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      In the Collapsing Language: AI sees through the ephemeral emergence of absence

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      proceedings-article
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      Publication date (Print):
      Conference name: Proceedings of EVA London 2024 (EVA 2024)
      Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      Conference date: 8–12 July 2024
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            Content

            Author and article information

            Contributors
            Jun Chen Zhou
            Conference
            Publication date: July 2024
            Publication date (Print): July 2024
            Pages: 378-379
            Affiliations
            [0001]Goldsmiths, University of London

            8 Lewisham Way, London

            SE14 6NW, UK
            Article
            DOI: 10.14236/ewic/EVA2024.79
            SO-VID: a27c0fe6-097f-4630-9b15-98f58a22cbc2
            Copyright © © Zhou. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2024, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2024
            Conference acronym: EVA 2024
            Conference number:
            Conference location: London
            Conference date: 8–12 July 2024
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.79
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. Brakhage, Stan. “The Art of Vision.” Harvard Film Archive, 9 Dec. 2017, https://harvardfilmarchive.org/programs/the-art-of-vision-by-stan-brakhage. Accessed 18 Mar. 2024.

            2. Schwartz Reisman Institute. “AI and Creativity | Polly Denny & N. Katherine Hayles | Absolutely Interdisciplinary 2023.” www.youtube.com, 30 Aug. 2023, https://www.youtube.com/watch?v=r1YhXV-NrO4. Accessed 18 Mar. 2024.

            3. Steyerl, Hito. “Mean Images.” New Left Review, no. 140/141, 28 Apr. 2023, pp. 82–97, https://newleftreview.org/issues/ii140/articles/hito-steyerl-mean-images.

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