Re-Writing History on Screen: Annemarie Jacir&apos;s <i>Salt of This Sea</i>

Kenza Oumlil, null

doi:10.13169/arabstudquar.38.3.0586

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Arab Studies Quarterly

Volume 38, Issue 3

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Re-Writing History on Screen: Annemarie Jacir's Salt of This Sea

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Author(s): Kenza Oumlil

Publication date (Print): Summer 2016

Journal: Arab Studies Quarterly

Publisher: Pluto Journals

Keywords: Annemarie Jacir, Palestinian cinema, gender, femininity, masculinity, Arab identity

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Journal ID (doi): 10.13169

Journal ID (publisher-id): arabstudquar

Title: Arab Studies Quarterly

Publisher: Pluto Journals

ISSN (Print): 02713519

ISSN (Electronic): 20436920

Publication date (Print): Summer 2016

Volume: 38

Issue: 3

Pages: 586-600

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Publisher ID: arabstudquar.38.3.0586

DOI: 10.13169/arabstudquar.38.3.0586

SO-VID: 735d41ee-1fc5-4f4b-9430-f8a2700691be

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References

Abu-Lughod, Lila (2002). Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others. American Anthropologist , 104(3), 783–790.
Bidou, Jacques, Dumoulin, Marianne (Producers), and Jacir, Annemarie (Director) (2008). Salt of This Sea . Motion Picture. France: JBA Production.
Connell, R. W. (1995) Masculinities . Cambridge: Polity Press.
Consalvo, Mia (2003). The Monsters Next Door: Media Constructions of Boys and Masculinity. Feminist Media Studies , 3(1), 27–45.
Dammann, Laurel (2011). “Annemarie Jacir Learns from the Best.” MovieMaker: The Art and Business of Making Movies . 11 November. Web. Accessed July 19, 2016. <http://www.moviemaker.com/archives/moviemaking/directing/articles-directing/annemarie-jacir-rolex-mentor-when-i-saw-you-zhang-yimou-20111104/>.
Entman, Robert M. (2003). Cascading Activation: Contesting the White House's Frame after 9/11. Political Communication , 20(4), 415–432.
Fish, Stanley Eugene (1980). Is There a Text in This Class? The Authority of Interpretive Communities . Cambridge, MA: Harvard University Press.
Gertz, Nurith and Khleifi, George (2011). A Chronicle of Palestinian Cinema. In Film in the Middle East and North Africa: Creative Dissidence , ed. Josef Gugler. 1st ed. Austin, TX: University of Texas Press, pp. 187–197.
Ginsburg, Faye D. (2002). Screen Memories: Resignifying the Traditional in Indigenous Media. In Media Worlds: Anthropology on New Terrain , eds. Faye D. Ginsburg, Lila Abu-Lughod, and Brian Larkin. Berkeley, CA: University of California Press, pp. 39–57.
Ginsburg, Terri and Lippard, Chris (2010). Historical Dictionary of Middle Eastern Cinema—Historical Dictionaries of Literature and the Arts, No. 36 . Lanham, MD: The Scarecrow Press.
Hall, Stuart (1997). Representation: Cultural Representations and Signifying Practices . London and Thousand Oaks, CA: Sage in association with The Open University.
Hazzah, Ali (2008). “Fresh Visions: Making Salt of This Sea.” Eye for Film .
Hillauer, Rebecca (2005). Encyclopedia of Arab Women Filmmakers . Rev. and Updated ed. Cairo, Egypt, and New York, NY: American University in Cairo Press.
Holledge, Richard (2011). “Palestinian Filmmaker Jacir on the Treacherous Road.” Gulf News . 23 December. Web. Accessed 19 July, 2016. <http://gulfnews.com/leisure/movies/palestinian-filmmaker-jacir-on-the-treacherous-road-1.954286>.
hooks, bell (1989). Talking Back: Thinking Feminist, Thinking Black . Boston, MA: South End Press.
hooks, bell (1996). Reel to Real: Race, Sex, and Class at the Movies . New York, NY: Routledge.
Inhorn, Maria Claire (2012). The New Arab Man: Emergent Masculinities, Technologies, and Islam in the Middle East . Princeton, NJ: Princeton University Press.
Jacir, Annemarie (2006). For Cultural Purposes Only: Curating a Palestinian Film Festival. In Dreams of a Nation: On Palestinian Cinema , eds. Hamid Dabashi and Edward W. Said. London and New York, NY: Verso.
Karim, Karim H. (2000). Islamic Peril: Media and Global Violence . Montreal, QC, Canada, and New York, NY: Black Rose Books.
Katz, Jackson (1995). Reconstructing Masculinity in the Locker Room: The Mentors in Violence Prevention Project. Harvard Educational Review , 65(2), 163–175.
Kirby, Sandra L. and McKenna, Kate (Eds.). (1989). Experience Research Social Change: Methods from the Margins . Toronto, ON, Canada: Garamond Press.
Montagner, Kate. (2001). The Whole World Is Watching. Australian Screen Education , 25, 14–17.
Mullenneaux, Lisa (2010). “A Bitter Sea: An Interview with Palestinian Film Director Annemarie Jacir.” Z Magazine . November.
Mulvey, Laura ([1976] 1985). Visual Pleasure and Narrative Cinema. In Movies and Methods: An Anthology , ed. Bill Nichols. Berkeley, CA: University of California Press, pp. 303–314.
Newman, Michael Z. (2009). Indie Culture: In Pursuit of the Authentic Autonomous Alternative. Cinema Journal , 48(3), 16–34.
Oumlil, Kenza (2013). The Poetry of Suheir Hammad. Feminist Media Studies , 13(5), 850–859.
Razack, Sherene (2008). Casting Out: The Eviction of Muslims from Western Law and Politics . Toronto, ON, Canada: University of Toronto Press.
Said, Edward W. ([1978] 1994). Orientalism . 25th Anniversary ed. New York, NY: Vintage Books.
Shafik, Viola (2005) Film in Palestine—Palestine in Film. In Encyclopedia of Arab Women Filmmakers , ed. Rebecca Hillauer. Rev. and Updated ed. Cairo, Egypt, and New York, NY: American University in Cairo Press, pp. 202–205.
Shaheen, Jack (2001). Reel Bad Arabs: How Hollywood Vilifies a People . New York, NY: Olive Branch Press.
Shohat, Ella. ([1989] 2010). “Postscript.” In Israeli Cinema: East/West and the Politics of Representation . London and New York, NY: I.B. Tauris, 249–325.
Stam, Robert and Spence, Louise (1985). Colonialism, Racism, and Representation: An Introduction. In Movies and Methods: An Anthology , Volume II, ed. Bill Nichols. Berkeley, CA: University of California Press.
Stillman, Sarah (2007). “The Missing White Girl Syndrome”: Disappeared Women and Media Activism. Gender and Development , 15(3), 491–502.
Yeğenoğlu, Meyda (1998). Colonial Fantasies: Towards a Feminist Reading of Orientalism . Cambridge and New York, NY: Cambridge University Press.

