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European Film and Television Co-production : Policy and Practice
Introduction: European Film and Television Co-production
other
Author(s):
Julia Hammett-Jamart
,
Petar Mitric
,
Eva Novrup Redvall
Publication date
(Online):
January 29 2019
Publisher:
Springer International Publishing
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Production Culture
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Australian National Cinema
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Publication date (Print):
2018
Publication date (Online):
January 29 2019
Pages
: 1-26
DOI:
10.1007/978-3-319-97157-5_1
SO-VID:
0da55773-f284-4520-973d-efbe1e69c306
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Book chapters
pp. 1
Introduction: European Film and Television Co-production
pp. 27
Statistical Overview: Production, Co-production and Circulation
pp. 45
Official Co-production: Policy Instruments and Imperatives
pp. 63
The European Co-production Treaties: A Short History and a Possible Typology
pp. 83
From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film
pp. 105
European Co-productions in a Digital Single Market: EUtopia or Dystopia?
pp. 121
The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy
pp. 137
International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm
pp. 153
Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas
pp. 175
The Regional Film Fund as Co-production Crusader: The Case of Film i Väst
pp. 191
The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers
pp. 207
European Co-productions and Greek Cinema since the Crisis: “Extroversion” as Survival
pp. 223
Exporting the French Co-production Model: Aide aux cinémas du monde and Produire au Sud
pp. 243
‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla
pp. 255
Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?
pp. 265
The Impact of Regional Film Funds on the European Co-production Model
pp. 281
Minority Co-production: Insights from MEDICI
pp. 295
‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel
pp. 305
‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge
pp. 319
‘European Television Co-productions’—an interview with Klaus Zimmermann
pp. 329
‘Co-production Case Study: Ida by Pawel Pawlikowski’—an interview with Ewa Puszczynska and Sofie Wanting Hassing
pp. 341
‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont
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