Archiving a Life&apos;s Work: An Interview with Ismail Khayat

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Journal of Intersectionality

Volume 4, Issue 1

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Abstract: found
Article: found

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Archiving a Life's Work: An Interview with Ismail Khayat

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research-article

Author(s): Ismail Khayat , Meriwan Abdullah

Publication date (Print, pub): 1 July 2020

Journal: Journal of Intersectionality

Publisher: Pluto Journals

Keywords: Kurdish art, Ismail Khayat, Sulaimani, Iraqi Kurdistan, intersectionality, conflict

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Abstract

Content

Author and article information

Contributors

Ismail Khayat

Meriwan Abdullah: Role: Interviewed by

Journal

Journal ID (doi): 10.2307/j50020142

Journal ID (jcode): jinte

Title: Journal of Intersectionality

Publisher: Pluto Journals

ISSN: 2515-2114

ISSN: 2515-2122

Publication date (Print, pub): 1 July 2020

Volume: 4

Issue: 1 ( doiID: 10.13169/jinte.2.issue-2 )

Pages: 52-58

Affiliations

Artist, Sulaimani, Iraqi Kurdistan

Artist, Atlanta, United States

Article

Publisher ID: jinte.2.2.0052

DOI: 10.13169/jinte.2.2.0052

SO-VID: 5cdd53cc-9532-41a4-a9d1-460cd42a53ed

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All content is freely available without charge to users or their institutions. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission of the publisher or the author. Articles published in the journal are distributed under a http://creativecommons.org/licenses/by/4.0/.

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lang eng

ScienceOpen disciplines: Theory of historical sciences,Political & Social philosophy,Intercultural philosophy,General social science,Development studies,Cultural studies

Keywords: Kurdish art,Ismail Khayat,Sulaimani,Iraqi Kurdistan,intersectionality,conflict

Footnotes

Saeed and Ali 2013.
http://ibrahimicollection.com/node/115.
Ibid.
“Stone Garden and Retrospective of Artist Ismail Khayat Open at AUIS.” https://auis.edu.krd/news/stone-garden-and-retrospective-artist-ismail-khayat-open-auis.
The Ruya Foundation is a non-profit, non-governmental organization with the aim of aiding and enriching culture in Iraq. Ruya Foundation website. https://ruyafoundation.org/en/about/ .
Here Ismail Khayat is using the term “modern” to refer to contemporary work being created today and in this time in Iraqi Kurdistan.
Here Ismail Khayat refers to “special occasions.” Iraqi Kurdistan enjoys a number of governmental and religious holidays like the celebration of the Raparin (1991 uprising) and Norooz (Kurdish New Year) to include the remembrance of the genocide at Halabja, but also Islamic celebrations like Eid Al Fitr (breaking the fast after Ramadan) and Lailat al Qadr (marking the night in which the Qur'an was first reveal to the Prophet Muhammed). Many of these celebrations are accompanied by art shows, performances and musical events.
Roshnbiran, in the most inclusive sense of the word, refers to “artists” to also include those whom we might think of as the “literati.”
Here “section” refers to a government office.

Comments

Comment on this article

[1] Saeed and Ali 2013.

[2] http://ibrahimicollection.com/node/115.

[3] Ibid.

[4] “Stone Garden and Retrospective of Artist Ismail Khayat Open at AUIS.” https://auis.edu.krd/news/stone-garden-and-retrospective-artist-ismail-khayat-open-auis.

[5] The Ruya Foundation is a non-profit, non-governmental organization with the aim of aiding and enriching culture in Iraq. Ruya Foundation website. https://ruyafoundation.org/en/about/ .

[6] Here Ismail Khayat is using the term “modern” to refer to contemporary work being created today and in this time in Iraqi Kurdistan.

[7] Here Ismail Khayat refers to “special occasions.” Iraqi Kurdistan enjoys a number of governmental and religious holidays like the celebration of the Raparin (1991 uprising) and Norooz (Kurdish New Year) to include the remembrance of the genocide at Halabja, but also Islamic celebrations like Eid Al Fitr (breaking the fast after Ramadan) and Lailat al Qadr (marking the night in which the Qur'an was first reveal to the Prophet Muhammed). Many of these celebrations are accompanied by art shows, performances and musical events.

[8] Roshnbiran, in the most inclusive sense of the word, refers to “artists” to also include those whom we might think of as the “literati.”

[9] Here “section” refers to a government office.