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Music Criticism in Nineteenth-Century France : La Revue et gazette musicale de Paris 1834–80
The Austro-German tradition II: The reception of Beethoven
monograph
Publication date:
September 14 1995
Publisher:
Cambridge University Press
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Book Chapter
Publication date:
September 14 1995
Pages
: 101-126
DOI:
10.1017/CBO9780511470264.006
SO-VID:
162fbb50-02d7-4161-9812-5e9e0e4e1c8b
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Book chapters
pp. 1
Introduction
pp. 8
Crosscurrents in early nineteenth-century criticism
pp. 33
The rise of the specialist press from 1827
pp. 56
Early music
pp. 77
The Austro-German tradition I: The reception of Gluck, Haydn and Mozart
pp. 101
The Austro-German tradition II: The reception of Beethoven
pp. 127
The Austro-German tradition III: Weber, Schubert and Mendelssohn
pp. 142
Contemporary music I: Piano music
pp. 160
Contemporary music II: Chamber and symphonic music
pp. 184
Contemporary music III: Opera
pp. 206
Contemporary music IV: The music of the future
pp. 219
Contemporary music V: Berlioz
pp. 235
Conclusion
pp. 243
Principal contributors to the Gazette
pp. 274
Bibliography
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