Computation, AI, and Creativity

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Computation, AI, and Creativity

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Author(s): Jonathan P. Bowen , Tula Giannini , Ann Borda , Catherine Mason

Publication date (Print): July 2024

Conference name: Proceedings of EVA London 2024 (EVA 2024)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 8–12 July 2024

Keywords: Artificial Intelligence, Computational culture, Creativity, Digital art, The arts, Visual arts

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Author and article information

Contributors

Jonathan P. Bowen: http://www.jpbowen.com

Tula Giannini: http://sites.google.com/view/tgiannini

Ann Borda: https://www.turing.ac.uk/people/researchers/ann-borda

Catherine Mason: http://www.catherinemason.co.uk

Conference

Publication date: July 2024

Publication date (Print): July 2024

Pages: 1-8

Affiliations

[0001]London South Bank University

School of Engineering

London, UK

[0002]Pratt Institute

School of Information

New York, USA

[0003]The Alan Turing Institute

London, UK

[0004]Independent

London, UK

Article

DOI: 10.14236/ewic/EVA2024.1

SO-VID: 0a7bfdc7-6572-41fc-8be6-c2bfadf94bbe

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2024

Conference acronym: EVA 2024

Conference number:

Conference location: London

Conference date: 8–12 July 2024

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2024.1

Self URI (journal page): https://ewic.bcs.org/

BIBLIOGRAPHY

Boiano, S., Borda, A., Bowen, J. P., Gaia, G., and Giannini, T. (2022) Vignettes of Computer-based Museum Interactive and Games Software through the Years. In: Bowen, J.P., Weinel, J., Borda, A., Diprose, G. (eds) (2022) EVA London 2022: Electronic Visualisation and the Arts, pp. 158–166. DOI: 10.14236/ewic/EVA2022.30
Boiano, S., Borda, A., and Gaia, G. (2019) Participatory Innovation and Prototyping in the Cultural Section: A case study. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2019) EVA London 2019: Electronic Visualisation and the Arts, pp. 18–26. DOI: 10.14236/ewic/EVA2019.3
Boiano, S., Borda, A., Gaia, G., Rossi, S., and Cuomo, P. (2018) Chatbots and New Audience Opportunities for Museums and Heritage Organisations. In: Bowen, J.P., Weinel, J., Diprose, G., Lambert, N. (eds) (2018) EVA London 2018: Electronic Visualisation and the Arts, pp. 164–171. DOI: 10.14236/ewic/EVA2018.33
Borda, A. (2023) Bearing Witness: A commentary on climate action and immersive climate change exhibitions. In: Bowen, J.P., Weinel, J., Diprose, G. (eds) (2023) EVA London 2023: Electronic Visualisation and the Arts, pp. 15–22. DOI: 10.14236/ewic/EVA2023.3
Borda, A. and Bowen JP. (2020) Turing’s Sunflowers: Public research and the role of Museums. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 32–39. DOI: 10.14236/ewic/EVA2020.5
Borda, A. and Molnar, A. (2024) Immersive Serious Games: Shifting paradigms from activism to AI. In Giannini & Bowen (2024), chapter 19.
Borda, A., Molnar, A., Heys, M., Musyimi, C., and Kostkova, P. (2023) Editorial: Digital interventions and serious mobile games for health in low- and middle-income countries (LMICs). Frontiers in Public Health, 11. DOI: https://doi.org/10.3389/fpubh.2023.1153971
Bowen, J. P. (2020) A personal view of EVA London: Past, present, future. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 8–15. DOI: 10.14236/ewic/EVA2020.2
Bowen, J. P., Diprose, G., and Lambert, N. (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2016.0
Bowen, J. P., Diprose, G., and Lambert, N. (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2017.0
Bowen, J. P., Borda, A., Gaia, G., and Boiano, S. (2023) Early virtual science museums: When the technology is not mature. Internet Histories. DOI: 10.1080/24701475.2023.2298155
Bowen, J. P. and Giannini, T. (2014) Digitalism: The new realism? In K. Ng, J. P. Bowen & S. McDaid (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. DOI: 10.14236/ewic/EVA2014.76
Bowen, J. P. and Giannini, T. (2016) From analogue to digital in literature and art. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2016) EVA London 2016: Electronic Visualisation and the Arts, pp. 1–4. DOI: 10.14236/ewic/EVA2016.1
Bowen, J. P. and Giannini, T. (2021) Digitality: A reality check. In: Weinel, J., Bowen, J.P., Borda, A., Diprose, G. (eds) (2021) EVA London 2021: Electronic Visualisation and the Arts, pp. 12–19. DOI: 10.14236/ewic/EVA2021.3
Bowen, J. P. and Giannini, T. (2023) The Arts and Computational Culture: A landscape view. In: Bowen, J.P., Weinel, J., Diprose, G. (eds) (2023) EVA London 2023: Electronic Visualisation and the Arts, pp. 8–14. DOI: 10.14236/ewic/EVA2023.2
