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      Collecting and Conserving Software-based Art (Outside the Institution)

      Published
      proceedings-article
      Electronic Visualisation and the Arts (EVA 2015) (EVA)
      Electronic Visualisation and the Arts
      7 & 9 July 2015
      Software-based art, Digital preservation, Art conservation, Personal digital archiving, Documentation
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            Abstract

            Content

            Author and article information

            Contributors
            Conference
            July 2015
            July 2015
            : 148-152
            Affiliations
            [0001]King’s College London

            Department of Digital Humanities, King’s College London, Drury Lane, London, WC2E 9NH, UK
            Article
            10.14236/ewic/eva2015.14
            7ad96ee1-7fe8-45bb-bb7a-b31400e478b2
            © Tom Ensom Published by BCS Learning and Development Ltd. Proceedings of EVA London 2015, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2015)
            EVA
            London, UK
            7 & 9 July 2015
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.14
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Software-based art,Personal digital archiving,Digital preservation,Documentation,Art conservation

            REFERENCES

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            2. 2014 A pragmatic approach to signifcant environment information collection to support object reuse Presented at iPRES 2014 Melbourne, Australia

            3. 2014 Enabling the Future, or How to Survive FOREVER1: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservationPhD thesis)

            4. 2003 Permanence through change: The variable media approach Guggenheim Museum Publ. New York

            5. 2010 Describing Networked Art for the Purpose of Documentation and Conservation Tate London, UK

            6. 2011 Digital Preservation Practices and the Rhizome Artbase Rhizome.org New York, USA

            7. 2014 A Unified Approach to Preserving Cultural Software Objects and their Development Histories Center for Games and Playable Media University of California Santa Cruz,USA

            8. 2009 InSPECT – Framework Report – Investigating Significant Properties of Electronic Content http://www.significantproperties.org.uk/inspect-finalreport.pdf 18 03 2015

            9. 2006 Authenticity, change and loss in the conservation of time-based media installations Tate Papers Issue 6

            10. Library of Congress 2013 Perspectives on Personal Digital Archiving http://www.digitalpreservation.gov/documents/eboo kpdf_march18.pdf 19 03 2015

            11. 2011 Checklist for recording and documentation of digital artworks. Computer and software based artworks or installations with computer controlled elements Bern University of the Arts Bern, Switzerland.

            12. 2008 Virtualisation as conservation measure Archiving Conference 2008(1) Society for Imaging Science and Technology

            13. 2008 The Significant Properties of Software: A Study JISC report UK

            14. 2010 Preserving Virtual Worlds Final Report http://hdl.handle.net/2142/17097 19 March 2015

            15. 2013 An Architecture for Community-Based Curation and Presentation of Complex Digital Objects Digital Libraries: Social Media and Community Networks p103 112 Springer International Publishing

            16. 2014 Re-collection: Art, new media, and social memory MIT Press Cambridge, Massachusetts

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