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Premodern Rulers and Postmodern Viewers: Gender, Sex, and Power in Popular Culture
A Man? A Woman? A Lesbian? A Whore?: Queen Elizabeth I and the Cinematic Subversion of Gender
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Author(s):
Aidan Norrie
Publication date
(Online):
February 02 2018
Publisher:
Springer International Publishing
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UCL: UN SDG 05 Gender Equality
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Historiography and Historiophoty
Hayden White
(1988)
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"To Promote a Woman to Beare Rule": Talking of Queens in Mid-Tudor England
Judith Richards
(1998)
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Gender and the Language of Insult in Early Modern London
Laura Gowing
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L Gowing
(1993)
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2018
Publication date (Online):
February 02 2018
Pages
: 319-340
DOI:
10.1007/978-3-319-68771-1_16
SO-VID:
31cfeb44-012c-44bc-9597-73e378920a6b
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Book chapters
pp. E1
Erratum to: The Filmic Legacy of ‘Queen Christina’: Mika Kaurismäki’s Girl King (2015) and Bertrand Tavernier’s Cinematic ‘Amazons’ in D’Artagnan’s Daughter (1994) and The Princess of Monpensier (2010)
pp. 1
Introduction—Getting Modern: Depicting Premodern Power and Sexuality in Popular Media
pp. 27
Early Modern Queens on Screen: Victors, Victims, Villains, Virgins, and Viragoes
pp. 51
Silencing Queens: The Dominated Discourse of Historical Queens in Film
pp. 69
Feminism, Fiction, and the Empress Matilda
pp. 91
‘She Is My Eleanor’: The Character of Isabella of Angoulême on Film—A Medieval Queen in Modern Media
pp. 111
Women’s Weapons in The White Queen
pp. 131
‘Men Go to Battle, Women Wage War’: Gender Politics in The White Queen and Its Fandom
pp. 159
Religious Medievalisms in RTVE’s Isabel
pp. 179
‘The Queen of Time’: Isabel I in The Ministry of Time (2015) and The Queen of Spain (2016)
pp. 195
From Mad Love to Mad Lust: The Dangers of Female Desire in Twenty-First Century Representations of Juana I of Castile in Film and Television
pp. 215
The Filmic Legacy of ‘Queen Christina’: Mika Kaurismäki’s Girl King (2015) and Bertrand Tavernier’s Cinematic ‘Amazons’ in D’Artagnan’s Daughter (1994) and The Princess of Monpensier (2010)
pp. 239
Thomas Imbach’s Marian Biopic: Postmodern Period Drama or Old-Fashioned Psychogram?
pp. 263
Queering Isabella: The ‘She-Wolf of France’ in Film and Television
pp. 283
Seeing Him for What He Was: Reimagining King Olaf II Haraldsson in Post-War Popular Culture
pp. 303
Televising Boabdil, Last Muslim King of Granada
pp. 319
A Man? A Woman? A Lesbian? A Whore?: Queen Elizabeth I and the Cinematic Subversion of Gender
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