The Status and Challenges of Online Exhibitions in Art Museums in China – Based on Interviews With Curators

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The Status and Challenges of Online Exhibitions in Art Museums in China – Based on Interviews With Curators

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Author(s): Xiaoyue Zhang

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Online exhibition, Curator, Public art museum, Online curation

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Abstract

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Xiaoyue Zhang

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Publication date: July 2024

Publication date (Print): July 2024

Pages: 97-102

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[0001]University of Dundee

UK

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DOI: 10.14236/ewic/EVA2024.16

SO-VID: a5ac634d-84b2-478a-89f2-ed1281534e4f

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.16

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Benhamou, Y. (2016) Copyright and Museums in the Digital Age. [online] Wipo.int. Available at: https://www.wipo.int/wipo_magazine/en/2016/03/article_0005.html
Brankov, A.K. (2020) ‘Does Art Need Copyright After All?’, The Columbia Journal of Law & the Arts, [online] 43(3), pp. 367–369. doi: https://doi.org/10.7916/jla.v43i3.5879
China Daily (2022) Plan promotes cultural digitalization. [online] english.www.gov.cn. Available at: https://english.www.gov.cn/policies/policywatch/202206/23/content_WS62b3bd9dc6d02e533532c9ce.html
Chengdu Art Museum (2023). Chengdu Biennale 2023. [online]. Available at: https://www.cdamuseum.com/publish/en/exhibition.html#/ [Accessed 14 Mar. 2024]
Connor, M. (2020) ‘Curating Online Exhibitions’, Rhizome [online]. Available at: https://rhizome.org/editorial/2020/may/13/curating-online-exhibitions-pt-1/
Dekker, A.(2021) Curating digital art from presenting and collecting digital art to networked co-curation. Amsterdam Valiz
Dekker, A. and Tedone, G. (2019) ‘Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation’, Arts, 8(3), p. 86. DOI: https://doi.org/10.3390/arts8030086
DunHuang Academy (2022) ‘Digital Dunhuang’ activates traditional ‘tide’ culture: Online ‘flowering’, offline ‘results’, DHA [online]. Available at: https://www.dha.ac.cn/info/1018/4269.htm (Accessed 10 Jan. 2024).
Gao, J. (2021) ‘Museum Survival in China during the COVID-19 Pandemic’ Global History Dialogues [online]. Available at: https://globalhistorydialogues.org/projects/museum-survival-in-china-during-the-covid-19-pandemic/. (Accessed 12 Mar. 2024).
Jianming, L. (2023). Interviewed by Xiaoyue Zhang. 20.Oct, Shangrao, China.
Marty, P.F. and Buchanan, V. (2021) ‘Exploring the Contributions and Challenges of Museum Technology Professionals during the COVID‐19 Crisis’, Curator: The Museum Journal, 65(1). doi: https://doi.org/10.1111/cura.12455
Meehan, N. (2020). ‘Digital Museum Objects and Memory: Postdigital Materiality, Aura and Value’. Curator: The Museum Journal, 65(2). doi: https://doi.org/10.1111/cura.12361
Mitchell, B. (2021) ‘Museum of Wild and Newfangled Art designing AI curator for show’, Blooloop [online]. Available at: https://blooloop.com/museum/news/museum-wild-newfangled-art-artificial-intelligence-curator/ (Accessed 12 Mar. 2024).
Pluszyńska, A. (2021) ‘Copyright Management in Museums: Expediency or Necessity?’, Museum International, 73(3-4), pp. 132–143. doi:
https://doi.org/10.1080/13500775.2021.2016281
Qina,C.(2023). Interviewed by Xiaoyue Zhang.18 Oct,Chengdu, China.
Shi, F. (2023). Interviewed by Xiaoyue Zhang. 23 Oct, Chengdu, China.
Sichuan Art Museum (2021). Shimin Liang Art Exhibtion. [online]. Available at: https://zhmsg.cd168.cn/tour/lsm/?sid=lsm2. [Accessed 14 Mar. 2024].
Wallerstein, W. (2019) ‘Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes’, [ANTI]MATERIA [online]. Available at: https://anti-materia.org/circumventing-the-white-cube
Wang, C. (2019) ‘The History, Identity and function of the Art Galleries founded after the establishment of the People’s Republic of China’, CNKI [online]. Available at: https://oversea.cnki.net/KCMS/detail/detail.aspx?dbcode=CDFD&dbname=CDFDLAST2020&filename=1019078419.nh&uniplatform=OVERSEA&v=UkjQ-QwDDssarnzYyOWiRQTylvtwnSk8JzR5zcK1vm84R2BdDXO_AmtV_JWC7qiT (Accessed 15 January 2024).
Wu, Z. (2021) ‘Research on copyright protection of Chinese we-media works’, CNKI [online] (5), pp.86–87. Available at: https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFDLASN2021&filename=SDBG202105043&uniplatform=OVERSEA&v=MhOO0mSMHFM2jwX6T7oeSWGR7LBf3n_cht_TCpoHaIgHgRnQ-OhrI5JqktwKmJ0G (Accessed 15 January 2024).

