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Routledge International Handbook of Visual Criminology
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Editor(s):
Michelle Brown
,
Eamonn Carrabine
Publication date
(Online):
July 6 2017
Publisher:
Routledge
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The Criminology, Victimology and Security Journal
Author and book information
Book
ISBN (Electronic):
9781315713281
Publication date (Online):
July 6 2017
DOI:
10.4324/9781315713281
SO-VID:
362e3986-fa0c-44aa-ace1-9a2229ff8a28
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Book chapters
pp. 1
Introducing visual criminology
pp. 13
Law, evidence and representation
pp. 23
Social science and visual culture
pp. 40
“We never, never talked about photography”
pp. 53
Crime films and visual criminology
pp. 62
Key methods of visual criminology
pp. 74
Visions of legitimacy
pp. 89
Carceral geography and the spatialization of carceral studies
pp. 101
Art and its unruly histories
pp. 121
Making the criminal visible
pp. 135
Documentary criminology
pp. 151
Going feral
pp. 166
Mediated suffering
pp. 177
Media, popular culture and the lone wolf terrorist
pp. 190
Representing the pedophile
pp. 202
Street art, graffiti and urban aesthetics
pp. 215
Risky business
pp. 229
Crimesploitation
pp. 243
In plain view
pp. 255
The role of the visual in the restoration of social order
pp. 268
Opening a window on probation cultures
pp. 280
How does the photograph punish?
pp. 293
The visual retreat of the prison
pp. 305
Pervasive punishment
pp. 320
Graphic justice and criminological aesthetics
pp. 337
Staged imagery of killing and torture
pp. 348
Just des(s)erts? Crime and punishment in the Italian last judgement
pp. 362
Visualizing blackness – racializing gaming
pp. 376
Visual power and sovereignty
pp. 389
Asylum seekers and moving images
pp. 404
Visual criminology and cultural memory
pp. 416
Seeing and seeing-as
pp. 427
The concerned criminologist
pp. 442
Los Angeles, urban history and neo-noir cinema
pp. 455
Against a ‘humanizing’ prison cinema
pp. 469
Fascinated receptivity and the visual unconscious of crime
pp. 486
The criminologist as visual scholar in a global mediascape
pp. 497
Sunk capital, sinking prisons, stinking landfills
pp. 514
Territorial coding in street art and censure
pp. 523
Representations of environmental crime and harm
pp. 540
There’s no place like home
pp. 553
Monstrous nature
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