A Joint Expedition into the Future of Soft Tech

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A Joint Expedition into the Future of Soft Tech

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Author(s): Kirsti Reitan Andersen , Majken Overgaard , Mirabelle Jones , Irena Shklovski

Publication date (Print): September 2021

Conference name: Proceedings of Politics of the Machines - Rogue Research 2021 (POM 2021)

Conference theme: debate and devise concepts and practices that seek to critically question and unravel novel modes of science

Conference date: September 14-17, 2021

Keywords: Participatory speculation, Critical making, Science fiction, Diversity, Technology, Digital technology, Collective, Crew

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Abstract

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Author and article information

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Kirsti Reitan Andersen

Majken Overgaard

Mirabelle Jones

Irena Shklovski

Conference

Publication date: September 2021

Publication date (Print): September 2021

Pages: 69-76

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[0001]Copenhagen Business

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Copenhagen, Denmark

[0002]Catch – Center for Art and

Technology

Elsinore, Denmark

[0003]University of Copenhagen

Copenhagen, Denmark

Article

DOI: 10.14236/ewic/POM2021.9

SO-VID: 193b5be8-ff57-40fc-a6ad-2b395c8e8c74

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of Politics of the Machines - Rogue Research 2021

Conference acronym: POM 2021

Conference number: 3

Conference location: Berlin, Germany

Conference date: September 14-17, 2021

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: debate and devise concepts and practices that seek to critically question and unravel novel modes of science

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/POM2021.9

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

K. R. Andersen, M. Overgaard, M. Jones, and I. Shklovski (forthcoming): Collectively Reimagining Technology. Morals & Machines.
K. R. Andersen, V. Renza and C. Fieseler (2021). Mapping the Socially Engaged Arts in Europe. Oslo: Artsformation Report Series
Art + Com Studios (n.d.) Terravision, 1994. Available from: http://artcom.de/en/?project=terravision (27 August, 2021)
Artsformation (n.d.) About Artsformation. Available from: http://artsformation.eu/about/ (30 August, 2021)
K. Barad (2007) Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham and London: Duke University Press.
M. Burnam-Fink (2015) Creating narrative scenarios: Science fiction prototyping at emerge. Futures, 70 (19 December 2014). http://doi.org/10.1016/j.futures.2014.12.005.
E Burton, J. Goldsmith, and N. Mattei (2018) How to teach computer ethics through science fiction. Communications of the ACM 61, 8, 54ââ‚¬“64.
O. Catts and I. Zurr (2004-2005) Ingestion / Disembodied Cuisine: Towards victimless meat. Cabinet Magazine, Available from: http://www.cabinetmagazine.org/issues/16/catts_zurr.php (27 August, 2021)
Copenhagen Institute for Future Studies (2021), Futures Shaping Art / Art Shaping Futures. Available online: http://cifs.dk/news/report-futures-shaping-art-art-shaping-futures (January 26, 2022)
M. Flyverbom (2020). Digital Powers: Surveillance and Economic Logics in a Datafied World. Ephemera: Theory & Politics in Organization, 20(3), 245-253.
C. Frauenberger (2020) Entanglement HCI The Next Wave? ACM Transactions on Computer-Human Interaction 27, 1, 1ââ‚¬“27.
D. Haraway (1991) Simians, cyborgs and women: The reinvention of nature, New York: Routledge.
T. Kohno and B. D. Johnson (2011) Science fiction prototyping and security education: Cultivating contextual and societal thinking in computer security education and beyondââ‚¬™. SIGCSEââ‚¬™11. Available from: http://homes.cs.washington.edu/~yoshi/papers/SIGCSE/csefp118-kohno.pdf (30 August, 2021)
B. Kong, R.-H. Liang, M. Liu, S.H. Chang, H.-C. Tseng and C.-H. Ju (2021) Neuromancer workshop: Towards designing experiential entanglement with science fiction. Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, 26, 1ââ‚¬“17 http://doi.org/10.1145/3411764.3445273.
S. Kvale and S. Brinkmann (2015) Interview: Det kvalitative forskningsinterview som hÃ¥ndvÃ¦rk. Hans Reitzels Forlag.
U. K. Le Guin (2004). A Rant About “Technology”. Available online: http://www.ursulakleguinarchive.com/Note-Technology.html (25 August, 2021)
Ursula Le Guin (1985) Sur. In The Norton Anthology of Literature by Women, Eds. S. M. Gilbert and S. Gubar (New York: W.W. Norton and Company) (p. 2008).
C. Linehan, B. J. Kirman, S. Reeves, M. A. Blythe, T. J. Tanenbaum, A. Desjardins and A. Wakkary (2014) Alternate endings: Using fiction to explore design futures. CHI ââ‚¬™14 Extended Abstracts on Human Factors in Computing Systems, 45ââ‚¬“48. CHI EA ââ‚¬™14. New York, NY, USA: Association for Computing Machinery. https://doi.org/10.1145/2559206.2560472.
O. Mubin, M. Obaid, P. Jordan, P. Alves-Oliveira, T. Eriksson, W. Barendregt, D. Sjolle, M. Fjeld, S. Simoff and M. Billinghurst (2016) Towards an agenda for sci-fi inspired HCI research. Proceedings of the 13th International Conference on Advances in Computer Entertainment, 10, 1-6.
N. Okorafor (2017, November) Sci-fi stories that imagine a future africa [Video]. TED Conferences. http://www.ted.com/talks/ nnedi_okorafor_sci_fi_stories_that_imagine_a_future_africa
C. S. Petersen (2021) (Science) fiction as prototyping. In Copenhagen Institute for Future Studies, Futures Shaping Art / Art Shaping Futures. Available online: http://cifs.dk/news/report-futures-shaping-art-art-shaping-futures
M. Ratto (2011) Critical making: Conceptual and material studies in technology and social life. The Information Society, 27(4), 252ââ‚¬“60.
M. Ratto, and S. Hockema (2009) FLWR PWR: Tending the walled garden. Walled garden. (pp. 51–60). Available from: http://criticalmaking.com/wp-content/uploads/2009/10/2448_alledgar den_ch06_ratto_hockema.pdf (30 August, 2021)
I. Shklovski (2021). Our digital social life. In L. Lievrouw and B. Loader (Eds.) Routledge Handbook of Digital Media and Communication, Routledge, p. 126-142.
I. Shklovski and E. GrÃ¶nvall (2020) CreepyLeaks: Participatory speculation through demos. In Proceedings of the 11th Nordic Conference on Human-Computer Interaction, 1ââ‚¬“12. Tallinn Estonia: ACM. http://doi.org/10.1145/3419249.3420168.
J. P. Spradley (1980) Participant Observation. New York: Holt, Rinehart and Winston
L. Zaidi (2019). Worldbuilding in science fiction, foresight and design. Journal of Future Studies, 23(4), 15-25. Retrieved Aug 28, 2021, from: http://jfsdigital.org/articles-and-essays/vol-23-no-4-june-2019/worldbuilding-in-science-fiction-foresight-and-design/

