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World Cinemas, Transnational Perspectives
vernacular modernism: tracking cinema on a global scale
other
Publication date:
September 10 2009
Publisher:
Routledge
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Journal of Islamic Archaeology
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Book Chapter
Publication date:
September 10 2009
Pages
: 303-330
DOI:
10.4324/9780203882795-22
SO-VID:
29c67c3b-439e-4a87-92dc-350a62211a79
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Book chapters
pp. 19
notes on transnational film theory: decentered subjectivity, decentered capitalism kathleen newman
pp. 28
on the plurality of cinematic transnationalism mette hjort
pp. 50
tracking “global media” in the outposts of globalization bhaskar sarkar
pp. 75
time zones and jetlag: the flows and phases of world cinema dudley andrew
pp. 106
vector, flow, zone: towards a history of cinematic translatio natasˇa dˇurovicˇová
pp. 139
chinese cinema and transnational film studies yingjin zhang
pp. 153
national cinema abroad: the new international division of cultural labor, from production to viewing toby miller
pp. 176
aural identity, genealogies of sound technologies, and hispanic transnationality on screen marvin d’lugo
pp. 202
how movies move (between hong kong and bulawayo, between screen and stage . . .) lesley stern
pp. 233
the new paradoxes of black africa’s cinemas
pp. 242
the transnational other: street kids in contemporary brazilian cinema
pp. 263
fantasy in action
pp. 303
vernacular modernism: tracking cinema on a global scale
pp. 331
teen globalization and hybridization
pp. 336
from playtime to the world: the expansion and depletion of space within global economies
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