<i>Reimagining Living Ontologies</i>: An immersive cross-disciplinary collaborative performance that combines biophysical data, generative patterns and improvisation

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Reimagining Living Ontologies: An immersive cross-disciplinary collaborative performance that combines biophysical data, generative patterns and improvisation

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Author(s): Ilze Briede

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Biophysical sensing, Real-time performance, Generative patterns, Data visualisation, 360-degree dome projection

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Abstract

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Author and article information

Contributors

Ilze Briede

Conference

Publication date: July 2024

Publication date (Print): July 2024

Pages: 262-267

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[0001]York University

School of Art, Media, Performance and Design, Digital Media Program.

4700 Keele Street, Goldfarb Centre for Fine Arts, Toronto ON, M3J 1P3

Canada

Article

DOI: 10.14236/ewic/EVA2024.47

SO-VID: 965b94e0-f217-4caf-8d37-07a4449a072e

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.47

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Aleksander, V., Steffert, T., Holland, S., Marimon, X., Benitez, R., Mealla, S., Aluizio Oliveira, A., Jordà, S. (2013) A Review of Real-Time EEG Sonification Research. International Conference on Auditory Display. http://oro.open.ac.uk/38478/.
Berntson, G. G., Cacioppo, J. T., Tassinary, L. G., (2017). Handbook of Psychophysiology. 4th ed. Cambridge University Press, Cambridge.
Chion, M. (1994) Audio-Vision: Sound on Screen. Columbia University Press, New York.
Denise, M. L. (2020) Bio Mind and Techno Nature in the Performance of Memory: Arts-Based-Research and Human Enhancement. Journal of Science and Technology of the Arts, 12(1), pp.43–52.
Hosale, M. D., Batdorf, E., Digby, K. and Macy, A. (2019), ‘Performance, art, and cyber-interoceptive systems (PACIS)’, in 6th International Conference on Movement and Computing (MOCO’19), Tempe, AZ, 10–12 October, 1-8. Association for Computing Machinery, New York.
Höök, K., Miquel, A., Sanches P., Sas, C., Tsaknaki, V., Umair, M., Windlin, C. (2020). From biodata to somadata. In Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems: 1-14.
Murphy, A. (2013) Convolving Signals: Thinking the Performance of Computational Processes. Performance Paradigm 9. http://www.performanceparadigm.net/index.php/journal/article/download/135/134.
Ray J. W., Stern, R. S., Quigley, S. K. (2001) Psychophysiological Recording. Oxford University Press, Oxford.
Stafford, B. M. (2019) Ribbon of Darkness: Inferencing from the Shadowy Arts and Sciences. University of Chicago Press, Chicago and London.

Comments

Comment on this article

[1] Aleksander, V., Steffert, T., Holland, S., Marimon, X., Benitez, R., Mealla, S., Aluizio Oliveira, A., Jordà, S. (2013) A Review of Real-Time EEG Sonification Research. International Conference on Auditory Display. http://oro.open.ac.uk/38478/.

[2] Berntson, G. G., Cacioppo, J. T., Tassinary, L. G., (2017). Handbook of Psychophysiology. 4th ed. Cambridge University Press, Cambridge.

[3] Chion, M. (1994) Audio-Vision: Sound on Screen. Columbia University Press, New York.

[4] Denise, M. L. (2020) Bio Mind and Techno Nature in the Performance of Memory: Arts-Based-Research and Human Enhancement. Journal of Science and Technology of the Arts, 12(1), pp.43–52.

[5] Hosale, M. D., Batdorf, E., Digby, K. and Macy, A. (2019), ‘Performance, art, and cyber-interoceptive systems (PACIS)’, in 6th International Conference on Movement and Computing (MOCO’19), Tempe, AZ, 10–12 October, 1-8. Association for Computing Machinery, New York.

[6] Höök, K., Miquel, A., Sanches P., Sas, C., Tsaknaki, V., Umair, M., Windlin, C. (2020). From biodata to somadata. In Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems: 1-14.

[7] Murphy, A. (2013) Convolving Signals: Thinking the Performance of Computational Processes. Performance Paradigm 9. http://www.performanceparadigm.net/index.php/journal/article/download/135/134.

[8] Ray J. W., Stern, R. S., Quigley, S. K. (2001) Psychophysiological Recording. Oxford University Press, Oxford.

[9] Stafford, B. M. (2019) Ribbon of Darkness: Inferencing from the Shadowy Arts and Sciences. University of Chicago Press, Chicago and London.

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