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Bram Stoker
Stoker’s Counterfeit Gothic: Dracula and Theatricality at the Dawn of Simulation
other
Author(s):
Jerrold E. Hogle
Publication date
(Print):
1998
Publisher:
Palgrave Macmillan UK
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Powers of horror: As essay on abjection
J. KRISTEVA
,
J Kristeva
,
Julia Kristeva
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(1982)
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Skin Shows: Gothic Horror and the Technology of Monsters
Judith Halberstam
(1995)
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Art of Darkness: A Poetics of Gothic
Anne Williams
(1995)
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Book Chapter
Publication date (Print):
1998
Pages
: 205-224
DOI:
10.1007/978-1-349-26838-2_13
SO-VID:
90ee8daf-81c7-4214-920b-bc384b2bfb59
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Book chapters
pp. 1
Introduction: Bram Stoker, the Gothic and the Development of Cultural Studies
pp. 12
‘Powers Old and New’: Stoker’s Alliances with Anglo-Irish Gothic
pp. 29
Fables of Continuity: Bram Stoker and Medievalism
pp. 47
Vampiric Arts: Bram Stoker’s Defence of Poetry
pp. 62
Sex, History and the Vampire
pp. 78
Dracula and the Doctors: Bad Blood, Menstrual Taboo and the New Woman
pp. 96
The Alien and the Familiar in The Jewel of Seven Stars and Dracula
pp. 116
Exchanging Fantasies: Sex and the Serbian Crisis in The Lady of the Shroud
pp. 134
Crowning the King, Mourning his Mother: The Jewel of Seven Stars and The Lady of the Shroud
pp. 151
A Crucial Stage in the Writing of Dracula
pp. 173
Echoes in the Animal House: The Lair of the White Worm
pp. 188
Eruptions of the Primitive into the Present: The Jewel of Seven Stars and The Lair of the White Worm
pp. 205
Stoker’s Counterfeit Gothic: Dracula and Theatricality at the Dawn of Simulation
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