Comments

Comment on this article

[1] Abu-Lughod, Lila (2002). Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others. American Anthropologist , 104(3), 783–790.

[2] Bidou, Jacques, Dumoulin, Marianne (Producers), and Jacir, Annemarie (Director) (2008). Salt of This Sea . Motion Picture. France: JBA Production.

[3] Connell, R. W. (1995) Masculinities . Cambridge: Polity Press.

[4] Consalvo, Mia (2003). The Monsters Next Door: Media Constructions of Boys and Masculinity. Feminist Media Studies , 3(1), 27–45.

[5] Dammann, Laurel (2011). “Annemarie Jacir Learns from the Best.” MovieMaker: The Art and Business of Making Movies . 11 November. Web. Accessed July 19, 2016. <http://www.moviemaker.com/archives/moviemaking/directing/articles-directing/annemarie-jacir-rolex-mentor-when-i-saw-you-zhang-yimou-20111104/>.

[6] Entman, Robert M. (2003). Cascading Activation: Contesting the White House's Frame after 9/11. Political Communication , 20(4), 415–432.

[7] Fish, Stanley Eugene (1980). Is There a Text in This Class? The Authority of Interpretive Communities . Cambridge, MA: Harvard University Press.

[8] Gertz, Nurith and Khleifi, George (2011). A Chronicle of Palestinian Cinema. In Film in the Middle East and North Africa: Creative Dissidence , ed. Josef Gugler. 1st ed. Austin, TX: University of Texas Press, pp. 187–197.

[9] Ginsburg, Faye D. (2002). Screen Memories: Resignifying the Traditional in Indigenous Media. In Media Worlds: Anthropology on New Terrain , eds. Faye D. Ginsburg, Lila Abu-Lughod, and Brian Larkin. Berkeley, CA: University of California Press, pp. 39–57.

