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Neo-Victorian Humour : Comic Subversions and Unlaughter in Contemporary Historical Re-Visions
“Bleak Hilarity” in Alan Hollinghurst’s The Line of Beauty
monograph
Publication date:
May 26 2017
Publisher:
BRILL
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Embodied Memory
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Book Chapter
Publication date:
May 26 2017
Pages
: 103-124
DOI:
10.1163/9789004336612_005
SO-VID:
da89f791-a15c-4898-bfed-3715f6168739
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Book chapters
pp. i
Preliminary Material
pp. 1
What’s So Funny about the Nineteenth Century?
pp. 45
Parody after Providence: Christianity, Secularism, and the Form of Neo-Victorian Fiction
pp. 71
Neo-Victorian Killing Humour: Laughing at Death in the Opium Wars
pp. 103
“Bleak Hilarity” in Alan Hollinghurst’s The Line of Beauty
pp. 125
Drainage in a Time of Cholera: History and Humour in Matthew Kneale’s Sweet Thames
pp. 145
Looking at Victorian Fashion: Not a Laughing Matter
pp. 170
Neo-Victorian Feminist History and the Political Potential of Humour
pp. 192
Good Vibrations: Hysteria, Female Orgasm, and Medical Humour in Neo-Victorianism
pp. 213
“People keep giving me rings, but I think a small death ray might be more practical”: Women and Mad Science in Steampunk Comics
pp. 247
“Now with Ultraviolent Zombie Mayhem!” The Neo-Victorian Novel-as-Mashup and the Limits of Postmodern Irony
pp. 277
Camp Heritage: Ken Russell’s The Lair of the White Worm as Neo-Victorian Spectacle
pp. 296
Laughing (at) Freaks: “Bending the tune to her will” in Angela Carter’s Nights at the Circus and Rosie Garland’s The Palace of Curiosities
pp. 323
The Dog Days of Empire: Black Humour and the Bestial in J.G. Farrell’s The Siege of Krishnapur
pp. 343
Index
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