Speculative Sound Circuits

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Speculative Sound Circuits

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proceedings-article

Author(s): John Richards ¹

Publication date (Print): May 2018

Conference name: Politics of the Machines - Art and After (EVA Copenhagen)

Conference theme: Digital arts and culture

Conference date: 15 - 17 May 2018

Keywords: Speculative design, DIY electronic music, Sound circuit, Object-based, Objecthood, Musical instrument

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Abstract

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Author and article information

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John Richards

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Publication date: May 2018

Publication date (Print): May 2018

Pages: 1-6

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[1 ] Music, Technology and Innovation

Research Centre, De Montfort University, Leicester, UK

Article

DOI: 10.14236/ewic/EVAC18.33

SO-VID: 0fe61b50-6812-430d-9d7c-ff93ebe96466

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Politics of the Machines - Art and After

Conference acronym: EVA Copenhagen

Conference number: 7

Conference location: Aalborg University, Copenhagen, Denmark

Conference date: 15 - 17 May 2018

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Digital arts and culture

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVAC18.33

Self URI (journal page): https://ewic.bcs.org/

References

P Archer 2007 Clip Art Leonardo Music Journal 17 29 30
J BowersJ. Richards et al 2016 One Knob To Rule Them All: Reductionist Interfaces for Expansionist Research Proceedings of the international conference on new interfaces for musical expression (NIME) Brisbane Australia 2016 433 438
G Brecht 1963 Water Yam New York Fluxus
J CageD. Charles 1981 For the Birds: John Cage in Conversation with Daniel Charles Boston, MA and London Boyars
N Collins 2006 Handmade electronic music: the art of hardware hacking New York Routledge
A Dunne 2005 Electronic Products, Aesthetic Experience, and Critical Design Cambridge, Massachusetts The MIT Press
A DunneF. Raby 2013 Speculative Everything: Design, Fiction, and Social Dreaming Cambridge, Massachusetts The MIT Press
B EnoP. Schmidt 1975 Oblique Strategies: Over One Hundred Worthwhile Dilemmas S.l s.n.
G Gieskes 2018 http://gieskes.nl/ 18 6 18
L. HallnäsJ. Redström 2001 Slow Technology - Designing for Reflection Personal and Ubiquitous Computing 5 3 201 212
G Harman 2002 Tool-Being: Heidegger and the Metaphysics of Objects Chicago Open Court
G Hertz 2012 Critical Making Hollywood, California Telharmonium Press
C. Honoré 2004 In Praise of Slowness: How a Worldwide Movement is Challenging the Cult of Speed San Francisco Harper
R Kuivila 2004 Open Sources: Words, Circuits and the Notation-Realization Relation in the Music of David Tudor Leonardo Music Journal 14 17 23
B Latour 1993 We Have Never Been Modern Cambridge, Massachusetts Harvard University Press
J Richards 2013 Beyond DIY in Electronic Music Organised Sound 18 274 281
J Richards 2017 DIY and Maker Communities in Electronic Music N. CollinsR. J. Escrivan (eds) The Cambridge Companion to Electronic Music 2nd ed. Cambridge Cambridge University Press
J Richards 2017b Making for Radio Czech Radio http://prehravac.rozhlas.cz/audio/3957494
D T Suzuki 1927 Essays in Zen Buddhism London Luzac

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[1] P Archer 2007 Clip Art Leonardo Music Journal 17 29 30

[2] J BowersJ. Richards et al 2016 One Knob To Rule Them All: Reductionist Interfaces for Expansionist Research Proceedings of the international conference on new interfaces for musical expression (NIME) Brisbane Australia 2016 433 438

[3] G Brecht 1963 Water Yam New York Fluxus

[4] J CageD. Charles 1981 For the Birds: John Cage in Conversation with Daniel Charles Boston, MA and London Boyars

[5] N Collins 2006 Handmade electronic music: the art of hardware hacking New York Routledge

[6] A Dunne 2005 Electronic Products, Aesthetic Experience, and Critical Design Cambridge, Massachusetts The MIT Press

[7] A DunneF. Raby 2013 Speculative Everything: Design, Fiction, and Social Dreaming Cambridge, Massachusetts The MIT Press

[8] B EnoP. Schmidt 1975 Oblique Strategies: Over One Hundred Worthwhile Dilemmas S.l s.n.

[9] G Gieskes 2018 http://gieskes.nl/ 18 6 18

[10] L. HallnäsJ. Redström 2001 Slow Technology - Designing for Reflection Personal and Ubiquitous Computing 5 3 201 212

[11] G Harman 2002 Tool-Being: Heidegger and the Metaphysics of Objects Chicago Open Court

[12] G Hertz 2012 Critical Making Hollywood, California Telharmonium Press

[13] C. Honoré 2004 In Praise of Slowness: How a Worldwide Movement is Challenging the Cult of Speed San Francisco Harper

[14] R Kuivila 2004 Open Sources: Words, Circuits and the Notation-Realization Relation in the Music of David Tudor Leonardo Music Journal 14 17 23

[15] B Latour 1993 We Have Never Been Modern Cambridge, Massachusetts Harvard University Press

[16] J Richards 2013 Beyond DIY in Electronic Music Organised Sound 18 274 281

[17] J Richards 2017 DIY and Maker Communities in Electronic Music N. CollinsR. J. Escrivan (eds) The Cambridge Companion to Electronic Music 2nd ed. Cambridge Cambridge University Press

[18] J Richards 2017b Making for Radio Czech Radio http://prehravac.rozhlas.cz/audio/3957494

[19] D T Suzuki 1927 Essays in Zen Buddhism London Luzac

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