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[1] K. R. Andersen, M. Overgaard, M. Jones, and I. Shklovski (forthcoming): Collectively Reimagining Technology. Morals & Machines.

[2] K. R. Andersen, V. Renza and C. Fieseler (2021). Mapping the Socially Engaged Arts in Europe. Oslo: Artsformation Report Series

[3] Art + Com Studios (n.d.) Terravision, 1994. Available from: http://artcom.de/en/?project=terravision (27 August, 2021)

[4] Artsformation (n.d.) About Artsformation. Available from: http://artsformation.eu/about/ (30 August, 2021)

[5] K. Barad (2007) Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham and London: Duke University Press.

[6] M. Burnam-Fink (2015) Creating narrative scenarios: Science fiction prototyping at emerge. Futures, 70 (19 December 2014). http://doi.org/10.1016/j.futures.2014.12.005.

[7] E Burton, J. Goldsmith, and N. Mattei (2018) How to teach computer ethics through science fiction. Communications of the ACM 61, 8, 54ââ‚¬“64.

[8] O. Catts and I. Zurr (2004-2005) Ingestion / Disembodied Cuisine: Towards victimless meat. Cabinet Magazine, Available from: http://www.cabinetmagazine.org/issues/16/catts_zurr.php (27 August, 2021)

[9] Copenhagen Institute for Future Studies (2021), Futures Shaping Art / Art Shaping Futures. Available online: http://cifs.dk/news/report-futures-shaping-art-art-shaping-futures (January 26, 2022)

[10] M. Flyverbom (2020). Digital Powers: Surveillance and Economic Logics in a Datafied World. Ephemera: Theory & Politics in Organization, 20(3), 245-253.

