Shape Theory in Animation, Pedagogy, and Practice

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Shape Theory in Animation, Pedagogy, and Practice

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Author(s): Oliver Gingrich , Julie Watkins , Ryan Flynn , Sara D Papp , Dev Saxena , Thomas Lum

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Shape Theory, Character design, Animation, Pedagogy

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Author and article information

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Oliver Gingrich

Julie Watkins

Ryan Flynn

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Publication date: July 2024

Publication date (Print): July 2024

Pages: 268-273

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[0001]University of Greenwich

Stockwell Street, London, SE10 9LS, UK

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DOI: 10.14236/ewic/EVA2024.48

SO-VID: 7dd5989d-b831-4f3c-8630-79986493ccbe

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.48

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Arnheim, R. (1954) Art and Visual Perception. University of California Press.
Asch, Solomon E. (1946) Forming impressions of personality. The Journal of Abnormal and Social Psychology 41(3): 258.
Bancroft, T. (2006) Creating Characters with Personality 2006 Crown: New York
Barker, J. L. (2010). Hollywood, Black Animation, and the Problem of Representation in “Little Ol’ Bosko” and “The Princess and the Frog.” Journal of African American Studies, 14(4), pp. 482–498. http://www.jstor.org/stable/41819268
Behrens, R. (1998): Art, Design and Gestalt Theory. In Leonardo, 31 (4), 299—303.
Ekman, P. (1972). Universals and Cultural Differences in Facial Expressions of Emotions. In Cole, J. (Ed.), Nebraska Symposium on Motivation, pp. 207—282. Lincoln, NB: University of Nebraska Press.
Fryer, L., Freeman, J., & Pring, L. (2014). Touching words is not enough: How visual experience influences haptic–auditory associations in the “Bouba–Kiki” effect. Cognition, 132(2), pp. 164 — 173.
Guberman, S. (2015). On Gestalt theory principles. Gestalt Theory, 37(1), pp. 25—44.
Larson, C. L., Aronoff, J., & Stearns, J. J. (2007). The shape of threat: Simple geometric forms evoke rapid and sustained capture of attention. Emotion, 7(3), pp. 526–534. https://doi.org/10.1037/1528 — 3542.7.3.526.
McManus, I. C., & Wu, W. (2013). “The square is … bulky, heavy, contented, plain, good — natured, stupid …”: A cross — cultural study of the aesthetics and meanings of rectangles. Psychology of Aesthetics, Creativity, and the Arts, 7(2), pp. 130–139. https://doi.org/10.1037/a0030469.
Rhea, G. (2016) The Story of Circle and Square. Accessed 15/01/2024 at https://youtu.be/AePdF_J3a1I?si=jbxUyXblWYUMGCXA .
Roberson, D., Davidoff, J., & Shapiro, L. (2002) Squaring the Circle: The Cultural Relativity of 'Good' Shape. Journal of Cognition and Culture 2(1), 29 — 51. https://doi.org/10.1163/156853702753693299,
Rosch, E. H. (1973). Natural categories. Cognitive Psychology, 4 (3), pp. 328–350. https://doi.org/10.1016/0010—0285 (73)90017—0.
Wang et al (2010) A Natural Visible and Infrared Facial Expression Database for Expression Recognition and Emotion Inference. https://doi.org/10.1109/TMM.2010.2060716.
Wang et al (2010) Three stages of facial expression processing: ERP study with rapid serial visual presentation. https://doi.org/10.1016/j.neuroimage.2009.09.018.
Wertheimer, M. (1939) Laws of Organization in Perceptual Forms. In W.D. Ellis (ed.), A Source Book of Gestalt Psychology. New York: Harcourt Brace.

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Comment on this article

[1] Arnheim, R. (1954) Art and Visual Perception. University of California Press.

[2] Asch, Solomon E. (1946) Forming impressions of personality. The Journal of Abnormal and Social Psychology 41(3): 258.

[3] Bancroft, T. (2006) Creating Characters with Personality 2006 Crown: New York

[4] Barker, J. L. (2010). Hollywood, Black Animation, and the Problem of Representation in “Little Ol’ Bosko” and “The Princess and the Frog.” Journal of African American Studies, 14(4), pp. 482–498. http://www.jstor.org/stable/41819268

[5] Behrens, R. (1998): Art, Design and Gestalt Theory. In Leonardo, 31 (4), 299—303.

[6] Ekman, P. (1972). Universals and Cultural Differences in Facial Expressions of Emotions. In Cole, J. (Ed.), Nebraska Symposium on Motivation, pp. 207—282. Lincoln, NB: University of Nebraska Press.

[7] Fryer, L., Freeman, J., & Pring, L. (2014). Touching words is not enough: How visual experience influences haptic–auditory associations in the “Bouba–Kiki” effect. Cognition, 132(2), pp. 164 — 173.

[8] Guberman, S. (2015). On Gestalt theory principles. Gestalt Theory, 37(1), pp. 25—44.

[9] Larson, C. L., Aronoff, J., & Stearns, J. J. (2007). The shape of threat: Simple geometric forms evoke rapid and sustained capture of attention. Emotion, 7(3), pp. 526–534. https://doi.org/10.1037/1528 — 3542.7.3.526.

[10] McManus, I. C., & Wu, W. (2013). “The square is … bulky, heavy, contented, plain, good — natured, stupid …”: A cross — cultural study of the aesthetics and meanings of rectangles. Psychology of Aesthetics, Creativity, and the Arts, 7(2), pp. 130–139. https://doi.org/10.1037/a0030469.

[11] Rhea, G. (2016) The Story of Circle and Square. Accessed 15/01/2024 at https://youtu.be/AePdF_J3a1I?si=jbxUyXblWYUMGCXA .

[12] Roberson, D., Davidoff, J., & Shapiro, L. (2002) Squaring the Circle: The Cultural Relativity of 'Good' Shape. Journal of Cognition and Culture 2(1), 29 — 51. https://doi.org/10.1163/156853702753693299,

[13] Rosch, E. H. (1973). Natural categories. Cognitive Psychology, 4 (3), pp. 328–350. https://doi.org/10.1016/0010—0285 (73)90017—0.

[14] Wang et al (2010) A Natural Visible and Infrared Facial Expression Database for Expression Recognition and Emotion Inference. https://doi.org/10.1109/TMM.2010.2060716.

[15] Wang et al (2010) Three stages of facial expression processing: ERP study with rapid serial visual presentation. https://doi.org/10.1016/j.neuroimage.2009.09.018.

[16] Wertheimer, M. (1939) Laws of Organization in Perceptual Forms. In W.D. Ellis (ed.), A Source Book of Gestalt Psychology. New York: Harcourt Brace.

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