Bowen, J. P., Giannini, T., Ara, R., Lomas, A., and Siefring, J. (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2019) EVA London 2019: Electronic Visualisation and the Arts, pp. 1–9. DOI: 10.14236/ewic/EVA2019.1
Bowen, J. P., Giannini, T., Falconer, R., Magruder, M. T., and Marconi, E. (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In: Weinel, J., Bowen, J.P., Borda, A., Diprose, G. (eds) (2021) EVA London 2021: Electronic Visualisation and the Arts, pp. 7–11. DOI: 10.14236/ewic/EVA2021.2
Bowen, J. P., Giannini, T., Masson, T., Gaia, G., and Diprose, G. (2023) The Digital Lens. In: Bowen, J.P., Weinel, J., Diprose, G. (eds) (2023) EVA London 2023: Electronic Visualisation and the Arts, pp. 1–7. DOI: 10.14236/ewic/EVA2023.1
Bowen, J. P., Giannini, T., and Polmeer, G. (2017) Coded communication: Digital senses and aesthetics, merging art and life. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2017) EVA London 2017: Electronic Visualisation and the Arts, pp. 1–8. DOI: 10.14236/ewic/EVA2017.1
Bowen, J. P., Giannini, T., Polmeer, G., Falconer, R., Miller, A. I., and Dunn, S. (2020) States of Begin: Art and identity in digital space and time. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 1–7. DOI: 10.14236/ewic/EVA2020.1
Bowen, J. P., Giannini, T., Polmeer, G., Gannis, C., Gardiner, J., Kearney, J., Wands, B., and Weinel, J. (2018) States of Begin: Art and identity in digital space and time. In: Bowen, J.P., Weinel, J., Diprose, G., Lambert, N. (eds) (2018) EVA London 2018: Electronic Visualisation and the Arts, pp. 1–7. DOI: 10.14236/ewic/EVA2018.1
Bowen, J. P., Weinel, J., Borda, A., and Diprose, G. (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0
Bowen, J. P., Weinel, J., and Diprose, G. (eds.) (2023) EVA London 2023: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2023.0
Bowen, J. P., Weinel, J., Diprose, G., and Lambert, N. (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2018.0
Brown, P., Gere, C., Lambert, N., and Mason, C. (eds.) (2009) White Heat Cold Logic: British Computer Art 1960–1980. The MIT Press. https://mitpress.mit.edu/9780262026536/white-heat-cold-logic
Copeland, B. J., Bowen, J. P., Sprevak, M., Wilson, R., et al. (2017) The Turing Guide. Oxford University Press.
Du Sautoy, M. (2019) The Creativity Code. 4th Estate, HarperCollinsPublishers.
Gaia, G., Boiano, S., and Borda, A. (2019) Engaging museums with AI: The case of chatbots. In Giannini & Bowen (eds.) (2019), chapter 15, pp. 309–329. DOI: 10.1007/978-3-319-97457-6_15
Gaia, G., Boiano, S., Bowen, J. P., and Borda, A. (2020) Museum Websites of the First Wave: The rise of the virtual museum. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 24–31. DOI: 10.14236/ewic/EVA2020.4
Giannini, T. and Bowen, J. P. (2016) Curating digital life and culture: Art and information. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2016) EVA London 2016: Electronic Visualisation and the Arts, pp. 237–244. DOI: 10.14236/ewic/EVA2016.46
Giannini, T. and Bowen, J. P. (2017) Life in Code and Digits: When Shannon met Turing. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2017) EVA London 2017: Electronic Visualisation and the Arts, pp. 51–58. DOI: 10.14236/ewic/EVA2017.9
Giannini, T. and Bowen, J. P. (2018) Of museums and digital culture: A landscape view. In: Bowen, J.P., Weinel, J., Diprose, G., Lambert, N. (eds) (2018) EVA London 2018: Electronic Visualisation and the Arts, pp. 172–179. DOI: 10.14236/ewic/EVA2018.34
Giannini, T. and Bowen, J. P. (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6
Giannini, T. and Bowen, J. P. (2019a) Digital culture. In Giannini & Bowen (eds.) (2019), chapter 1, pp. 3–26. DOI: 10.1007/978-3-319-97457-6_1
Giannini, T. and Bowen, J. P. (2019b) Museums and digitalism. In Giannini & Bowen (2019), chapter 2, pp. 27–46. DOI: 10.1007/978-3-319-97457-6_2
Giannini, T. and Bowen, J. P. (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567
Giannini, T. and Bowen, J. P. (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: 10.3390/heritage5010011
Giannini, T. and Bowen, J. P. (2022b) Digital Experience in Art and Identity: The Metaverse calls. In Cappellini, V., Electronic Imaging & the Visual Arts: EVA 2022 Florence, pp. 24–31. Leonardo Libri. DOI: 110.31235/osf.io/6y4vd
Giannini, T. and Bowen, J. P. (2022c) More than Human: Merging real and virtual states of being from arts and culture to wellness in a post-Covid world. In: Bowen, J.P., Weinel, J., Borda, A., Diprose, G. (eds) (2022) EVA London 2022: Electronic Visualisation and the Arts, pp. 119–126. DOI: 10.14236/ewic/EVA2022.24
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Weinel, J., Bowen, J. P., Diprose, G., and Lambert, N. (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2019.0
Weinel, J., Bowen, J. P., Diprose, G., and Lambert, N. (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2020.0

