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Censorium : Cinema and the Open Edge of Mass Publicity
Performative Dispensations
edited_book
Publication date:
2013
Publisher:
Duke University Press
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The Affective Turn
Patricia Ticineto Clough
,
Jean Halley
(2007)
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Publics and Counterpublics
M Warner
(2002)
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Carnal Knowledge and Imperial Power: Race and the Intimate in Colonial Rule
Ann Laura Stoler
(2002)
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Book Chapter
Publication date:
2013
Pages
: 29-75
DOI:
10.1215/9780822397328-002
SO-VID:
b05d09a9-f575-44ee-af6f-6279b3b3005d
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. v
Table of Contents
pp. v
CONTENTS
pp. vii
Acknowledgments
pp. vii
ACKNOWLEDGMENTS
pp. 1
INTRODUCTION
pp. 1
INTRODUCTION The Censor’s Fist
pp. 1
Introduction
pp. 29
CHAPTER 1 Performative Dispensations: The Elementary Forms of Mass Publicity
pp. 29
PERFORMATIVE DISPENSATIONS:
pp. 29
Performative Dispensations
pp. 76
Who the Hell Do the Censors Think They Are?
pp. 76
WHO THE HELL DO THE CENSORS THINK THEY ARE?:
pp. 76
CHAPTER 2 Who the Hell Do the Censors Think They Are?: Grounds of the Censor’s Judgment
pp. 115
We Are the Law!
pp. 115
CHAPTER 3 We Are the Law!: Censorship Takes to the Streets
pp. 115
WE ARE THE LAW!:
pp. 156
Quotidian Eruptions
pp. 156
CHAPTER 4 Quotidian Eruptions: Aesthetic Distinction and the Extimate Squirm
pp. 156
QUOTIDIAN ERUPTIONS:
pp. 190
Obscene Tendencies
pp. 190
CHAPTER 5 Obscene Tendencies: Censorship and the Public Punctum
pp. 190
OBSCENE TENDENCIES:
pp. 223
Notes
pp. 223
NOTES
pp. 223
Notes
pp. 257
Bibliography
pp. 257
REFERENCES
pp. 257
Bibliography
pp. 275
Index
pp. 275
INDEX
pp. 275
Index
pp. 286
Back Matter
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