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Collective Participation and Audience Engagement in Rap Music
From the Stage to the Booth to the Stage: Sustaining Collective Engagement During Live Performance
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Author(s):
David Diallo
Publication date
(Online):
August 29 2019
Publisher:
Springer International Publishing
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Gesture Gives a Hand to Language and Learning: Perspectives from Cognitive Neuroscience, Developmental Psychology and Education
Spencer Kelly
,
Sarah Manning
,
Sabrina Rodak
(2008)
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Droppin’ science: Critical essays on rap music and hip hop culture
WE Perkins
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Nancy GUEVARA
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William Perkins
…
(1996)
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Rap music and street consciousness
CL Keyes
,
Keyes Cheryl L.
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CL Keyes
(2002)
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Book Chapter
Publication date (Print):
2019
Publication date (Online):
August 29 2019
Pages
: 103-119
DOI:
10.1007/978-3-030-25377-6_7
SO-VID:
aa6500cf-617a-4066-bc17-97d788821814
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Book chapters
pp. 1
Introduction
pp. 5
Call-and-Response in Rap Music
pp. 25
“Rock the House:” Emceeing and Collective Participation in Rap Music’s Formative Years (1974–1978)
pp. 47
“Keeping It Real Live!” Maintaining Collective Participation on Records
pp. 65
“Coming to You Live and Direct!”: Performing Liveness and Immediacy on Record
pp. 85
Intertextuality in Rap Lyrics
pp. 103
From the Stage to the Booth to the Stage: Sustaining Collective Engagement During Live Performance
pp. 121
Rap Music and Singing Along to the N-word
pp. 137
Discussing Collective Participation and Audience Engagement with Sugarhill Gang’s Master Gee
pp. 145
Conclusion
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