Configuring a Haptic Interface for Music Performance

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Configuring a Haptic Interface for Music Performance

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proceedings-article

Author(s): Joanne Armitage , Kia Ng

Publication date (Print): July 2015

Conference name: Electronic Visualisation and the Arts (EVA 2015) (EVA)

Conference theme: Electronic Visualisation and the Arts

Conference date: 7 & 9 July 2015

Keywords: Multimodality, Tactile, Music, Haptic, Interface

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Abstract

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Author and article information

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Publication date: July 2015

Publication date (Print): July 2015

Pages: 41-45

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[0001]ICSRiM – University of Leeds, School of Music and School of Computing, Leeds LS2 9JT, U.K.

haptics@icsrim.org.uk, www.icsrim.leeds.ac.uk

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DOI: 10.14236/ewic/eva2015.4

SO-VID: 9e310f25-6362-4e0d-91f0-6eafeade9f5f

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2015)

Conference acronym: EVA

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Conference location: London, UK

Conference date: 7 & 9 July 2015

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.4

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

M. E Altinsoy 2003 Perceptual Aspects of Auditory-Tactile Asynchrony International Congress on Sound and Vibration, (IIAV 2003), Stockholm, Swedenp3831 3838
M. E Altinsoy 2012 The Quality of Auditory-Tactile Virtual Environments Journal of the Audio Engineering Society 60 1 38 46
J ArmitageP BakanasJ BalmerP HalpinK HudspethK Ng 2012 mConduct: A Multi-Sensor Interface for the Capture and Analysis of Conducting Gesture Electronic Visualisation and the Arts (EVA 2012) London, UK 10–12 07 2012 p229 236 British Computer Society London
J ArmitageK Ng 2013 Multimodal Music Composition Electronic Visualisation and the Arts (EVA 2013) London, UK 29–31 07 2013 p40– 46 British Computer Society London
D. M Birnbaum 2007 Musical Vibrotactile Feedback Masters Thesis, McGill University Canada
E Gunther 2007 Organ, Organ http://www.ericgunther.info/projects/system.html 17 03 2015
L Hayes and C Michalakos 2012 Imposing a networked vibrotactile communication system for improvisational suggestion Organised Sound 17 1 36 44
S. J LedermanL. A Jones 2011 Tactile and haptic illusions IEEE Transactions on Haptics 4 4) 273 294
D. J LevitinK MacLeanM MathewsL Chu and E Jensen 2000 The Perception of Cross-modal Simultaneity Computing Anticipatory Systems, AIP 2000 p323 329
Precision Microdrives Measuring vibration strength a quick method http://www.precisionmicrodrives.com/tech-blog/2014/06/03/measuring-vibration-strength-a-quick-method 15 03 2015
Precision Microdrives Adding and Improving Haptics http://www.precisionmicrodrives.com/haptics-haptic-feedback-vibration-alerting/haptic-feedback-in-detail/adding-and-improving-haptic-feedback 15 03 2015
J. B. F van Erp 2002 Guidelines for the Use of Vibro-Tactile Displays in Human Computer Interaction Eurohaptics Edinburgh, UK
B VerplankM GurevichM Matthews 2002 The Plank: Designing a simple haptic controller New Instruments for Musical Expression (NIME 2002) Dublin, Ireland 24–26 05 2002
L WyseS NanayakkaraP SeekingsS. H OngE Taylor Perception of vibrotactile stimuli above 1kHz by the hearing impaired New Interfaces in Musical Expression (NIME 2012) Oslo, Norway

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[1] M. E Altinsoy 2003 Perceptual Aspects of Auditory-Tactile Asynchrony International Congress on Sound and Vibration, (IIAV 2003), Stockholm, Swedenp3831 3838

[2] M. E Altinsoy 2012 The Quality of Auditory-Tactile Virtual Environments Journal of the Audio Engineering Society 60 1 38 46

[3] J ArmitageP BakanasJ BalmerP HalpinK HudspethK Ng 2012 mConduct: A Multi-Sensor Interface for the Capture and Analysis of Conducting Gesture Electronic Visualisation and the Arts (EVA 2012) London, UK 10–12 07 2012 p229 236 British Computer Society London

[4] J ArmitageK Ng 2013 Multimodal Music Composition Electronic Visualisation and the Arts (EVA 2013) London, UK 29–31 07 2013 p40– 46 British Computer Society London

[5] D. M Birnbaum 2007 Musical Vibrotactile Feedback Masters Thesis, McGill University Canada

[6] E Gunther 2007 Organ, Organ http://www.ericgunther.info/projects/system.html 17 03 2015

[7] L Hayes and C Michalakos 2012 Imposing a networked vibrotactile communication system for improvisational suggestion Organised Sound 17 1 36 44

[8] S. J LedermanL. A Jones 2011 Tactile and haptic illusions IEEE Transactions on Haptics 4 4) 273 294

[9] D. J LevitinK MacLeanM MathewsL Chu and E Jensen 2000 The Perception of Cross-modal Simultaneity Computing Anticipatory Systems, AIP 2000 p323 329

[10] Precision Microdrives Measuring vibration strength a quick method http://www.precisionmicrodrives.com/tech-blog/2014/06/03/measuring-vibration-strength-a-quick-method 15 03 2015

[11] Precision Microdrives Adding and Improving Haptics http://www.precisionmicrodrives.com/haptics-haptic-feedback-vibration-alerting/haptic-feedback-in-detail/adding-and-improving-haptic-feedback 15 03 2015

[12] J. B. F van Erp 2002 Guidelines for the Use of Vibro-Tactile Displays in Human Computer Interaction Eurohaptics Edinburgh, UK

[13] B VerplankM GurevichM Matthews 2002 The Plank: Designing a simple haptic controller New Instruments for Musical Expression (NIME 2002) Dublin, Ireland 24–26 05 2002

[14] L WyseS NanayakkaraP SeekingsS. H OngE Taylor Perception of vibrotactile stimuli above 1kHz by the hearing impaired New Interfaces in Musical Expression (NIME 2012) Oslo, Norway

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