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      Gotham’s Shadow: The unseen watchers

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      Proceedings of EVA London 2024 (EVA 2024)
      Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      8–12 July 2024
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            Author and article information

            Contributors
            Conference
            July 2024
            July 2024
            : 343-344
            Affiliations
            [0001]University of the Arts London, Creative Computing Institute

            5 th Floor, 45-65 Peckham Road, SE5 8UH

            London, UK
            [0002]
            Article
            10.14236/ewic/EVA2024.65
            f0895e32-0dd8-40f4-923e-d05e64e732ef
            © Simpkins. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2024, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2024
            EVA 2024
            London
            8–12 July 2024
            Electronic Workshops in Computing (eWiC)
            Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
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            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.65
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. Haskins, C. (2020) Scars, tattoos, and license plates: This is what Palantir and the LAPD know about you, BuzzFeed News. Available at: https://www.buzzfeednews.com/article/carolinehaskins1/training-documents-palantir-lapd (Accessed: 02 February 2024).

            2. Neslen, A. (2021) Pushback against AI policing in Europe heats up over racism fears, Reuters. Available at: https://www.reuters.com/article/europe-tech-police-idINL8N2R92HQ (Accessed: 14 March 2024).

            3. Oliver, J. and Vasiliev, D. (2014) PRISM: The Beacon Frame., Prism: The beacon frame. Available at: https://criticalengineering.org/projects/prism-the-beacon-frame/ (Accessed: 13 March 2024).

            4. Palantir (2021) Palantir Gotham for defense decision making, YouTube. Available at: https://www.youtube.com/watch?v=rxKghrZU5w8&t=1s (Accessed: 14 March 2024).

            5. Richardson, R., Schultz, J.M. and Crawford, K., (2019) ‘Dirty data, bad predictions: How civil rights violations impact police data, predictive policing systems, and justice’. NYUL Rev. Online, 94, p.15.

            6. Ridgeway, G. (2018) ‘Policing in the Era of Big Data’. Annual Review of Criminology, 1(1), pp. 401-419.

            7. Tolkien, J.R.R. (2012) ‘The Palantír’, in The Two towers. London: Harper Collins, pp.588–600.

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