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Irish Literature in Transition, 1780–1830
Thomas Moore and the Social Life of Forms
edited-book
Author(s):
Jane Moore
Publication date:
March 12 2020
Publisher:
Cambridge University Press
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Illegitimate Theatre in London, 1770—1840
J. MOODY
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Moody Jane.
(2000)
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Publication date:
March 12 2020
Pages
: 257-272
DOI:
10.1017/9781108632218.015
SO-VID:
f3987ce1-e423-4e96-b489-e0421d6d5390
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Book chapters
pp. 1
Introduction
pp. 37
Gaelic Literature in Transition, 1780–1830
pp. 52
Irish Literature and Classical Modes
pp. 69
Irish Literary Theory: From Politeness to Politics
pp. 85
Whigs, Weavers, and Fire-Worshippers: Anglophone Irish Poetry in Transition
pp. 107
Metropolitan Theatre
pp. 122
Harps and Pepperpots, Songs and Pianos: Music and Irish Poetry
pp. 148
Enlightened Ulster, Romantic Ulster: Irish Magazine Culture of the Union Era
pp. 173
Placing Mary Tighe in Irish Literary History: From Manuscript Culture to Print
pp. 188
Edgeworth and Realism
pp. 206
Lady Morgan and ‘the babbling page of history’: Cultural Transition as Performance in the Irish National Tale
pp. 226
‘The diabolical eloquence of horror’: Maturin’s Wanderings
pp. 242
English Ireland/Irish Ireland: the Poetry and Translations of J. J. Callanan
pp. 257
Thomas Moore and the Social Life of Forms
pp. 273
‘English, Irished’: Union and Violence in the Fiction of John and Michael Banim
pp. 292
The Transition of Reputation: Gerald Griffin
pp. 306
William Maginn: the Cork Correspondent
pp. 323
‘My country takes her place among the nations of the earth’: Ireland and the British Archipelago in the Age of the Union
pp. 342
Mentalities in Transition: Irish Romanticism in European Context
pp. 359
Ireland and Empire: Popular Fiction in the Wake of the Union
pp. 381
Transatlantic Influences and Futures
pp. 402
The Literary Legacies of Irish Romanticism
pp. 422
Index
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