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      Guest Editor's Introduction: Toward a Greater Understanding of Contemporary Kurdish Art and Aesthetics

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      Journal of Intersectionality
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            Author and article information

            Contributors
            Journal
            10.2307/j50020142
            jinte
            Journal of Intersectionality
            Pluto Journals
            2515-2114
            2515-2122
            1 July 2020
            : 4
            : 1 ( doiID: 10.13169/jinte.2.issue-2 )
            : 3-10
            Affiliations
            Research Fellow, Global South Research Consortium
            Article
            jinte.2.2.0003
            10.13169/jinte.2.2.0003
            69c01f3c-b384-4342-b85e-39d7fd025c7a
            © 2020 Pluto Journals

            All content is freely available without charge to users or their institutions. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission of the publisher or the author. Articles published in the journal are distributed under a http://creativecommons.org/licenses/by/4.0/.

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            eng

            Theory of historical sciences,Political & Social philosophy,Intercultural philosophy,General social science,Development studies,Cultural studies

            Footnotes

            1. King 2014.

            2. Natali 2010.

            3. Kuridstan 24 online 2019.

            4. Cleveland 2008.

            5. Ibid.: 3.

            6. Saeed and Ali 2013.

            7. Damluji 2015.

            8. Bahoora 2015.

            9. Cicek 2012.

            10. Kilic 2015.

            11. Kennedy 2007.

            12. Crenshaw 1991.

            13. As a branch of philosophy, aesthetics is traditionally concerned with the theory of beauty, the cultivation of taste and the theory of art. For this special issue, we utilize an anthropological conception of aesthetics which refers to the productive processes of expression and the discerning of visual events in a culturally specific manner. In this way, this special issue is aligning with a relativistic approach to aesthetics and understanding art. At the same time, in the underexplored field of Kurdish visual art, we have very, very little in the way of historical or ethnographic documentation of the art itself and no scholarly criticism of the art, from which to build an understanding.

            14. Gramsci 1971.

            15. Leela Corman (author of Unterzakhn) in discussion with the author, September 2019.

            16. “The Kurdish Diaspora,” Institute Kurde. No precise and reliable census of the Kurdish diaspora in Europe has been recently carried out, but the most widely accepted estimates set their number at about 850,000 in Western Europe.

            17. Klinenberg 2018.

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