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      Consciousness and Immersive Installation

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      proceedings-article
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      Publication date (Print):
      Conference name: Proceedings of EVA London 2024 (EVA 2024)
      Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      Conference date: 8–12 July 2024
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            Content

            Author and article information

            Contributors
            Michelle So
            Conference
            Publication date: July 2024
            Publication date (Print): July 2024
            Page:
            Affiliations
            [0001]Goldsmiths University of London

            London, UK
            Article
            DOI: 10.14236/ewic/EVA2024.76
            SO-VID: 75e7a71f-27e5-4945-87e0-f364458ffa64
            Copyright © © So. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2024, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2024
            Conference acronym: EVA 2024
            Conference number:
            Conference location: London
            Conference date: 8–12 July 2024
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.76
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. Bishop, C. (2004) Antagonism and Relational Aesthetics. October Magazine, Ltd. and Massachusetts Institute of Technology, OCTOBER 110, Fall 2004, pp. 51–79

            2. Holmes, N., Calvert, G. A., Spence, C. (2024) Multimodal Integration. https://link.springer.com/referenceworkentry/10.1007/978-3-540-29678-2_3640#Sec13844 (retrieved 16 March 2024)

            3. Lanagan, R. (2023) Have We Hit Peak Immersive? https://www.itsnicethat.com/features/immersive-art-thematic-071223 (accessed 17 March 2024).

            4. Marchetti, G. (2022) The why of the phenomenal aspect of consciousness: Its main functions and the mechanisms underpinning it. https://www.frontiersin.org/journals/psychology/articles/10.3389/fpsyg.2022.913309/full (retrieved 14 March 2024).

            5. Massumi, B. (2011), Semblance and Event: Activist Philosphy and the Occurent Arts. Cambridge, MA: MIT Press. pg 45-6

            6. Nani, A., Manuello, J., Mancuso, L., Liloia, D., Costa, T., Cauda, F. (2019) The Neural Correlates Of Consciousness And Attention. Frontiers in Neuroscience, October 2019, Volume 13, Article 1169.

            7. Paul, C. (2024) Histories of the Digital Now https://whitney.org/essays/histories-of-the-digital-now (retrieved 18 March 2024)

            8. Stern, Nathaniel (2013) Interactive Art And Embodiment: The Implicit Body As Performance. Gylphi Limited, Canterbury.

            9. Varela, F.J., E. Thompson, and E. Rosch, (1991, 2016) The Embodied Mind. MIT PRESS, Cambridge, Massachusetts.

            10. Weiner, A. (2022) The Rise Of “Immersive” Art. https://www.newyorker.com/news/letter-from-silicon-valley/the-rise-and-rise-of-immersive-art (accessed 17 March 2024).

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