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[1] Benhamou, Y. (2016) Copyright and Museums in the Digital Age. [online] Wipo.int. Available at: https://www.wipo.int/wipo_magazine/en/2016/03/article_0005.html

[2] Brankov, A.K. (2020) ‘Does Art Need Copyright After All?’, The Columbia Journal of Law & the Arts, [online] 43(3), pp. 367–369. doi: https://doi.org/10.7916/jla.v43i3.5879

[3] China Daily (2022) Plan promotes cultural digitalization. [online] english.www.gov.cn. Available at: https://english.www.gov.cn/policies/policywatch/202206/23/content_WS62b3bd9dc6d02e533532c9ce.html

[4] Chengdu Art Museum (2023). Chengdu Biennale 2023. [online]. Available at: https://www.cdamuseum.com/publish/en/exhibition.html#/ [Accessed 14 Mar. 2024]

[5] Connor, M. (2020) ‘Curating Online Exhibitions’, Rhizome [online]. Available at: https://rhizome.org/editorial/2020/may/13/curating-online-exhibitions-pt-1/

[6] Dekker, A.(2021) Curating digital art from presenting and collecting digital art to networked co-curation. Amsterdam Valiz

[7] Dekker, A. and Tedone, G. (2019) ‘Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation’, Arts, 8(3), p. 86. DOI: https://doi.org/10.3390/arts8030086

[8] DunHuang Academy (2022) ‘Digital Dunhuang’ activates traditional ‘tide’ culture: Online ‘flowering’, offline ‘results’, DHA [online]. Available at: https://www.dha.ac.cn/info/1018/4269.htm (Accessed 10 Jan. 2024).

[9] Gao, J. (2021) ‘Museum Survival in China during the COVID-19 Pandemic’ Global History Dialogues [online]. Available at: https://globalhistorydialogues.org/projects/museum-survival-in-china-during-the-covid-19-pandemic/. (Accessed 12 Mar. 2024).

[10] Jianming, L. (2023). Interviewed by Xiaoyue Zhang. 20.Oct, Shangrao, China.

[11] Marty, P.F. and Buchanan, V. (2021) ‘Exploring the Contributions and Challenges of Museum Technology Professionals during the COVID‐19 Crisis’, Curator: The Museum Journal, 65(1). doi: https://doi.org/10.1111/cura.12455

[12] Meehan, N. (2020). ‘Digital Museum Objects and Memory: Postdigital Materiality, Aura and Value’. Curator: The Museum Journal, 65(2). doi: https://doi.org/10.1111/cura.12361

[13] Mitchell, B. (2021) ‘Museum of Wild and Newfangled Art designing AI curator for show’, Blooloop [online]. Available at: https://blooloop.com/museum/news/museum-wild-newfangled-art-artificial-intelligence-curator/ (Accessed 12 Mar. 2024).

[14] Pluszyńska, A. (2021) ‘Copyright Management in Museums: Expediency or Necessity?’, Museum International, 73(3-4), pp. 132–143. doi:

[15] https://doi.org/10.1080/13500775.2021.2016281

[16] Qina,C.(2023). Interviewed by Xiaoyue Zhang.18 Oct,Chengdu, China.

[17] Shi, F. (2023). Interviewed by Xiaoyue Zhang. 23 Oct, Chengdu, China.

[18] Sichuan Art Museum (2021). Shimin Liang Art Exhibtion. [online]. Available at: https://zhmsg.cd168.cn/tour/lsm/?sid=lsm2. [Accessed 14 Mar. 2024].

[19] Wallerstein, W. (2019) ‘Circumventing the White Cube: Digital Curatorial Practices in Contemporary Media Landscapes’, [ANTI]MATERIA [online]. Available at: https://anti-materia.org/circumventing-the-white-cube

[20] Wang, C. (2019) ‘The History, Identity and function of the Art Galleries founded after the establishment of the People’s Republic of China’, CNKI [online]. Available at: https://oversea.cnki.net/KCMS/detail/detail.aspx?dbcode=CDFD&dbname=CDFDLAST2020&filename=1019078419.nh&uniplatform=OVERSEA&v=UkjQ-QwDDssarnzYyOWiRQTylvtwnSk8JzR5zcK1vm84R2BdDXO_AmtV_JWC7qiT (Accessed 15 January 2024).

[21] Wu, Z. (2021) ‘Research on copyright protection of Chinese we-media works’, CNKI [online] (5), pp.86–87. Available at: https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFDLASN2021&filename=SDBG202105043&uniplatform=OVERSEA&v=MhOO0mSMHFM2jwX6T7oeSWGR7LBf3n_cht_TCpoHaIgHgRnQ-OhrI5JqktwKmJ0G (Accessed 15 January 2024).

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The Status and Challenges of Online Exhibitions in Art Museums in China – Based on Interviews With Curators

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