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      Curves and Reverbs: A Wearable to Sound Participatory Performance

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      Conference name: Proceedings of EVA London 2024 (EVA 2024)
      Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      Conference date: 8–12 July 2024
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            Author and article information

            Contributors
            Mona Hedayati
            Conference
            Publication date: July 2024
            Publication date (Print): July 2024
            Pages: 296-297
            Affiliations
            [0001]Concordia University, University of Antwerp

            Brussels, Belgium
            Article
            DOI: 10.14236/ewic/EVA2024.53
            SO-VID: ef61cd9f-225a-4997-819c-cef1a4d75e84
            Copyright © © Hedayati. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2024, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2024
            Conference acronym: EVA 2024
            Conference number:
            Conference location: London
            Conference date: 8–12 July 2024
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.53
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. Goodman, S. (2012) Sonic warfare: sound, affect, and the ecology of fear. First MIT Press paperback edition. Cambridge, Mass. London: MIT Press (Technologies of lived abstraction).

            2. Hainge, G. (2013) Noise matters: towards an ontology of noise. New York: Bloomsbury Academic.

            3. Salter, C. (2014) Atmospheres of Affect. In Angerer, M.-L. and Bösel, B. and Ott, M. (eds.), Timing of affect: epistemologies, aesthetics, politics. Zurich Berlin: Diaphanes-Verl.

            4. Scaletti, S. (2018) Sonification ≠ Music. In Dean, R. T. and McLean, A. (eds.), Oxford Handbook of Algorithmic Composition. New York: Oxford University Press.

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