Net Art and the Missing Percent at Traditional Museums of Art in Portugal

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Net Art and the Missing Percent at Traditional Museums of Art in Portugal

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Author(s): Sofia Ponte

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Net Art in Portugal, Museu do Chiado, Site-specific online gallery, LIA and Miguel Carvalhais, Museum websites

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Sofia Ponte

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Publication date: July 2024

Publication date (Print): July 2024

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[0001]IADE, Faculdade de Design, Tecnologia e Comunicação, Universidade Europeia

UNIDCOM/IADE, Unidade de Investigação em Design, Comunicação

Av. D. Carlos I, 4 1200-649 Lisbon Portugal

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DOI: 10.14236/ewic/EVA2024.40

SO-VID: 26d0889f-7aff-479b-bf3e-3348c32eb507

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

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REFERENCES

Artut, S., Karaman, O. S., and Yilmaz, C. (eds.) (2021) Technological Arts Preservation, Istanbul, Sabanci University Sakip Sabanci Museum.
Bayley, L. (2021) “Dusty Navigational Pathways: Net Art in the Museum”. In The Reshaping the Collectible: The Lives of Net Art, London, Tate Research Publication. URL: https://www.tate.org.uk/research/reshaping-the-collectible/net-art-dusty-navigational-pathways (retrieved 29 December 2022).
Barros, J. (2022). Censura. A Construção de uma Arma Política do Estado Novo. Lisboa, Tinta da China.
Bosma, J. (2011) Nettitudes: Let’s talk about Net Art, Rotterdam, nai010 publishers.
Brøgger, A. (2015) Net Art, Web Art, Online Art, Net.Art? In Barranha, H., Martins, S., & Pinto Ribeiro, A. (eds). Unplace – Museus Sem Lugar: Ensaios, Manifestos e Diálogos em Rede, 19-23. Lisboa, Instituto de História de Arte da Universidade Nova de Lisboa.
Camacho, C. (2014) Na senda das Redes: Caminhos e Descaminhos da Museologia no Portugal Democrático. In Revista da Faculdade de Letras Ciências e Técnicas do Património, 249-259, Porto 2014 – vol. XIII.
Carvalhais, M. (2023) Email to author. 4 January 2023.
Carvalho, A. and Matos, A. (2019) Museus e Sociedade Digital: Realidades e Desafios em Portugal.In Revista Museus, n.º 2, 8-23.
Carvalho, M. (2009) Práticas da Net.Art em Portugal. Cruz, T. & Gomes, J.G. (Eds.). In As Artes Tecnológicas e a Rede Internet em Portugal, 116-123. Lisboa, Nova Vega.
Cook, S and Graham, B. (2010) Rethinking Curating. Art after New Media. Cambridge, The MIT Press.
Connor, M. (2015) Notes on a definition of Net Art based in what I remember from a borrowed copy of Nettitudes. In Rhizome. URL: https://rhizome.org/editorial/2015/jul/17/notes-definition-net-art/ (retrieved 25 April 2022).
Depocas, A., Ippolito, J. and Jones, C. (2003) Permanence Through Change: the Variable Media Approach. New York, Guggenheim Museum Publications.
Dekker, A. (2018) Collecting and Conserving Net Art: Moving Beyond Conventional Methods, London: Routledge.
Duncan, C. (1995) Civilizing Rituals: Inside Public Art Museums. London, Routledge.
Ferreira de Carvalho, N. (2019) Email to author. 28 February 2019.
Fráusto da Silva, J. (1998) Introdução. In Cyber 98. 3-4. Lisboa, Portugal Telecom.
Grau, O., Hoth, J., and Wandl-Vogt, E. (eds) (2019) Digital Art through the Looking Glass. New strategies for archiving, collecting, and preserving in digital humanities. Krems a.d. Donau, Donau-Universität.
LIA (2023) Email to author. 16 January 2023.
London, B. (2001) Digital Art takes Shape at MoMa. In Leonardo 34:2. 95-99. Cambridge: MIT Press.
Olson, M. (2009) Lost Not Found: The Circulation of Images in Digital Visual Culture. Klein, A. (ed.) In Words Without Pictures, 274–284. Los Angeles, CA: Museum Associates/LACMA.
Matriz (2003) E-newsletters – a estratégia do Museu do Chiado em entrevista a Nuno Ferreira de Carvalho, Serviço de Comunicações e Edições. In Newsletter Matriz, nº 3 Abril. URL: https://www.arquivo.pt (retrieved 29 December 2022).
Netparque.pt (2000) Artes Visuais” in Netparque.pt, 24 October. URL: https://www.arquivo.pt (retrieved 29 December 2022).
Paul, C. (2008) New Media in the White Cube and Beyond: curatorial models for Digital Art, Berkeley: University of California Press.
Pinharanda, J. (2001) Sociedade de Artistas. In PúblicOnline – Mil Folhas. URL: https://www.arquivo.pt (retrieved 29 December 2022).
RPM (2002) Divulgação de novos Websites de Museus IPM e de novas Adesões à RPM. In Boletim RPM, n.º 4. Lisboa, Rede Portuguesa de Museus, 4.
Santos, M. P. (2019) On Belatedness. The Shaping of Portuguese Art History in Modern Times. In Artium Quaestiones, (30), 37–64. doi.org/10.14746/aq.2019.30.29 (retrieved 25 April 2022).
Serexhe, B. (ed.) (2013) Preservation of Digital Art: Theory and Practice. Karlsruhe, ZKM.
Silva, L. (2005) Net Art Portuguesa 1997-2004. In Artmosferas. URL: https://www.cada1.net/netart/luis.html (retrieved 2 January 2023).
Walsh, T. (2021) Generating Community. In Art in America. URL: https://www.artnews.com/art-in-america/features/social-codes-casey-reas-community-generative-art-1234589396/ (retrieved 11 January 2023).

