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Number to Sound : The Musical Way to the Scientific Revolution
Music in Francis Bacon’s Natural Philosophy
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Author(s):
Penelope M. Gouk
Publication date
(Print):
2000
Publisher:
Springer Netherlands
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Music and Mental Imagery
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Occult and scientific mentalities in the Renaissance
Brian Vickers
(1984)
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Occult Qualities and the Experimental Philosophy: Active Principles in Pre-Newtonian Matter Theory
John Henry
(2016)
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Atomism and ‘subtlety’ in Francis Bacon's philosophy
Graham Rees
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G. REES
(1980)
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Book Chapter
Publication date (Print):
2000
Pages
: 135-152
DOI:
10.1007/978-94-015-9578-0_5
SO-VID:
b4e1550a-4e94-4474-a8c4-8e659e6dd82b
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Book chapters
pp. 1
Introduction
pp. 67
The Harmony of the Spheres
pp. 79
“Desiderio da Pavia” and Renaissance Musical Theory
pp. 99
Marsilio Ficino: The Soul and the Body of Counterpoint
pp. 135
Music in Francis Bacon’s Natural Philosophy
pp. 155
A Renaissance Mathematics: The Music of Descartes
pp. 173
The Structure of Harmony in Johannes Kepler’s Harmonice Mundi (1619)
pp. 191
Was Galileo’s Father an Experimental Scientist?
pp. 201
The Expressive Value of Intervals and the Problem of the Fourth
pp. 219
Galileo Galilei
pp. 233
Isaac Beeckman
pp. 267
Marin Mersenne: Mechanics, Music and Harmony
pp. 289
Moving the Affections Through Music: Pre-Cartesian Psycho-Physiological Theories
pp. 323
Erratum
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