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The Selling Sound : The Rise of the Country Music Industry
Country Audiences and the Politics of Mass Culture, 1947-1960
edited_book
Publication date:
2007
Publisher:
Duke University Press
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The Production of Culture Perspective
N. Anand
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The Conquest of Cool
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Creating Country Music
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Book Chapter
Publication date:
2007
Pages
: 95-132
DOI:
10.1215/9780822390305-004
SO-VID:
a81297f1-c52b-4c16-9de7-5902e90aa2e1
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. v
Contents
pp. v
Table of Contents
pp. vii
Acknowledgments
pp. vii
Acknowledgments
pp. 1
Introduction: Commercialism as a Cultural Text
pp. 1
Introduction:
pp. 1
Introduction
pp. 13
Commercialism and the Cultural Value of Country Music, 1920-1947
pp. 13
Commercialism and the Cultural Value of Country Music, 1920–1947
pp. 13
1 Commercialism and the Cultural Value of Country Music, 1920–1947
pp. 53
2 Country Music Becomes Mass Culture, 1940–1958
pp. 53
Country Music Becomes Mass Culture, 1940–1958
pp. 53
Country Music Becomes Mass Culture, 1940-1958
pp. 95
Country Audiences and the Politics of Mass Culture, 1947–1960
pp. 95
3 Country Audiences and the Politics of Mass Culture, 1947–1960
pp. 95
Country Audiences and the Politics of Mass Culture, 1947-1960
pp. 133
Masses to Classes
pp. 133
4 Masses to Classes: The Country Music Association and the Development of Country Format Radio, 1958–1972
pp. 133
Masses to Classes:
pp. 168
Commercialism and Tradition, 1958–1970
pp. 168
Commercialism and Tradition, 1958-1970
pp. 168
5 Commercialism and Tradition, 1958–1970
pp. 200
Silent Majorities:
pp. 200
Silent Majorities
pp. 200
6 Silent Majorities: The Country Audience as Commodity, Constituency, and Metaphor, 1961–1975
pp. 236
Conclusion:
pp. 236
Conclusion
pp. 236
Conclusion: Money Music
pp. 245
Notes
pp. 245
Notes
pp. 245
Notes
pp. 273
Selective Bibliography
pp. 273
Selective Bibliography
pp. 273
Selective Bibliography
pp. 287
Index
pp. 287
Index
pp. 287
Index
pp. 296
Back Matter
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