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      Democratic Backsliding in Africa? : Autocratization, Resilience, and Contention 

      Zambia

      edited-book
      , ,
      Oxford University PressOxford

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          Abstract

          Zambia displayed distinct, observable democratic backsliding between 2011 and 2021, linked both to elite contestation and participatory rights. Autocratization resulted from the deliberate use of legal mechanisms to enhance executive power, stifle the opposition, silence the press, and undermine civil society forces. The manipulation of rules was legitimized by the use of legal strategies that have their origin in the country’s 1991 Constitution. Through all constitutional amendments, formal rules that provide extra powers and discretion to the executive remain, even as politics outwardly appears to be governed by democratic principles. Zambia’s democratic backsliding was closely linked to the changing relationship with its international partners as they no longer acted as “agencies of restraint” on the government’s policymaking, and the quality of governance declined as a result. The donor withdrawal weakened the political influence of civil society due to both cutback of funding and the reduction in political space for civic associations, protected by the patronage of the donors. The election of opposition candidate Hakainde Hichilema in August 2021 may have ended this episode of backsliding as, for the third time in the country’s history, power changed peacefully through the ballot box. To what extent the 2021 elections will move Zambia away from authoritarianism is uncertain as the current state of the country’s political institutions leaves it vulnerable to further episodes of backsliding.

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          Backsliding: Democratic Regress in the Contemporary World

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            Of cabbages and King Cobra: Populist politics and Zambia's 2006 election

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              Post-populism in Zambia: Michael Sata’s rise, demise and legacy

              Models explaining populism as a policy response to the interests of the urban poor struggle to understand the instability of populist mobilisations. A focus on political theatre is more helpful. This article extends the debate on populist performance, showing how populists typically do not produce rehearsed performances to passive audiences. In drawing ‘the people’ on stage they are forced to improvise. As a result, populist performances are rarely sustained. The article describes the Zambian Patriotic Front’s (PF) theatrical insurrection in 2006 and its evolution over the next decade. The PF’s populist aspect had faded by 2008 and gradually disappeared in parallel with its leader Michael Sata’s ill-health and eventual death in 2014. The party was nonetheless electorally successful. The article accounts for this evolution and describes a ‘post-populist’ legacy featuring of hyper-partisanship, violence and authoritarianism. Intolerance was justified in the populist moment as a reflection of anger at inequality; it now floats free of any programme.
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                Author and book information

                Book Chapter
                December 31 2022
                : 187-211
                10.1093/oso/9780192867322.003.0008
                a0696c48-c154-4367-bafc-6d36fda2cb6e
                History

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