Comments

Comment on this article

[1] Boiano, S., Borda, A., Bowen, J. P., Gaia, G., and Giannini, T. (2022) Vignettes of Computer-based Museum Interactive and Games Software through the Years. In: Bowen, J.P., Weinel, J., Borda, A., Diprose, G. (eds) (2022) EVA London 2022: Electronic Visualisation and the Arts, pp. 158–166. DOI: 10.14236/ewic/EVA2022.30

[2] Boiano, S., Borda, A., and Gaia, G. (2019) Participatory Innovation and Prototyping in the Cultural Section: A case study. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2019) EVA London 2019: Electronic Visualisation and the Arts, pp. 18–26. DOI: 10.14236/ewic/EVA2019.3

[3] Boiano, S., Borda, A., Gaia, G., Rossi, S., and Cuomo, P. (2018) Chatbots and New Audience Opportunities for Museums and Heritage Organisations. In: Bowen, J.P., Weinel, J., Diprose, G., Lambert, N. (eds) (2018) EVA London 2018: Electronic Visualisation and the Arts, pp. 164–171. DOI: 10.14236/ewic/EVA2018.33

[4] Borda, A. (2023) Bearing Witness: A commentary on climate action and immersive climate change exhibitions. In: Bowen, J.P., Weinel, J., Diprose, G. (eds) (2023) EVA London 2023: Electronic Visualisation and the Arts, pp. 15–22. DOI: 10.14236/ewic/EVA2023.3

[5] Borda, A. and Bowen JP. (2020) Turing’s Sunflowers: Public research and the role of Museums. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 32–39. DOI: 10.14236/ewic/EVA2020.5

[6] Borda, A. and Molnar, A. (2024) Immersive Serious Games: Shifting paradigms from activism to AI. In Giannini & Bowen (2024), chapter 19.

