Translation in Transition: The Cabinet of Curiosities

scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.

Header Abstract Content Author and article information REFERENCES Comments

Record: found
Abstract: found
Conference Proceedings: found

Is Open Access

Translation in Transition: The Cabinet of Curiosities

Published

proceedings-article

Author(s): Carinna Parraman , Mike White , Laura Clarke , Tracy Hill , Matt Smith , Alicia Paz

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: CNC, Robotics, 2D and 3D manufacturing, Print, Printmaking, Digital, Analogue, Cabinet of Curiosities, Materiality

Bookmark

Abstract

Content

Author and article information

Contributors

Carinna Parraman

Mike White

Laura Clarke

Tracy Hill

Matt Smith

Alicia Paz

Conference

Publication date: July 2024

Publication date (Print): July 2024

Pages: 224-231

Affiliations

[0001]Centre for Print Research

University of the West of England

Frenchay Campus, Bristol, UK

BS16 1QY

[0002]University of Central Lancashire

Artlab Contemporary Print Studios

Victoria Building, Preston, UK

[0003]School of Museum Studies at the University of Leicester

Leicester, UK

[0004]University of the Arts London

Camberwell College of Arts, London, UK

Article

DOI: 10.14236/ewic/EVA2024.41

SO-VID: a10dacf8-4f58-43fb-9c3e-bd49ef5dfec5

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

Conference number:

Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.41

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Alayrac-Fielding, V. (2012) From the curious to the ‘artinatural’: the meaning of oriental porcelain in 17th and 18th-century English interiors. Miranda, Vol 7. Ceramics/Submorphemics.
Charney, D. (2011) Power of Making. V&A and Crafts Council, London.
Cleto, F. (2019) The Spectacles of Camp. Camp: Notes on Fashion, 1/15.
Harrod, T. (2018) Craft Documents of Contemporary Art. The MIT Press.
Kneebone, R. (2020) Expert: Understanding the Path to Mastery. Penguin Books, London.
Korn, P. (2017) Why we make things and why it matters. David R. Godine Publisher Inc.
Pirsig, R.M. (1974) Zen and the Art of Motorcycle Maintenance. Vintage Books, London
REF2021 (2023) https://archive.ref.ac.uk/publications-and-reports/end-of-exercise-reports/ (Accessed 15th Jan 2023)
Sennett, R. (2009) The Craftsman. Penguin Books, London.
Taylor, C.A. (1988) The Art and Science of Lecture Demonstration. Routledge.
Thwaites, A. (2011) Mould Making for Glass. A&C Black, London.
Thwaites, A. (2018) Towards Making the Unmakeable: How 3D Printing Can Inform Kiln Formed Glass Practice in the 21st century. PhD Thesis, The University of Sunderland.
Thwaites, T. (2011) The Toaster Project: Or a Heroic Attempt to Build a Simple Electric Appliance from Scratch. Princeton Architectural Press.
UKRI (2023) https://www.ukri.org/what-we-offer/creating-world-class-research-and-innovation-infrastructure/digital-research-infrastructure (Accessed 15th Jan 2023).

Comments

Comment on this article

[1] Alayrac-Fielding, V. (2012) From the curious to the ‘artinatural’: the meaning of oriental porcelain in 17th and 18th-century English interiors. Miranda, Vol 7. Ceramics/Submorphemics.

[2] Charney, D. (2011) Power of Making. V&A and Crafts Council, London.

[3] Cleto, F. (2019) The Spectacles of Camp. Camp: Notes on Fashion, 1/15.

[4] Harrod, T. (2018) Craft Documents of Contemporary Art. The MIT Press.

[5] Kneebone, R. (2020) Expert: Understanding the Path to Mastery. Penguin Books, London.

[6] Korn, P. (2017) Why we make things and why it matters. David R. Godine Publisher Inc.

[7] Pirsig, R.M. (1974) Zen and the Art of Motorcycle Maintenance. Vintage Books, London

[8] REF2021 (2023) https://archive.ref.ac.uk/publications-and-reports/end-of-exercise-reports/ (Accessed 15th Jan 2023)

[9] Sennett, R. (2009) The Craftsman. Penguin Books, London.

[10] Taylor, C.A. (1988) The Art and Science of Lecture Demonstration. Routledge.

[11] Thwaites, A. (2011) Mould Making for Glass. A&C Black, London.

[12] Thwaites, A. (2018) Towards Making the Unmakeable: How 3D Printing Can Inform Kiln Formed Glass Practice in the 21st century. PhD Thesis, The University of Sunderland.

[13] Thwaites, T. (2011) The Toaster Project: Or a Heroic Attempt to Build a Simple Electric Appliance from Scratch. Princeton Architectural Press.

[14] UKRI (2023) https://www.ukri.org/what-we-offer/creating-world-class-research-and-innovation-infrastructure/digital-research-infrastructure (Accessed 15th Jan 2023).

UK Computing Summit 2025: Navigating change (surviving and beyond) - 29-30 April @ Sheffield Hallam University - Register here.

Translation in Transition: The Cabinet of Curiosities

Contributors

Conference

Affiliations

Article

History

Product

Categories

Comment on this article