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      Körper und Repräsentation 

      Pornotopische Techniken des Betrachtens — Gustave Courbets „L’origine du monde“ (1866) und der Penetrationskonflikt der Zentralperspektive

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      Publisher: VS Verlag für Sozialwissenschaften

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          THE FEMALE NUDE

          Lynda Nead (1992)
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            FrauenKunstGeschichte. Zur Korrektur des herrschenden Blicks

            S. Schade (1984)
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              Sie und Er. Frauenmacht und Männerherrschaft im Kulturvergleich

              D Hammer-Tugendhat (1997)
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                Publication date (Print): 2002
                Pages: 63-71
                DOI: 10.1007/978-3-322-95029-1_5
                SO-VID: 8b71cc16-2b5f-4f5c-b23c-2ed8df915388
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