Shemza Digital: Across Generations

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Shemza Digital: Across Generations

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Author(s): Aphra Shemza , Peter Todd , A.J. Bravo

Publication date (Print): July 2023

Conference name: Proceedings of EVA London 2023 (EVA 2023)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

Keywords: Digital art, Participatory art, Decolonisation, Interactive art, Light art, Co-creation, Virtual exhibitions

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Author and article information

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Aphra Shemza

Peter Todd

A.J. Bravo

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Publication date: July 2023

Publication date (Print): July 2023

Pages: 38-46

Affiliations

[0001]Artist

32 Alexandra Road, Broadstairs, UK

[0002]Artist/Programmer, 16 Lower Brook Street, Winchester, UK

[0003]University of Kent

32 Southampton Street, London, UK

Article

DOI: 10.14236/ewic/EVA2023.6

SO-VID: b2d2eb84-ccd0-4571-a7ca-423d1db582cc

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

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Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.6

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

S Batchelor and A Shemza (2021) SHEMZA DIGITAL: Participatory art as a catalyst for social change. EVA London, London, July 2021, pp. 155–162.
W. Benjamin (1931-1934) The Author as Producer. Harvard University Press, 2003) pp.777.
Kluszczynski RyszardW (2010) Strategies of interactive art, Journal of Aesthetics & Culture, 2:1, DOI: 10.3402/jac.v2i0.5525.
B. Sewell (1989) Pride or Prejudice? Sunday Times, Nov 26th.

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[1] S Batchelor and A Shemza (2021) SHEMZA DIGITAL: Participatory art as a catalyst for social change. EVA London, London, July 2021, pp. 155–162.

[2] W. Benjamin (1931-1934) The Author as Producer. Harvard University Press, 2003) pp.777.

[3] Kluszczynski RyszardW (2010) Strategies of interactive art, Journal of Aesthetics & Culture, 2:1, DOI: 10.3402/jac.v2i0.5525.

[4] B. Sewell (1989) Pride or Prejudice? Sunday Times, Nov 26th.

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