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Iconic Power
The Making of Humanitarian Visual Icons: On the 1921–1923 Russian Famine as Foundational Event
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Author(s):
Fuyuki Kurasawa
Publication date
(Print):
2012
Publisher:
Palgrave Macmillan US
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Thermal Imaging in Social Decision Making
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On Justification : Economies of Worth
Luc Boltanski
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Laurent Thévenot
(2006)
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Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity
John H. Law
(1992)
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Regarding the pain of others
Susan Sontag
(2003)
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Book Chapter
Publication date (Print):
2012
Pages
: 67-84
DOI:
10.1057/9781137012869_5
SO-VID:
0f48e29a-8306-429c-97e5-b54ef273ec7e
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Book chapters
The Visualization of Uncertainty
Becoming Iconic
Iconic Difference and Seduction
Body and Image
The Making of Humanitarian Visual Icons
Representation, Presentation, Presence
Iconic Power and Performance
Introduction Materiality and Meaning in Social Life
Afterword
Iconspicuous Revolutions of 1989
Visible Meanings
How to Make an Iconic Commodity
Iconic Rituals
The Emergence of Iconic Depth
Seeing Tragedy in the News Images of September 11
Shifting Extremisms
pp. 1
Introduction: Materiality and Meaning in Social Life: Toward an Iconic Turn in Cultural Sociology
pp. 15
Representation, Presentation, Presence: Tracing the Homo Pictor
pp. 25
Iconic Power and Performance: The Role of the Critic
pp. 39
Iconspicuous Revolutions of 1989: Culture and Contingency in the Making of Political Icons
pp. 67
The Making of Humanitarian Visual Icons: On the 1921–1923 Russian Famine as Foundational Event
pp. 85
Seeing Tragedy in the News Images of September 11
pp. 101
The Emergence of Iconic Depth: Secular Icons in a Comparative Perspective
pp. 119
Shifting Extremisms: On the Political Iconology in Contemporary Serbia
pp. 139
The Visualization of Uncertainty: HIV Statistics in Public Media
pp. 155
How to Make an Iconic Commodity: The Case of Penfolds’ Grange Wine
pp. 171
Becoming Iconic: The Cases of Woodstock and Bayreuth
pp. 187
Body and Image
pp. 203
Iconic Difference and Seduction
pp. 219
Iconic Rituals: Towards a Social Theory of Encountering Images
pp. 233
Visible Meanings
pp. 247
Afterword
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