Performing the City in Cine VR: A collaborative spatial practice investigating the urban space of Singapore through performative acts

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Performing the City in Cine VR: A collaborative spatial practice investigating the urban space of Singapore through performative acts

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Author(s): Ella Raidel , Benjamin Seide , Ross Adrian Williams

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Cinematic Virtual Reality, 360° video, Audio-visual experience, Storytelling, Performing, Immersion

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Abstract

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Author and article information

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Ella Raidel

Benjamin Seide

Ross Adrian Williams

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Publication date: July 2024

Publication date (Print): July 2024

Pages: 281-288

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[0001]NTU Singapore

ADM School of Art, Design and Media

81 Nanyang Drive

637458 Singapore

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DOI: 10.14236/ewic/EVA2024.50

SO-VID: 29194e18-768c-4f27-a6f6-5788df8e64c2

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.50

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Champion, E. M., ed. (2021) Virtual Heritage: A Guide. Ubiquity Press. http://www.jstor.org/stable/j.ctv2dt5m8g
De Certeau, M. (1984) Translated from French by Steven Rendall. The Practice of Everyday Life. University of California Press.
Debord, G. (1983) Translated from French by Ken Knabb. Society of the Spectacle. Black & Red.
Certeau, M. (1984) Translated from French by Rendall, S., The Practice of Everyday Life. University of California Press.
Dooley, K. (2021) Cinematic Virtual Reality [electronic resource]: A Critical Study of 21st Century Approaches and Practices. 1st ed. 2021. [Online]. Cham: Springer International Publishing.
Foucault, M. (1967) Of Other Spaces: Utopias and Heterotopias. In Leach, N. (ed.) Rethinking architecture: a Reader in Cultural Theory, Routledge.
Lefebvre, H. (1991) The Production of Space. Translated from French by Donald N-S. Oxford, Blackwell.
Lefebvre, H. (1996) Translated from French by Kofman, E., Lebas, E., and Redekop, E.H. Writings on Cities. Blackwell Publishers.
Lefebvre, H. (2003) The Urban Revolution. University of Minnesota Press.
Lim, K. Y., and Sitharan R. (2022) “Beyond Mirage.” In SeaShorts Film Festival 2022. Kuala Lumpur: SeaShorts. https://seashorts.org/festival-focus-the-future-of-cinema/ (retrieved 10.03.2024).
Perec, G. and Sturrock, J. (1997) Species of Spaces and Other Pieces. Penguin Books.
Raidel, E. (2023) FIVARS 2023: Spotlight on The Seven Step Verse. https://fivars.net/spotlight/fivars-2023-spotlight-on-the-seven-step-verse/ (retrieved 12.03.2024).
Raidel, E. (2022) The Seven Step Verse, Cine VR.
Reinhuber, E. E. Absorbed in Architectural Representations: Venomenon as an Example for Stereoscopic Video Connecting Cultural Heritage and Media Art. 2017 International Conference on Culture and Computing (Culture and Computing), IEEE, Kyoto, Japan, 10–12 September 2017, 157–158.
Redekop, E. H. (1980) Labyrinths in Time and Space. Mosaic: A Journal for the Interdisciplinary Study of Literature, 13(3/4), pp.95–113. http://www.jstor.org/stable/24780265
SeaShorts Film Festival. Reimagining Short Films, Reinventing Southeast Asia. 21–25 September 2022, Multimedia University Cyberjaya, Kuala Lumpur, Malaysia
SGIFF Singapore International Film Festival Singapore. Panorama, Short film Programme 4: A Virtual Reality Experience, 33rd Edition, 24 November–4 December 2022.
Tan, J. 2018. The late David Bowie performed in S’pore for the first time in 1983. Here is what he wrote about it. Mothership, Singapore. https://mothership.sg/2018/01/david-bowie-in-singapore-1983/ (retrieved 12.03.2024).
Tati, J. (1967) Playtime.
Wenders, W. (1987) Wings of Desire.

Comments

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[1] Champion, E. M., ed. (2021) Virtual Heritage: A Guide. Ubiquity Press. http://www.jstor.org/stable/j.ctv2dt5m8g

[2] De Certeau, M. (1984) Translated from French by Steven Rendall. The Practice of Everyday Life. University of California Press.

[3] Debord, G. (1983) Translated from French by Ken Knabb. Society of the Spectacle. Black & Red.

[4] Certeau, M. (1984) Translated from French by Rendall, S., The Practice of Everyday Life. University of California Press.

[5] Dooley, K. (2021) Cinematic Virtual Reality [electronic resource]: A Critical Study of 21st Century Approaches and Practices. 1st ed. 2021. [Online]. Cham: Springer International Publishing.

[6] Foucault, M. (1967) Of Other Spaces: Utopias and Heterotopias. In Leach, N. (ed.) Rethinking architecture: a Reader in Cultural Theory, Routledge.

[7] Lefebvre, H. (1991) The Production of Space. Translated from French by Donald N-S. Oxford, Blackwell.

[8] Lefebvre, H. (1996) Translated from French by Kofman, E., Lebas, E., and Redekop, E.H. Writings on Cities. Blackwell Publishers.

[9] Lefebvre, H. (2003) The Urban Revolution. University of Minnesota Press.

[10] Lim, K. Y., and Sitharan R. (2022) “Beyond Mirage.” In SeaShorts Film Festival 2022. Kuala Lumpur: SeaShorts. https://seashorts.org/festival-focus-the-future-of-cinema/ (retrieved 10.03.2024).

[11] Perec, G. and Sturrock, J. (1997) Species of Spaces and Other Pieces. Penguin Books.

[12] Raidel, E. (2023) FIVARS 2023: Spotlight on The Seven Step Verse. https://fivars.net/spotlight/fivars-2023-spotlight-on-the-seven-step-verse/ (retrieved 12.03.2024).

[13] Raidel, E. (2022) The Seven Step Verse, Cine VR.

[14] Reinhuber, E. E. Absorbed in Architectural Representations: Venomenon as an Example for Stereoscopic Video Connecting Cultural Heritage and Media Art. 2017 International Conference on Culture and Computing (Culture and Computing), IEEE, Kyoto, Japan, 10–12 September 2017, 157–158.

[15] Redekop, E. H. (1980) Labyrinths in Time and Space. Mosaic: A Journal for the Interdisciplinary Study of Literature, 13(3/4), pp.95–113. http://www.jstor.org/stable/24780265

[16] SeaShorts Film Festival. Reimagining Short Films, Reinventing Southeast Asia. 21–25 September 2022, Multimedia University Cyberjaya, Kuala Lumpur, Malaysia

[17] SGIFF Singapore International Film Festival Singapore. Panorama, Short film Programme 4: A Virtual Reality Experience, 33rd Edition, 24 November–4 December 2022.

[18] Tan, J. 2018. The late David Bowie performed in S’pore for the first time in 1983. Here is what he wrote about it. Mothership, Singapore. https://mothership.sg/2018/01/david-bowie-in-singapore-1983/ (retrieved 12.03.2024).

[19] Tati, J. (1967) Playtime.

[20] Wenders, W. (1987) Wings of Desire.

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Performing the City in Cine VR: A collaborative spatial practice investigating the urban space of Singapore through performative acts

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