Dolls’ House Artists’ Installation: A-Maze artists collective exhibition at the APT Gallery, Deptford, London, October 2023

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Dolls’ House Artists’ Installation: A-Maze artists collective exhibition at the APT Gallery, Deptford, London, October 2023

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Author(s): Maureen Kendal , Caitriona McAllister , Jacob Deakin

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: 3D installation, Artists’ spaces, Reusables, Sensors, Video, Sound, Interactivity, Movie players, Audiences, Arduino, Unity

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Maureen Kendal

Caitriona McAllister

Jacob Deakin

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Publication date: July 2024

Publication date (Print): July 2024

Pages: 180-188

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[0001]dreamstudio.io

13 Golders Green Crescent, London, UK, NW11 8LA

[0002]CMcA, caitrionamcallister.com

dreamstudio.io

London, UK

[0003]dreamstudio.io

Bron Yr Allt, Van rd, Llanidloes SY18

6HR, Wales

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DOI: 10.14236/ewic/EVA2024.33

SO-VID: 9c1e6f51-0d25-477e-a699-9e3c170ff738

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.33

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Boland, E. (1998) ‘A habitable grief’ – A contemporary Irish Woman Poet. Manchester Vol. 25, Issue. 2,13.
Csikszentmihalyi, M. (2008) Flow: The Psychology of Optimal Experience, Harper
Deakin, J. (2024) https://devils-in-the-details.com/
Gunn, Kendal & Mulla (2020) An Exploration of How Artists Use Immersive Technologies to Promote Inclusivity. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts.
doi: 10.14236/ewic/EVA2020.36
Harrison, K.D. (2007) When Languages Die: The Extinction of the World's Languages and the Erosion of Human Knowledge, Oxford University Press
Hudson and Kendal (2011) On the Beach – A handbook for using 3D virtual digital platforms – 'The WEISL – Writing Explorations in Second Life', Computer Science, EVA.
Huizinga, J. (1938) Homo Ludens, reprinted by Beacon Press 1955; Routledge & Kegan Paul Ltd 1960.
Jung, C. (1962/1963) Memories, Dreams and Reflections
Kendal, M. (2024) Dolls House Project https://dreamstudio.io/maureen-kendal/dolls-house/ (Retrieved 1st March 2024).
Kendal, M. (2024) Drawing the Journey https://dreamstudio.io/maureen-kendal/drawing-the-journey/ (Retrieved 1st March 2024).
Kendal, M. (2023) A-Maze Artists newsletters and movies. https://dreamstudio.io/a-maze_artists/ (Retrieved 1st March 2024).
Kendal, Hulme-Beaman, Gunn et al. (2023) A-MAZE ARTISTS – UPDAT ‘Boundless – Worlds in Flux’: Overcoming boundaries to virtual world integration in traditional heritage settings.
Kendal, Gunn, Kass et al. (2022) A-Maze Artists Update: On the development of the Boundless – Worlds in Flux virtual world, In: Bowen, J.P., Weinel, J., Borda, A., Diprose, G. (eds) (2022) EVA London 2022: Electronic Visualisation and the Arts.
doi: 10.14236/ewic/EVA2022.32
Kendal, Gunn, Parvez et al. (2021) The Evolving Collaboration – AMazed!: The A-Maze Artists investigate Immersive Technology to create Imagination and Artiﬁce. In: Weinel, J., Bowen, J.P., Borda, A., Diprose, G. (eds) (2021) EVA London 2021: Electronic Visualisation and the Arts.
doi: 10.14236/ewic/EVA2021.24
Kendal, Mulla, Thomazi-Freitas (2019) How Artists Can Develop Their Artwork, Its Market and Deliver Their Creative Content for Virtual Reality Environments? In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2019) EVA London 2019: Electronic Visualisation and the Arts.
doi: 10.14236/ewic/EVA2019.54
Kendal, M. (2019) ’Cyber and You', Legend Publishers.
Kendal M. (2003/2004) Landscape and Arts Network Journal, Article on ‘Revelation’- production of a virtual digital park for Lee Valley Regional Park. Landscape & Art No.30, Winter 2003/04. https://fatband.org/news/Revelation_article2.pdf
Kendal M. (2003) Landscape and Arts Network Journal, on the production of ‘Tangents’ DVD video of Elstein’s site-speciﬁc installation. Authored at Abbey Road Studios, Published by Hoberman, International screenings 1998–2007.
Maybank, C. (2023) https://chloe24603.itch.io/ (Retrieved 1st March 2024)
McAllister, C. (2024) https://www.linkedin.com/in/caitrionamcallister/ (Retrieved 1st March 2024)
McCabe, C. (2019) Poems from the Edge of Extinction: The Beautiful New Treasury of Poetry in Endangered Languages, in Association with the National Poetry Library.
Pinker, S. (1995) The Language Instinct, How the Mind Creates Language. Penguin.
Sanders, F. (2024) https://www.ucl.ac.uk/slade/events/shows/interim-show-2023/freddie-sanders/ (Retrieved 1st March 2024)
Stewart, S. (1992) On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Duke University Press.
Suskind, P. (1989) The Pigeon. Penguin
Weyl, C. (2019) ‘Catherine Yarrow’. The Women of Atelier 17: The Biographical Supplement. https://atelier17.christinaweyl.com/artist-biographies/catherine-yarrow/ (Retrieved 29 Feb 2024).

