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The Selling of 9/11
Entertainment Wars: Television Culture after 9/11
other
Author(s):
Lynn Spigel
Publication date
(Print):
2005
Publisher:
Palgrave Macmillan US
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The Queen of America Goes to Washington City
Lauren Berlant
(1997)
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Orientalism
Said EW.
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(1979)
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The Dialectics of Disaster
Fredric Jameson
(2002)
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Publication date (Print):
2005
Pages
: 119-154
DOI:
10.1007/978-1-137-08003-5_6
SO-VID:
9ba4bbc4-cc7a-4bbb-8a3c-e6d2b5f9fa75
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Book chapters
pp. 1
Introduction: Consuming 9/11
pp. 27
Wounded Nation, Broken Time
pp. 54
“Chosen to be Witness”: The Exceptionalism of 9/11
pp. 75
Advertisements for Itself: The New York Times, Norman Rockwell, and the New Patriotism
pp. 97
The Comfort Zone: Japan’s Media Marketing of 9/11
pp. 119
Entertainment Wars: Television Culture after 9/11
pp. 155
The Country Connection: Country Music, 9/11, and the War on Terrorism
pp. 174
“Your Flag Decal Won’t Get You Into Heaven Anymore”: U.S. Consumers, Wal-Mart, and the Commodification of Patriotism
pp. 200
Mourning, Monomyth and Memorabilia: Consumer Logics of Collecting 9/11
pp. 221
Social Fear and the Terrorism Survival Guide
pp. 233
Home Invasion and Hollywood Cinema: David Fincher’s Panic Room
pp. 254
Cynical Nationalism
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