Landscape Seeing: An immersive stylistic visualisation of 3D scans of a Hong Kong urban park

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Landscape Seeing: An immersive stylistic visualisation of 3D scans of a Hong Kong urban park

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Author(s): Hin Nam Fong

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Artificial landscape, 3D scanning, Point cloud, Urban parks, VR

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Author and article information

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Hin Nam Fong

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Publication date: July 2024

Publication date (Print): July 2024

Pages: 78-84

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[0001]City University of Hong Kong

School of Creative Media, City

University of Hong Kong, Run Run

Shaw Creative Media Centre, Level 7, 18 Tat Hong Avenue, Kowloon Tong, Hong Kong, China

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DOI: 10.14236/ewic/EVA2024.13

SO-VID: 67b25b33-8e85-4c67-8bad-d4b844c1a6ed

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

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Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.13

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Bugeja, A., Bonanno, M., & Garg, L. (2022). 3D scanning in the art & design industry. Materials Today: Proceedings, 63, 718-725
Chen, T. (2005) Gaonianji shiwu xiesheng yu linhua de bijiao shiyan baogao 高年級實物寫生與臨畫的比較實驗報告. Jiaoyu zhoukan, 188(1), pp.35-40.
Dongnan jiaotong zhoulanhui xuanchuanzu, ed. (1935) Dongnan lansheng 東南攬勝. Lianhe guanggao gongsi, Shanghai.
Guoli meishu chenlieguan. (1937) Jiaoyubu dierci quanguo meishu zhanlanhui zhanpin mulu 教育部第二次全國美術展覽會展品目錄. Guoli meishu chen-lieguan, Jiangsu, China.
Gu, Y. (2020) Chinese Ways of Seeing and Open-Air Painting. Harvard University Asia Center, Cambridge (MA) and London (UK).
Planning Department The Government of the Hong Kong Special Administrative Region. (2015) Chapter 4 Recreation, Open Space & Greening. Hong Kong Planning Standards and Guidelines.
Ivsic, L., Rajcic, N., McCormack, J., and Dziekan, V. (2021) The Art of Point Clouds: 3D LiDAR Scanning and Photogrammetry in Science & Art. In 10th International Conference on Digital and Interactive Arts, 1-8.
Velegrinis, S., and Weller, R. (2007) The 21st-Century garden City? The metaphor of the garden in contemporary Singaporean urbanism. Journal of Landscape Architecture, 2(2), pp.30-41.
Winfield, R. D. (2023). Painting as Paradigmatic Graphic Fine Art. In Rethinking the Arts after Hegel: From Architecture to Motion Pictures (pp. 117-142). Cham: Springer Nature Switzerland.
Wong, K., and Domroes, M. (2005) The visual quality of urban park scenes of Kowloon Park, Hong Kong. Environment and Planning B: Planning and Design, 32(4), pp.617-632.
Wu, J. (2006) Qingmo Minchu de huihua jiaoyu yu huajia 清末民初的繪畫教育與畫家. Xiuwei zixun keji gufen gongsi, Taipei.

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[1] Bugeja, A., Bonanno, M., & Garg, L. (2022). 3D scanning in the art & design industry. Materials Today: Proceedings, 63, 718-725

[2] Chen, T. (2005) Gaonianji shiwu xiesheng yu linhua de bijiao shiyan baogao 高年級實物寫生與臨畫的比較實驗報告. Jiaoyu zhoukan, 188(1), pp.35-40.

[3] Dongnan jiaotong zhoulanhui xuanchuanzu, ed. (1935) Dongnan lansheng 東南攬勝. Lianhe guanggao gongsi, Shanghai.

[4] Guoli meishu chenlieguan. (1937) Jiaoyubu dierci quanguo meishu zhanlanhui zhanpin mulu 教育部第二次全國美術展覽會展品目錄. Guoli meishu chen-lieguan, Jiangsu, China.

[5] Gu, Y. (2020) Chinese Ways of Seeing and Open-Air Painting. Harvard University Asia Center, Cambridge (MA) and London (UK).

[6] Planning Department The Government of the Hong Kong Special Administrative Region. (2015) Chapter 4 Recreation, Open Space & Greening. Hong Kong Planning Standards and Guidelines.

[7] Ivsic, L., Rajcic, N., McCormack, J., and Dziekan, V. (2021) The Art of Point Clouds: 3D LiDAR Scanning and Photogrammetry in Science & Art. In 10th International Conference on Digital and Interactive Arts, 1-8.

[8] Velegrinis, S., and Weller, R. (2007) The 21st-Century garden City? The metaphor of the garden in contemporary Singaporean urbanism. Journal of Landscape Architecture, 2(2), pp.30-41.

[9] Winfield, R. D. (2023). Painting as Paradigmatic Graphic Fine Art. In Rethinking the Arts after Hegel: From Architecture to Motion Pictures (pp. 117-142). Cham: Springer Nature Switzerland.

[10] Wong, K., and Domroes, M. (2005) The visual quality of urban park scenes of Kowloon Park, Hong Kong. Environment and Planning B: Planning and Design, 32(4), pp.617-632.

[11] Wu, J. (2006) Qingmo Minchu de huihua jiaoyu yu huajia 清末民初的繪畫教育與畫家. Xiuwei zixun keji gufen gongsi, Taipei.

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Landscape Seeing: An immersive stylistic visualisation of 3D scans of a Hong Kong urban park

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