[7] Borda, A., Molnar, A., Heys, M., Musyimi, C., and Kostkova, P. (2023) Editorial: Digital interventions and serious mobile games for health in low- and middle-income countries (LMICs). Frontiers in Public Health, 11. DOI: https://doi.org/10.3389/fpubh.2023.1153971

[8] Bowen, J. P. (2020) A personal view of EVA London: Past, present, future. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 8–15. DOI: 10.14236/ewic/EVA2020.2

[9] Bowen, J. P., Diprose, G., and Lambert, N. (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2016.0

[10] Bowen, J. P., Diprose, G., and Lambert, N. (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2017.0

[11] Bowen, J. P., Borda, A., Gaia, G., and Boiano, S. (2023) Early virtual science museums: When the technology is not mature. Internet Histories. DOI: 10.1080/24701475.2023.2298155

[12] Bowen, J. P. and Giannini, T. (2014) Digitalism: The new realism? In K. Ng, J. P. Bowen & S. McDaid (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. DOI: 10.14236/ewic/EVA2014.76

[13] Bowen, J. P. and Giannini, T. (2016) From analogue to digital in literature and art. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2016) EVA London 2016: Electronic Visualisation and the Arts, pp. 1–4. DOI: 10.14236/ewic/EVA2016.1

[14] Bowen, J. P. and Giannini, T. (2021) Digitality: A reality check. In: Weinel, J., Bowen, J.P., Borda, A., Diprose, G. (eds) (2021) EVA London 2021: Electronic Visualisation and the Arts, pp. 12–19. DOI: 10.14236/ewic/EVA2021.3

[15] Bowen, J. P. and Giannini, T. (2023) The Arts and Computational Culture: A landscape view. In: Bowen, J.P., Weinel, J., Diprose, G. (eds) (2023) EVA London 2023: Electronic Visualisation and the Arts, pp. 8–14. DOI: 10.14236/ewic/EVA2023.2

[16] Bowen, J. P., Giannini, T., Ara, R., Lomas, A., and Siefring, J. (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2019) EVA London 2019: Electronic Visualisation and the Arts, pp. 1–9. DOI: 10.14236/ewic/EVA2019.1

[17] Bowen, J. P., Giannini, T., Falconer, R., Magruder, M. T., and Marconi, E. (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In: Weinel, J., Bowen, J.P., Borda, A., Diprose, G. (eds) (2021) EVA London 2021: Electronic Visualisation and the Arts, pp. 7–11. DOI: 10.14236/ewic/EVA2021.2

[18] Bowen, J. P., Giannini, T., Masson, T., Gaia, G., and Diprose, G. (2023) The Digital Lens. In: Bowen, J.P., Weinel, J., Diprose, G. (eds) (2023) EVA London 2023: Electronic Visualisation and the Arts, pp. 1–7. DOI: 10.14236/ewic/EVA2023.1

[19] Bowen, J. P., Giannini, T., and Polmeer, G. (2017) Coded communication: Digital senses and aesthetics, merging art and life. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2017) EVA London 2017: Electronic Visualisation and the Arts, pp. 1–8. DOI: 10.14236/ewic/EVA2017.1

[20] Bowen, J. P., Giannini, T., Polmeer, G., Falconer, R., Miller, A. I., and Dunn, S. (2020) States of Begin: Art and identity in digital space and time. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 1–7. DOI: 10.14236/ewic/EVA2020.1