[11] C. Frauenberger (2020) Entanglement HCI The Next Wave? ACM Transactions on Computer-Human Interaction 27, 1, 1ââ‚¬“27.

[12] D. Haraway (1991) Simians, cyborgs and women: The reinvention of nature, New York: Routledge.

[13] T. Kohno and B. D. Johnson (2011) Science fiction prototyping and security education: Cultivating contextual and societal thinking in computer security education and beyondââ‚¬™. SIGCSEââ‚¬™11. Available from: http://homes.cs.washington.edu/~yoshi/papers/SIGCSE/csefp118-kohno.pdf (30 August, 2021)

[14] B. Kong, R.-H. Liang, M. Liu, S.H. Chang, H.-C. Tseng and C.-H. Ju (2021) Neuromancer workshop: Towards designing experiential entanglement with science fiction. Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, 26, 1ââ‚¬“17 http://doi.org/10.1145/3411764.3445273.

[15] S. Kvale and S. Brinkmann (2015) Interview: Det kvalitative forskningsinterview som hÃ¥ndvÃ¦rk. Hans Reitzels Forlag.

[16] U. K. Le Guin (2004). A Rant About “Technology”. Available online: http://www.ursulakleguinarchive.com/Note-Technology.html (25 August, 2021)

[17] Ursula Le Guin (1985) Sur. In The Norton Anthology of Literature by Women, Eds. S. M. Gilbert and S. Gubar (New York: W.W. Norton and Company) (p. 2008).

[18] C. Linehan, B. J. Kirman, S. Reeves, M. A. Blythe, T. J. Tanenbaum, A. Desjardins and A. Wakkary (2014) Alternate endings: Using fiction to explore design futures. CHI ââ‚¬™14 Extended Abstracts on Human Factors in Computing Systems, 45ââ‚¬“48. CHI EA ââ‚¬™14. New York, NY, USA: Association for Computing Machinery. https://doi.org/10.1145/2559206.2560472.

[19] O. Mubin, M. Obaid, P. Jordan, P. Alves-Oliveira, T. Eriksson, W. Barendregt, D. Sjolle, M. Fjeld, S. Simoff and M. Billinghurst (2016) Towards an agenda for sci-fi inspired HCI research. Proceedings of the 13th International Conference on Advances in Computer Entertainment, 10, 1-6.

[20] N. Okorafor (2017, November) Sci-fi stories that imagine a future africa [Video]. TED Conferences. http://www.ted.com/talks/ nnedi_okorafor_sci_fi_stories_that_imagine_a_future_africa

[21] C. S. Petersen (2021) (Science) fiction as prototyping. In Copenhagen Institute for Future Studies, Futures Shaping Art / Art Shaping Futures. Available online: http://cifs.dk/news/report-futures-shaping-art-art-shaping-futures

[22] M. Ratto (2011) Critical making: Conceptual and material studies in technology and social life. The Information Society, 27(4), 252ââ‚¬“60.

[23] M. Ratto, and S. Hockema (2009) FLWR PWR: Tending the walled garden. Walled garden. (pp. 51–60). Available from: http://criticalmaking.com/wp-content/uploads/2009/10/2448_alledgar den_ch06_ratto_hockema.pdf (30 August, 2021)

[24] I. Shklovski (2021). Our digital social life. In L. Lievrouw and B. Loader (Eds.) Routledge Handbook of Digital Media and Communication, Routledge, p. 126-142.

[25] I. Shklovski and E. GrÃ¶nvall (2020) CreepyLeaks: Participatory speculation through demos. In Proceedings of the 11th Nordic Conference on Human-Computer Interaction, 1ââ‚¬“12. Tallinn Estonia: ACM. http://doi.org/10.1145/3419249.3420168.

[26] J. P. Spradley (1980) Participant Observation. New York: Holt, Rinehart and Winston

[27] L. Zaidi (2019). Worldbuilding in science fiction, foresight and design. Journal of Future Studies, 23(4), 15-25. Retrieved Aug 28, 2021, from: http://jfsdigital.org/articles-and-essays/vol-23-no-4-june-2019/worldbuilding-in-science-fiction-foresight-and-design/

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