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A Beautiful Pageant
Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
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Author(s):
David Krasner
Publication date
(Print):
2002
Publisher:
Palgrave Macmillan US
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Groundings: The Journal of the Walter Rodney Foundation
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Blindness and In-sight: Essays on the Rhetoric of Contemporary Criticism
P. de
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Paul De Man
,
P. De Man
…
(1983)
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Lynching performances, theatres of violence
Kirk Fuoss
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Marxism and Form
F. Jameson
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F. JAMESON
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F Jameson
(1971)
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Publication date (Print):
2002
Pages
: 97-111
DOI:
10.1007/978-1-137-06625-1_5
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5bb79bd8-d6af-469b-9b8e-0f8db74295ff
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Book chapters
pp. 1
African American Performance in the Harlem Renaissance
pp. 17
Men in Black and White: Race and Masculinity in the Heavyweight Title Fight of 1910
pp. 55
Exoticism, Dance, and Racial Myths: Modern Dance and the Class Divide in the Choreography of Aida Overton Walker and Ethel Waters
pp. 81
“The Pageant Is the Thing”: Black Nationalism and The Star of Ethiopia
pp. 97
Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
pp. 113
Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
pp. 131
The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson
pp. 167
“In the Whirlwind and the Storm”: Marcus Garvey and the Performance of Black Nationalism
pp. 189
Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
pp. 207
“What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
pp. 239
Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
pp. 289
Conclusion: The end of “Butter Side Up”
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