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Comment on this article

[1] Artut, S., Karaman, O. S., and Yilmaz, C. (eds.) (2021) Technological Arts Preservation, Istanbul, Sabanci University Sakip Sabanci Museum.

[2] Bayley, L. (2021) “Dusty Navigational Pathways: Net Art in the Museum”. In The Reshaping the Collectible: The Lives of Net Art, London, Tate Research Publication. URL: https://www.tate.org.uk/research/reshaping-the-collectible/net-art-dusty-navigational-pathways (retrieved 29 December 2022).

[3] Barros, J. (2022). Censura. A Construção de uma Arma Política do Estado Novo. Lisboa, Tinta da China.

[4] Bosma, J. (2011) Nettitudes: Let’s talk about Net Art, Rotterdam, nai010 publishers.

[5] Brøgger, A. (2015) Net Art, Web Art, Online Art, Net.Art? In Barranha, H., Martins, S., & Pinto Ribeiro, A. (eds). Unplace – Museus Sem Lugar: Ensaios, Manifestos e Diálogos em Rede, 19-23. Lisboa, Instituto de História de Arte da Universidade Nova de Lisboa.

[6] Camacho, C. (2014) Na senda das Redes: Caminhos e Descaminhos da Museologia no Portugal Democrático. In Revista da Faculdade de Letras Ciências e Técnicas do Património, 249-259, Porto 2014 – vol. XIII.

[7] Carvalhais, M. (2023) Email to author. 4 January 2023.

[8] Carvalho, A. and Matos, A. (2019) Museus e Sociedade Digital: Realidades e Desafios em Portugal.In Revista Museus, n.º 2, 8-23.

[9] Carvalho, M. (2009) Práticas da Net.Art em Portugal. Cruz, T. & Gomes, J.G. (Eds.). In As Artes Tecnológicas e a Rede Internet em Portugal, 116-123. Lisboa, Nova Vega.

[10] Cook, S and Graham, B. (2010) Rethinking Curating. Art after New Media. Cambridge, The MIT Press.

[11] Connor, M. (2015) Notes on a definition of Net Art based in what I remember from a borrowed copy of Nettitudes. In Rhizome. URL: https://rhizome.org/editorial/2015/jul/17/notes-definition-net-art/ (retrieved 25 April 2022).

[12] Depocas, A., Ippolito, J. and Jones, C. (2003) Permanence Through Change: the Variable Media Approach. New York, Guggenheim Museum Publications.

[13] Dekker, A. (2018) Collecting and Conserving Net Art: Moving Beyond Conventional Methods, London: Routledge.

[14] Duncan, C. (1995) Civilizing Rituals: Inside Public Art Museums. London, Routledge.

[15] Ferreira de Carvalho, N. (2019) Email to author. 28 February 2019.

[16] Fráusto da Silva, J. (1998) Introdução. In Cyber 98. 3-4. Lisboa, Portugal Telecom.

[17] Grau, O., Hoth, J., and Wandl-Vogt, E. (eds) (2019) Digital Art through the Looking Glass. New strategies for archiving, collecting, and preserving in digital humanities. Krems a.d. Donau, Donau-Universität.

[18] LIA (2023) Email to author. 16 January 2023.

[19] London, B. (2001) Digital Art takes Shape at MoMa. In Leonardo 34:2. 95-99. Cambridge: MIT Press.

[20] Olson, M. (2009) Lost Not Found: The Circulation of Images in Digital Visual Culture. Klein, A. (ed.) In Words Without Pictures, 274–284. Los Angeles, CA: Museum Associates/LACMA.

[21] Matriz (2003) E-newsletters – a estratégia do Museu do Chiado em entrevista a Nuno Ferreira de Carvalho, Serviço de Comunicações e Edições. In Newsletter Matriz, nº 3 Abril. URL: https://www.arquivo.pt (retrieved 29 December 2022).

[22] Netparque.pt (2000) Artes Visuais” in Netparque.pt, 24 October. URL: https://www.arquivo.pt (retrieved 29 December 2022).

[23] Paul, C. (2008) New Media in the White Cube and Beyond: curatorial models for Digital Art, Berkeley: University of California Press.

[24] Pinharanda, J. (2001) Sociedade de Artistas. In PúblicOnline – Mil Folhas. URL: https://www.arquivo.pt (retrieved 29 December 2022).

[25] RPM (2002) Divulgação de novos Websites de Museus IPM e de novas Adesões à RPM. In Boletim RPM, n.º 4. Lisboa, Rede Portuguesa de Museus, 4.

[26] Santos, M. P. (2019) On Belatedness. The Shaping of Portuguese Art History in Modern Times. In Artium Quaestiones, (30), 37–64. doi.org/10.14746/aq.2019.30.29 (retrieved 25 April 2022).

[27] Serexhe, B. (ed.) (2013) Preservation of Digital Art: Theory and Practice. Karlsruhe, ZKM.

[28] Silva, L. (2005) Net Art Portuguesa 1997-2004. In Artmosferas. URL: https://www.cada1.net/netart/luis.html (retrieved 2 January 2023).

[29] Walsh, T. (2021) Generating Community. In Art in America. URL: https://www.artnews.com/art-in-america/features/social-codes-casey-reas-community-generative-art-1234589396/ (retrieved 11 January 2023).

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