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The Cambridge Companion to Theatre History
Re: Enactment
edited_book
Author(s):
Gilli Bush-Bailey
Publication date:
December 13 2012
Publisher:
Cambridge University Press
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Consuming History: Historians and Heritage in Contemporary Popular Culture
Jerome de Groot
(2009)
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Cities of the Dead: Circum-Atlantic Performance
J Roach
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Roach
(1996)
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The Cambridge Introduction to Theatre Historiography
Thomas Postlewait
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Postlewait
(2009)
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Book Chapter
Publication date:
December 13 2012
Pages
: 281-298
DOI:
10.1017/CCO9781139019651.023
SO-VID:
244e9f8c-8753-4e38-8829-dac2b201df70
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Book chapters
pp. 3
Why theatre history?
pp. 15
Modernist theatre
pp. 33
Baroque to romantic theatre
pp. 55
Medieval, renaissance and early modern theatre
pp. 73
Classical theatre
pp. 91
Liverpool
pp. 104
Finland
pp. 116
Egypt
pp. 136
Traditional theatre: the case of Japanese Noh
pp. 149
Reflections on a global theatre history
pp. 169
The audience
pp. 184
The art of acting
pp. 197
Music theatre and musical theatre
pp. 210
Circus
pp. 231
The nature of historical evidence: a case study
pp. 246
The visual record: the case of Hamlet
pp. 267
Museums, archives and collecting
pp. 281
Re: Enactment
pp. 299
The internet: history 2.0?
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