[21] Bowen, J. P., Giannini, T., Polmeer, G., Gannis, C., Gardiner, J., Kearney, J., Wands, B., and Weinel, J. (2018) States of Begin: Art and identity in digital space and time. In: Bowen, J.P., Weinel, J., Diprose, G., Lambert, N. (eds) (2018) EVA London 2018: Electronic Visualisation and the Arts, pp. 1–7. DOI: 10.14236/ewic/EVA2018.1

[22] Bowen, J. P., Weinel, J., Borda, A., and Diprose, G. (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0

[23] Bowen, J. P., Weinel, J., and Diprose, G. (eds.) (2023) EVA London 2023: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2023.0

[24] Bowen, J. P., Weinel, J., Diprose, G., and Lambert, N. (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2018.0

[25] Brown, P., Gere, C., Lambert, N., and Mason, C. (eds.) (2009) White Heat Cold Logic: British Computer Art 1960–1980. The MIT Press. https://mitpress.mit.edu/9780262026536/white-heat-cold-logic

[26] Copeland, B. J., Bowen, J. P., Sprevak, M., Wilson, R., et al. (2017) The Turing Guide. Oxford University Press.

[27] Du Sautoy, M. (2019) The Creativity Code. 4th Estate, HarperCollinsPublishers.

[28] Gaia, G., Boiano, S., and Borda, A. (2019) Engaging museums with AI: The case of chatbots. In Giannini & Bowen (eds.) (2019), chapter 15, pp. 309–329. DOI: 10.1007/978-3-319-97457-6_15

[29] Gaia, G., Boiano, S., Bowen, J. P., and Borda, A. (2020) Museum Websites of the First Wave: The rise of the virtual museum. In: Weinel, J., Bowen, J.P., Diprose, G., Lambert, N. (eds) (2020) EVA London 2020: Electronic Visualisation and the Arts, pp. 24–31. DOI: 10.14236/ewic/EVA2020.4

[30] Giannini, T. and Bowen, J. P. (2016) Curating digital life and culture: Art and information. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2016) EVA London 2016: Electronic Visualisation and the Arts, pp. 237–244. DOI: 10.14236/ewic/EVA2016.46

[31] Giannini, T. and Bowen, J. P. (2017) Life in Code and Digits: When Shannon met Turing. In: Bowen, J.P., Diprose, G., Lambert, N. (eds) (2017) EVA London 2017: Electronic Visualisation and the Arts, pp. 51–58. DOI: 10.14236/ewic/EVA2017.9

[32] Giannini, T. and Bowen, J. P. (2018) Of museums and digital culture: A landscape view. In: Bowen, J.P., Weinel, J., Diprose, G., Lambert, N. (eds) (2018) EVA London 2018: Electronic Visualisation and the Arts, pp. 172–179. DOI: 10.14236/ewic/EVA2018.34

[33] Giannini, T. and Bowen, J. P. (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6

[34] Giannini, T. and Bowen, J. P. (2019a) Digital culture. In Giannini & Bowen (eds.) (2019), chapter 1, pp. 3–26. DOI: 10.1007/978-3-319-97457-6_1

[35] Giannini, T. and Bowen, J. P. (2019b) Museums and digitalism. In Giannini & Bowen (2019), chapter 2, pp. 27–46. DOI: 10.1007/978-3-319-97457-6_2

[36] Giannini, T. and Bowen, J. P. (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567

[37] Giannini, T. and Bowen, J. P. (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: 10.3390/heritage5010011

[38] Giannini, T. and Bowen, J. P. (2022b) Digital Experience in Art and Identity: The Metaverse calls. In Cappellini, V., Electronic Imaging & the Visual Arts: EVA 2022 Florence, pp. 24–31. Leonardo Libri. DOI: 110.31235/osf.io/6y4vd

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