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[1] Boland, E. (1998) ‘A habitable grief’ – A contemporary Irish Woman Poet. Manchester Vol. 25, Issue. 2,13.

[2] Csikszentmihalyi, M. (2008) Flow: The Psychology of Optimal Experience, Harper

[3] Deakin, J. (2024) https://devils-in-the-details.com/

[4] Gunn, Kendal & Mulla (2020) An Exploration of How Artists Use Immersive Technologies to Promote Inclusivity. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts.

[5] doi: 10.14236/ewic/EVA2020.36

[6] Harrison, K.D. (2007) When Languages Die: The Extinction of the World's Languages and the Erosion of Human Knowledge, Oxford University Press

[7] Hudson and Kendal (2011) On the Beach – A handbook for using 3D virtual digital platforms – 'The WEISL – Writing Explorations in Second Life', Computer Science, EVA.

[8] Huizinga, J. (1938) Homo Ludens, reprinted by Beacon Press 1955; Routledge & Kegan Paul Ltd 1960.

[9] Jung, C. (1962/1963) Memories, Dreams and Reflections

[10] Kendal, M. (2024) Dolls House Project https://dreamstudio.io/maureen-kendal/dolls-house/ (Retrieved 1st March 2024).

[11] Kendal, M. (2024) Drawing the Journey https://dreamstudio.io/maureen-kendal/drawing-the-journey/ (Retrieved 1st March 2024).

[12] Kendal, M. (2023) A-Maze Artists newsletters and movies. https://dreamstudio.io/a-maze_artists/ (Retrieved 1st March 2024).

[13] Kendal, Hulme-Beaman, Gunn et al. (2023) A-MAZE ARTISTS – UPDAT ‘Boundless – Worlds in Flux’: Overcoming boundaries to virtual world integration in traditional heritage settings.

[14] Kendal, Gunn, Kass et al. (2022) A-Maze Artists Update: On the development of the Boundless – Worlds in Flux virtual world, In: Bowen, J.P., Weinel, J., Borda, A., Diprose, G. (eds) (2022) EVA London 2022: Electronic Visualisation and the Arts.

[15] doi: 10.14236/ewic/EVA2022.32

[16] Kendal, Gunn, Parvez et al. (2021) The Evolving Collaboration – AMazed!: The A-Maze Artists investigate Immersive Technology to create Imagination and Artiﬁce. In: Weinel, J., Bowen, J.P., Borda, A., Diprose, G. (eds) (2021) EVA London 2021: Electronic Visualisation and the Arts.

[17] doi: 10.14236/ewic/EVA2021.24

[18] Kendal, Mulla, Thomazi-Freitas (2019) How Artists Can Develop Their Artwork, Its Market and Deliver Their Creative Content for Virtual Reality Environments? In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2019) EVA London 2019: Electronic Visualisation and the Arts.

[19] doi: 10.14236/ewic/EVA2019.54

[20] Kendal, M. (2019) ’Cyber and You', Legend Publishers.

[21] Kendal M. (2003/2004) Landscape and Arts Network Journal, Article on ‘Revelation’- production of a virtual digital park for Lee Valley Regional Park. Landscape & Art No.30, Winter 2003/04. https://fatband.org/news/Revelation_article2.pdf

[22] Kendal M. (2003) Landscape and Arts Network Journal, on the production of ‘Tangents’ DVD video of Elstein’s site-speciﬁc installation. Authored at Abbey Road Studios, Published by Hoberman, International screenings 1998–2007.

[23] Maybank, C. (2023) https://chloe24603.itch.io/ (Retrieved 1st March 2024)

[24] McAllister, C. (2024) https://www.linkedin.com/in/caitrionamcallister/ (Retrieved 1st March 2024)

[25] McCabe, C. (2019) Poems from the Edge of Extinction: The Beautiful New Treasury of Poetry in Endangered Languages, in Association with the National Poetry Library.

[26] Pinker, S. (1995) The Language Instinct, How the Mind Creates Language. Penguin.

[27] Sanders, F. (2024) https://www.ucl.ac.uk/slade/events/shows/interim-show-2023/freddie-sanders/ (Retrieved 1st March 2024)

[28] Stewart, S. (1992) On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Duke University Press.

[29] Suskind, P. (1989) The Pigeon. Penguin

[30] Weyl, C. (2019) ‘Catherine Yarrow’. The Women of Atelier 17: The Biographical Supplement. https://atelier17.christinaweyl.com/artist-biographies/catherine-yarrow/ (Retrieved 29 Feb 2024).

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Dolls’ House Artists’ Installation: A-Maze artists collective exhibition at the APT Gallery, Deptford, London, October 2023

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