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Migrating to the Movies: Cinema and Black Urban Modernity
3. “Negroes Laughing at Themselves”? Black Spectatorship and the Performance of Urban Modernity
monograph
Publication date:
December 31 2019
Publisher:
University of California Press
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Urban Soundscapes Studies
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Book Chapter
Publication date:
December 31 2019
Pages
: 93-113
DOI:
10.1525/9780520936409-007
SO-VID:
51f8eab4-29c2-43f6-b926-0c98a7a235d7
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Book chapters
pp. i
Frontmatter
pp. ix
Illustrations
pp. vii
Contents
pp. xiii
Preface
pp. xxi
Acknowledgments
pp. 1
Introduction: A Nigger in the Woodpile, or Black (In)Visibility in Film History
pp. 23
1. “To Misrepresent a Helpless Race”: The Black Image Problem
pp. 50
2. Mixed Colors: Riddles of Blackness in Preclassical Cinema
pp. 93
3. “Negroes Laughing at Themselves”? Black Spectatorship and the Performance of Urban Modernity
pp. 114
4. “Some Thing to See Up Here All the Time”: Moviegoing and Black Urban Leisure in Chicago
pp. 155
5. Along the “Stroll”: Chicago’s Black Belt Movie Theaters
pp. 189
6. Reckless Rovers versus Ambitious Negroes: Migration, Patriotism, and the Politics of Genre in Early African American Filmmaking
pp. 219
7. “We Were Never Immigrants”: Oscar Micheaux and the Reconstruction of Black American Identity
pp. 245
Conclusion
pp. 251
Notes
pp. 311
Bibliography
pp. 327
Index
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