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Premodern Rulers and Postmodern Viewers: Gender, Sex, and Power in Popular Culture
Silencing Queens: The Dominated Discourse of Historical Queens in Film
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Author(s):
April Harper
Publication date
(Online):
February 02 2018
Publisher:
Springer International Publishing
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Jewish Historical Studies: A Journal of English-Speaking Jewry
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Three Medieval Queens
Lisa Benz St. John
(2012)
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Queenship in Medieval Europe
Theresa Earenfight
(2013)
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Edward Said’s <i>Orientalism</i> and the Representation of Oriental Women in George Orwell’s <i>Burmese Days</i>
Ensieh Shabanirad
,
Seyyed Marandi
(2015)
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Book Chapter
Publication date (Print):
2018
Publication date (Online):
February 02 2018
Pages
: 51-68
DOI:
10.1007/978-3-319-68771-1_3
SO-VID:
b81f5a42-ed80-422b-a4db-817dafc6e43e
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Book chapters
pp. E1
Erratum to: The Filmic Legacy of ‘Queen Christina’: Mika Kaurismäki’s Girl King (2015) and Bertrand Tavernier’s Cinematic ‘Amazons’ in D’Artagnan’s Daughter (1994) and The Princess of Monpensier (2010)
pp. 1
Introduction—Getting Modern: Depicting Premodern Power and Sexuality in Popular Media
pp. 27
Early Modern Queens on Screen: Victors, Victims, Villains, Virgins, and Viragoes
pp. 51
Silencing Queens: The Dominated Discourse of Historical Queens in Film
pp. 69
Feminism, Fiction, and the Empress Matilda
pp. 91
‘She Is My Eleanor’: The Character of Isabella of Angoulême on Film—A Medieval Queen in Modern Media
pp. 111
Women’s Weapons in The White Queen
pp. 131
‘Men Go to Battle, Women Wage War’: Gender Politics in The White Queen and Its Fandom
pp. 159
Religious Medievalisms in RTVE’s Isabel
pp. 179
‘The Queen of Time’: Isabel I in The Ministry of Time (2015) and The Queen of Spain (2016)
pp. 195
From Mad Love to Mad Lust: The Dangers of Female Desire in Twenty-First Century Representations of Juana I of Castile in Film and Television
pp. 215
The Filmic Legacy of ‘Queen Christina’: Mika Kaurismäki’s Girl King (2015) and Bertrand Tavernier’s Cinematic ‘Amazons’ in D’Artagnan’s Daughter (1994) and The Princess of Monpensier (2010)
pp. 239
Thomas Imbach’s Marian Biopic: Postmodern Period Drama or Old-Fashioned Psychogram?
pp. 263
Queering Isabella: The ‘She-Wolf of France’ in Film and Television
pp. 283
Seeing Him for What He Was: Reimagining King Olaf II Haraldsson in Post-War Popular Culture
pp. 303
Televising Boabdil, Last Muslim King of Granada
pp. 319
A Man? A Woman? A Lesbian? A Whore?: Queen Elizabeth I and the Cinematic Subversion of Gender
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