 43-72
DOI:
10.1215/9780822389972-004
SO-VID:
b4bd3513-dada-4f6b-b30f-b907a14d0403
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. ix
List of Music Examples
pp. ix
LIST OF MUSIC EXAMPLES
pp. vii
CONTENTS
pp. vii
Table of Contents
pp. xi
LIST OF FIGURES AND TABLES
pp. xi
List of Figures and Tables
pp. xiii
Acknowledgments
pp. xiii
ACKNOWLEDGMENTS
pp. 1
Introduction: Beyond Exoticism
pp. 1
Introduction
pp. 1
INTRODUCTION:
pp. 17
COLONIALISM, MODERNITY, AND MUSIC:
pp. 17
Chapter 1 Colonialism, Modernity, and Music: Preliminary Notes on the Rise of Tonality and Opera
pp. 17
Colonialism, Modernity, and Music
pp. 43
Chapter 2 Peopling the Stage: Opera, Otherness, and New Musical Representations in the Enlightenment
pp. 43
PEOPLING THE STAGE:
pp. 43
Peopling the Stage
pp. 73
Chapter 3 The Rise of Imperialism and New Forms of Representation
pp. 73
The Rise of Imperialism and New Forms of Representation
pp. 73
THE RISE OF IMPERIALISM AND NEW FORMS OF REPRESENTATION
pp. 113
Introduction to part ii Globalization as a Cultural System
pp. 113
INTRODUCTION TO PART II
pp. 113
Introduction To Part II
pp. 123
Chapter 4 Consumption, Globalization, and Music in the 1980s and After
pp. 123
CONSUMPTION, GLOBALIZATION, AND MUSIC IN THE 1980S AND AFTER
pp. 123
Consumption, Globalization, and Music in the 1980s and After
pp. 140
SOME VERSIONS OF DIFFERENCE:
pp. 140
Some Versions of Difference
pp. 140
Chapter 5 Some Versions of Difference: Discourses of Hybridity in Transnational Musics
pp. 161
YOU CAN TAKE “COUNTRY” OUT OF THE COUNTRY, BUT IT WILL NEVER BE “WORLD”
pp. 161
You Can Take “Country” out of the Country, but It Will Never Be “World”
pp. 161
Chapter 6 You Can Take ‘‘Country’’ out of the Country, but It Will Never Be ‘‘World’’
pp. 184
WORLD MUSIC IN TELEVISION ADS
pp. 184
World Music in Television Ads
pp. 184
Chapter 7 World Music in Television Ads
pp. 209
Conclusions: Selves/Others, History, and Culture
pp. 209
Conclusion
pp. 209
CONCLUSIONS:
pp. 213
Notes
pp. 213
Notes
pp. 213
Notes
pp. 261
Bibliography
pp. 261
Bibliography
pp. 261
Bibliography
pp. 291
Index
pp. 291
Index
pp. 291
Index
pp. 305
Back Matter
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