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      Software on the Spotlight and its Eventual Cloistering

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      proceedings-article
      Author(s):
      Publication date (Print):
      Conference name: Proceedings of EVA London 2024 (EVA 2024)
      Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      Conference date: 8–12 July 2024
      Keywords: Exploratory research, Software studies, Software art, Critical AI
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            Abstract

            Content

            Author and article information

            Contributors
            Marta Pérez—Campos
            Conference
            Publication date: July 2024
            Publication date (Print): July 2024
            Pages: 170-177
            Affiliations
            [0001]UPV/EHU: University of the Basque Country

            Bilbao, Spain
            [0002]
            Article
            DOI: 10.14236/ewic/EVA2024.31
            SO-VID: 3b604273-b44b-407e-90e0-7aedfd7dc5f3
            Copyright © © Pérez-Campos. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2024, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2024
            Conference acronym: EVA 2024
            Conference number:
            Conference location: London
            Conference date: 8–12 July 2024
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.31
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Keywords: Critical AI,Software art,Software studies,Exploratory research

            REFERENCES

            1. Arns, I. (2007) Code as performative speech act. Artnodes, 4. https://doi.org/10.7238/a.v0i4.727

            2. Ars Electronica Futurelab. (2023). Neural Network Training.

            3. Cox, G. (2010) Antithesis: The dialectics of software art. Digital Aesthetics Research Center, Aarhus University.

            4. Cramer, F. (2023, november 1) PhD Questions—Software Art [Comunicación personal].

            5. Cramer, F., & Gabriel, U. (2001) Florian Cramer, Ulrike Gabriel: Software Art. Netzliteratur. https://www.netzliteratur.net/cramer/software_art_—_transmediale.html

            6. Crawford, K., & Joler, V. (2018) Anatomy of an AI System: The Amazon Echo As An Anatomical Map of Human Labor, Data and Planetary Resources. AI Now Institute and Share Lab.

            7. Flusser, V. (1990) Hacia una filosofía de la fotografía (1.a ed.). Trillas.

            8. Kitchin, R., & Dodge, M. (2011) Code/space: Software and everyday life. MIT Press.

            9. Manovich, L. (2002) The language of new media (1st MIT Press pbk. ed). MIT Press.

            10. Martín Prada, J. (2024) La creación artística visual frente a los retos de la inteligencia artificial. Automatización creativa y cuestionamientos éticos. Eikon/Imago, 13.

            11. Tareke, M. (2021, november 5) American Artist’s ‘Black Gooey Universe’ Decodes the Tech World. Frieze, 224. https://www.frieze.com/article/american—artist—black—gooey—universe—2021—review

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