[10] Ginsburg, Terri and Lippard, Chris (2010). Historical Dictionary of Middle Eastern Cinema—Historical Dictionaries of Literature and the Arts, No. 36 . Lanham, MD: The Scarecrow Press.

[11] Hall, Stuart (1997). Representation: Cultural Representations and Signifying Practices . London and Thousand Oaks, CA: Sage in association with The Open University.

[12] Hazzah, Ali (2008). “Fresh Visions: Making Salt of This Sea.” Eye for Film .

[13] Hillauer, Rebecca (2005). Encyclopedia of Arab Women Filmmakers . Rev. and Updated ed. Cairo, Egypt, and New York, NY: American University in Cairo Press.

[14] Holledge, Richard (2011). “Palestinian Filmmaker Jacir on the Treacherous Road.” Gulf News . 23 December. Web. Accessed 19 July, 2016. <http://gulfnews.com/leisure/movies/palestinian-filmmaker-jacir-on-the-treacherous-road-1.954286>.

[15] hooks, bell (1989). Talking Back: Thinking Feminist, Thinking Black . Boston, MA: South End Press.

[16] hooks, bell (1996). Reel to Real: Race, Sex, and Class at the Movies . New York, NY: Routledge.

[17] Inhorn, Maria Claire (2012). The New Arab Man: Emergent Masculinities, Technologies, and Islam in the Middle East . Princeton, NJ: Princeton University Press.

[18] Jacir, Annemarie (2006). For Cultural Purposes Only: Curating a Palestinian Film Festival. In Dreams of a Nation: On Palestinian Cinema , eds. Hamid Dabashi and Edward W. Said. London and New York, NY: Verso.

[19] Karim, Karim H. (2000). Islamic Peril: Media and Global Violence . Montreal, QC, Canada, and New York, NY: Black Rose Books.

[20] Katz, Jackson (1995). Reconstructing Masculinity in the Locker Room: The Mentors in Violence Prevention Project. Harvard Educational Review , 65(2), 163–175.

[21] Kirby, Sandra L. and McKenna, Kate (Eds.). (1989). Experience Research Social Change: Methods from the Margins . Toronto, ON, Canada: Garamond Press.

[22] Montagner, Kate. (2001). The Whole World Is Watching. Australian Screen Education , 25, 14–17.

[23] Mullenneaux, Lisa (2010). “A Bitter Sea: An Interview with Palestinian Film Director Annemarie Jacir.” Z Magazine . November.

[24] Mulvey, Laura ([1976] 1985). Visual Pleasure and Narrative Cinema. In Movies and Methods: An Anthology , ed. Bill Nichols. Berkeley, CA: University of California Press, pp. 303–314.

[25] Newman, Michael Z. (2009). Indie Culture: In Pursuit of the Authentic Autonomous Alternative. Cinema Journal , 48(3), 16–34.

[26] Oumlil, Kenza (2013). The Poetry of Suheir Hammad. Feminist Media Studies , 13(5), 850–859.

[27] Razack, Sherene (2008). Casting Out: The Eviction of Muslims from Western Law and Politics . Toronto, ON, Canada: University of Toronto Press.

[28] Said, Edward W. ([1978] 1994). Orientalism . 25th Anniversary ed. New York, NY: Vintage Books.

[29] Shafik, Viola (2005) Film in Palestine—Palestine in Film. In Encyclopedia of Arab Women Filmmakers , ed. Rebecca Hillauer. Rev. and Updated ed. Cairo, Egypt, and New York, NY: American University in Cairo Press, pp. 202–205.

[30] Shaheen, Jack (2001). Reel Bad Arabs: How Hollywood Vilifies a People . New York, NY: Olive Branch Press.

[31] Shohat, Ella. ([1989] 2010). “Postscript.” In Israeli Cinema: East/West and the Politics of Representation . London and New York, NY: I.B. Tauris, 249–325.

[32] Stam, Robert and Spence, Louise (1985). Colonialism, Racism, and Representation: An Introduction. In Movies and Methods: An Anthology , Volume II, ed. Bill Nichols. Berkeley, CA: University of California Press.

[33] Stillman, Sarah (2007). “The Missing White Girl Syndrome”: Disappeared Women and Media Activism. Gender and Development , 15(3), 491–502.

[34] Yeğenoğlu, Meyda (1998). Colonial Fantasies: Towards a Feminist Reading of Orientalism . Cambridge and New York, NY: Cambridge University Press.