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“To Make the Dry Bones Live”: Amédeée Forestier's Glastonbury Lake Village
edited_book
Author(s):
James E. Phillips
Publication date
(Print):
January 01 2005
Publisher:
Blackwell Publishing Ltd
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Book Chapter
Pages
: 72-91
DOI:
10.1002/9780470774830.ch4
SO-VID:
81c46626-39ce-4312-82b8-cc28a9110baa
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Book chapters
pp. i
Frontmatter
pp. 1
Introduction: The Image in Question
pp. 13
Romancing the Human: The Ideology of Envisioned Human Origins
pp. 29
“We Grew Up and Moved On”: Visitors to British Museums Consider Their“Cradle of Mankind”
pp. 51
The American Time Machine: Indians and the Visualization of Ancient Europe
pp. 72
“To Make the Dry Bones Live”: Amédeée Forestier's Glastonbury Lake Village
pp. 92
Unlearning the Images of Archaeology
pp. 115
Illustrating Ancient Rome, or the Ichnographia as Uchronia and Other Time Warps in Piranesi's Il Campo Marzio
pp. 133
Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity
pp. 158
A Different Way of Seeing? Toward a Visual Analysis of Archaeological Folklore
pp. 180
Photography and Archaeology: The Image as Object
pp. 192
Wearing Juninho's Shirt: Record and Negotiation in Excavation Photographs
pp. 204
Video Killed Engaging VR? Computer Visualizations on the TV Screen
pp. 223
The Real, the Virtually Real, and the Hyperreal: The Role of VR in Archaeology
pp. 240
Index
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