Delete ‘Persons’, Insert ‘Information Processing Systems’: Art and the machinistic discourse of computationalism.

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Delete ‘Persons’, Insert ‘Information Processing Systems’: Art and the machinistic discourse of computationalism.

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Author(s): Katsiaryna Suryna ¹ , Rodrigo Guzman Serrano ²

Publication date (Print): May 2018

Conference name: Politics of the Machines - Art and After (EVA Copenhagen)

Conference theme: Digital arts and culture

Conference date: 15 - 17 May 2018

Keywords: Artificial Intelligence, Computational Creativity, Machinistic Discourse

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Abstract

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Author and article information

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Katsiaryna Suryna

Rodrigo Guzman Serrano

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Publication date: May 2018

Publication date (Print): May 2018

Pages: 1-6

Affiliations

[1 ] Central European University

Nádor u. 9, Budapest,

1051 Hungary

[2 ] Danube University Krems

Dr.-Karl-Dorrek-Straße 30, 3500 Krems an der Donau, Austria

Article

DOI: 10.14236/ewic/EVAC18.36

SO-VID: bc2faa28-dec7-46fc-8824-7d5064dda336

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Politics of the Machines - Art and After

Conference acronym: EVA Copenhagen

Conference number: 7

Conference location: Aalborg University, Copenhagen, Denmark

Conference date: 15 - 17 May 2018

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Digital arts and culture

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVAC18.36

Self URI (journal page): https://ewic.bcs.org/

References

M BennettP. Hacker 2014 Philosophical Foundations of Neuroscience Malden Blackwell Publishing
M. A. Boden 2010 Creativity and Art: Three Roads to Surprise Oxford University Press Oxford, UK
M. A. Boden 2004 The Creative Mind: Myths and Mechanisms Second edition Routledge London; New York
A Broeckmann 2018 The Machine as Myth Presented at the Electronic Visualisation and the Arts (EVA 2018) symposium, Copenhagen Denmark 15 May 2018
T. De Duve 1999 Kant after Duchamp The MIT Press Cambridge, MA
H Dreyfus 1972 What Computers Can’t Do: A Critique Harper & Row New York
A ElgammalLiuBingchenM. ElhoseinyM. Mazzone 2017 CAN: Creative Adversarial Networks Generating “Art” by Learning About Styles and Deviating from Style Norms Presented at the Eighth International Conference on Computational Creativity (ICCC) Atlanta, Georgia 20 22 June 2017
G. Kappala-Ramsamy 2012 Robot painter draws on abstract thought The Guardian, https://www.theguardian.com/technology/2012/apr/ 01/robot-painter-software-painting-fool 15 June 2018
K Kelly 2017 The Myth of Superhuman AI. WIRED magazine https://www.wired.com/2017/04/the-myth-of-a-superhuman-ai/ 15 June 2018
MindtGarettCarlos Montemayor (msc.) The Interface Problem of Intelligence and Knowledge
A. Noë 2010 Out of Our Heads : Why You Are Not Your Brain and Other Lessons from the Biology of Consciousness Hill & Wang New York
A. O’Hear 1995 Art and Technology: An Old Tension R. Fellows Philosophy and Technology Cambridge University Press Cambridge, UK
GW Smith 2014 Art and Artificial Intelligence. Artificial Intelligence Blog http://artent.net/2015/03/27/art-and-artificial-intelligence-by-g-w-smith/ 15 June 2018
GW SmithF. Leymarie 2017 The Machine as Artist: An Introduction Arts 6 2 5
P TressetO. Deussen 2014 Artistically Skilled Embodied Agents Presented at the Society for the Study of Artificial Intelligence and Simulation for Behaviour (AISB) London, UK 1-4 April 2014
VICE News https://news.vice.com/en_us/article/ywqw8j/how-does-ai-art-stack-up-against-human-art 15 June 2018
S Wilson 2002 Information Arts: Intersections of Art, Science, and Technology The MIT Press Cambridge, MA
S Wilson 1995 “Artificial Intelligence Research as Art.” Stanford Electronic Humanities Review 4

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[1] M BennettP. Hacker 2014 Philosophical Foundations of Neuroscience Malden Blackwell Publishing

[2] M. A. Boden 2010 Creativity and Art: Three Roads to Surprise Oxford University Press Oxford, UK

[3] M. A. Boden 2004 The Creative Mind: Myths and Mechanisms Second edition Routledge London; New York

[4] A Broeckmann 2018 The Machine as Myth Presented at the Electronic Visualisation and the Arts (EVA 2018) symposium, Copenhagen Denmark 15 May 2018

[5] T. De Duve 1999 Kant after Duchamp The MIT Press Cambridge, MA

[6] H Dreyfus 1972 What Computers Can’t Do: A Critique Harper & Row New York

[7] A ElgammalLiuBingchenM. ElhoseinyM. Mazzone 2017 CAN: Creative Adversarial Networks Generating “Art” by Learning About Styles and Deviating from Style Norms Presented at the Eighth International Conference on Computational Creativity (ICCC) Atlanta, Georgia 20 22 June 2017

[8] G. Kappala-Ramsamy 2012 Robot painter draws on abstract thought The Guardian, https://www.theguardian.com/technology/2012/apr/ 01/robot-painter-software-painting-fool 15 June 2018

[9] K Kelly 2017 The Myth of Superhuman AI. WIRED magazine https://www.wired.com/2017/04/the-myth-of-a-superhuman-ai/ 15 June 2018

[10] MindtGarettCarlos Montemayor (msc.) The Interface Problem of Intelligence and Knowledge

[11] A. Noë 2010 Out of Our Heads : Why You Are Not Your Brain and Other Lessons from the Biology of Consciousness Hill & Wang New York

[12] A. O’Hear 1995 Art and Technology: An Old Tension R. Fellows Philosophy and Technology Cambridge University Press Cambridge, UK

[13] GW Smith 2014 Art and Artificial Intelligence. Artificial Intelligence Blog http://artent.net/2015/03/27/art-and-artificial-intelligence-by-g-w-smith/ 15 June 2018

[14] GW SmithF. Leymarie 2017 The Machine as Artist: An Introduction Arts 6 2 5

[15] P TressetO. Deussen 2014 Artistically Skilled Embodied Agents Presented at the Society for the Study of Artificial Intelligence and Simulation for Behaviour (AISB) London, UK 1-4 April 2014

[16] VICE News https://news.vice.com/en_us/article/ywqw8j/how-does-ai-art-stack-up-against-human-art 15 June 2018

[17] S Wilson 2002 Information Arts: Intersections of Art, Science, and Technology The MIT Press Cambridge, MA

[18] S Wilson 1995 “Artificial Intelligence Research as Art.” Stanford Electronic Humanities Review 4

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