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The Transnational Fantasies of Guillermo del Toro
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
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Author(s):
Dolores Tierney
Publication date
(Print):
2014
Publisher:
Palgrave Macmillan US
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Estudio del peso al nacer
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Memory and Modernity in Democratic Spain: The Difficulty of Coming to Terms with the Spanish Civil War
J. Labanyi
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Guillermo del Toro's
Cronos
: the Vampire as Embodied Heterotopia
Ann Davies
(2008)
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The Spanish holocaust: Inquisition and extermination in twentieth-century Spain
P Preston
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Publication date (Print):
2014
Pages
: 161-182
DOI:
10.1057/9781137407849_10
SO-VID:
bc50aa2b-a8db-4836-b109-0ac1e429d4a2
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Book chapters
Between Fantasy and Reality
Guillermo del Toroâs Monsters
Of Monstrous Masses and Hybrid Heroes
Pacific Rim
Myth and Monstrosity
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
âThis Is Something New . . . orâSomething Very, Very Oldâ
âThere Is No Such Thingâ
Adapt or Die
Reflected Horrors
Introduction
pp. 1
Introduction
pp. 11
“There Is No Such Thing”: Del Toro’s Metafictional Monster Rally
pp. 29
Guillermo del Toro’s Monsters: Matter Out of Place
pp. 45
Myth and Monstrosity: The Dark Realms of H. P. Lovecraft and Guillermo del Toro
pp. 63
“This Is Something New … or—Something Very, Very Old”: The Strain Trilogy in Context
pp. 83
Adapt or Die: Mimicry and Evolution in Guillermo del Toro’s English-Language Films
pp. 99
Of Monstrous Masses and Hybrid Heroes: Del Toro’s English-Language Films
pp. 121
Pacific Rim: Reception, Readings, and Authority
pp. 143
Reflected Horrors: Violence, War, and the Image in Guillermo del Toro’s El espinazo del diablo/The Devil’s Backbone (2001)
pp. 161
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
pp. 183
Between Fantasy and Reality: the Child’s Vision and Fairy Tales in Guillermo del Toro’s Hispanic Trilogy
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