Visualising a Medieval Wall Painting of St Thomas Becket

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Visualising a Medieval Wall Painting of St Thomas Becket

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Author(s): Lindsay W. MacDonald

Publication date (Print): July 2023

Conference name: Proceedings of EVA London 2023 (EVA 2023)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

Keywords: Medieval wall painting, Projection, Augmented reality, Illumination spectrum, Ambient light

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Lindsay W. MacDonald

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Publication date: July 2023

Publication date (Print): July 2023

Pages: 53-60

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[0001]University College London, UK

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DOI: 10.14236/ewic/EVA2023.8

SO-VID: 41abf93c-ef26-49cb-a1d9-5c79c05fb9d3

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

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Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.8

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

A. Burzon (2013) Mapping St Climent de Taüll Pantocrator. http://pantocrator.cat/en/projectes/
C. Davidson (1988) The Guild Chapel Wall Paintings at Stratford-upon-Avon, AMS Press, New York, pp.11–14.
T. Fisher (1807) A Series of Antient Allegorical, Historical and Legendary Paintings, London.
K. Giles, A. Masinton and G. Arnott (2012) Visualising the Guild Chapel, Stratford-upon-Avon: digital models as research tools in buildings archaeology. Internet Archaeology, 32. https://intarch.ac.uk/journal/issue32/1
R.W.G. Hunt (2004) The Reproduction of Colour, 6th Ed., John Wiley, Chichester, pp.168–171.
L.W. MacDonald, A. H. Ahmadabadian, S. Robson, and I. Gibb (2014) High Art Revisited: A Photogrammetric Approach. Proc. Electronic Visualisation and the Arts Conf. (EVA), pp. 192–199.
L.W. MacDonald (2021) ‘The Clopton Chapel’, Chapter 8 in Exploring Shakespeare’s Church, pp. 139–142.
M.A. Michael (2021) From defacement to revivification: a digital-archaeological approach to illuminating the nave paintings of St. Alban’s Cathedral, Proc. Brit. Archaeological Assoc. https://www.youtube.com/watch?v=mEtp3I_wlX4
J.R. Mulryne (2014) The Thomas Becket Chapel: Its History and People. In Holy Trinity Church: A Taste for History, pp. 81–89.
J.R. Mulryne (ed) (2016) The Guild and Guild Buildings of Shakespeare’s Stratford: Society, Religion, School and Stage. Routledge, London.
R. Perkins, H. Owens, C. Carr, K. Hallett, and I. Gibb (2011). Henry VIII’s Tapestries Revealed. Proc. ICOM 16th Triennial Conference, Lisbon.
E.C. Rouse (1991) Medieval Wall Paintings, Shire Publications, Princes Risborough.

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[1] A. Burzon (2013) Mapping St Climent de Taüll Pantocrator. http://pantocrator.cat/en/projectes/

[2] C. Davidson (1988) The Guild Chapel Wall Paintings at Stratford-upon-Avon, AMS Press, New York, pp.11–14.

[3] T. Fisher (1807) A Series of Antient Allegorical, Historical and Legendary Paintings, London.

[4] K. Giles, A. Masinton and G. Arnott (2012) Visualising the Guild Chapel, Stratford-upon-Avon: digital models as research tools in buildings archaeology. Internet Archaeology, 32. https://intarch.ac.uk/journal/issue32/1

[5] R.W.G. Hunt (2004) The Reproduction of Colour, 6th Ed., John Wiley, Chichester, pp.168–171.

[6] L.W. MacDonald, A. H. Ahmadabadian, S. Robson, and I. Gibb (2014) High Art Revisited: A Photogrammetric Approach. Proc. Electronic Visualisation and the Arts Conf. (EVA), pp. 192–199.

[7] L.W. MacDonald (2021) ‘The Clopton Chapel’, Chapter 8 in Exploring Shakespeare’s Church, pp. 139–142.

[8] M.A. Michael (2021) From defacement to revivification: a digital-archaeological approach to illuminating the nave paintings of St. Alban’s Cathedral, Proc. Brit. Archaeological Assoc. https://www.youtube.com/watch?v=mEtp3I_wlX4

[9] J.R. Mulryne (2014) The Thomas Becket Chapel: Its History and People. In Holy Trinity Church: A Taste for History, pp. 81–89.

[10] J.R. Mulryne (ed) (2016) The Guild and Guild Buildings of Shakespeare’s Stratford: Society, Religion, School and Stage. Routledge, London.

[11] R. Perkins, H. Owens, C. Carr, K. Hallett, and I. Gibb (2011). Henry VIII’s Tapestries Revealed. Proc. ICOM 16th Triennial Conference, Lisbon.

[12] E.C. Rouse (1991) Medieval Wall Paintings, Shire Publications, Princes Risborough.

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Visualising a Medieval Wall Painting of St Thomas Becket

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