A Study on the Development of Digital Art in China Through Artworks

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A Study on the Development of Digital Art in China Through Artworks

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Author(s): Yi Ji , Sean Clark , Minliang Bai , Congxiao Sang , Yihong Yuan

Publication date (Print): July 2023

Conference name: Proceedings of EVA London 2023 (EVA 2023)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

Keywords: Digital art, Digital artworks, Art history, Artistic exploration, Development of China’s digital art

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Abstract

Content

Author and article information

Contributors

Yi Ji

Sean Clark

Minliang Bai

Congxiao Sang

Yihong Yuan

Conference

Publication date: July 2023

Publication date (Print): July 2023

Pages: 152-159

Affiliations

[0001]Guangdong University of Technology

China

[0002]The University of Sydney School of Computer Science

China

Article

DOI: 10.14236/ewic/EVA2023.25

SO-VID: 82c7c25e-a9f6-4ce0-bd94-7ad60abe6280

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

Conference number:

Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.25

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

Artda (2012) 1988–2011 Chronological list of Chinese video art related events [OL]. http://www.artda.cn/view.php?tid=7664&cid=20
Chen Yousong (1999) Digital Wave, pp. 30–31, China Youth Publishing House.
Cui Tiange (2011) Tian Xiaolei: Traditional philosophy in digital [J]. Oriental Art, 2011(21):114–115.
P. Christiane (2005) Digital Art. Thames & Hudson world of art. US. New York.
Dai Fu (2016) Bu Hua's Recommendation of “Animation” and “Art” [J]. Fine Arts Literature. pp. 30–33.
Feng Mengbo (2009) Long March: Restart [J]. Oriental Art, 2009(17):76–77.
Huang Mingfen (1997) On Computer Art [J]. Journal of Xiamen University (A Quarterly for Studies in Arts & Social Sciences). pp. 89–94.
Hu Zuhao (2012) My view on the development of digital art [J]. Science & Technology Information, 2012(20): 208.
Kong Lingwei (2009) The Configuration of China's Modern Art -- Rethinking the “Star Art Exhibition”, “the 85 Movement” and “Westernism” since the 1990s [J]. Art Criticism.
Li Lizhu, Yang Mei (2017) Research on the current situation and development trend of Chinese digital media art [J]. Digital Communication world, 2017(09): 227.
Li Sida (2015) An Introduction to Digital Media Arts [M]. Tsinghua University publishing house co. ltd. The third edition. pp. 233–246.
Liu Xuguang (2012) Introduction to New Media Art [M]. Hebei Fine Arts Publishing House.
Ma Lixin. (2009). Digital Art Outline. Jilin Literature and History Publishing House.
Miao Xiaochun (2008) [J]. Fine Arts Literature, 2008(06):4+6–13.
Nick Lambert (2003) A Critical Examination of “Computer Art” [OL]. http://computer-arts-society.com/casarchive/computerartsthesis/index.html
Wang Li (2009) The Comprehensive Survey of New Media Art Development. TONGJI UNIVERSITY PRESS.
Yang Fudong (2008) [J]. Fine Arts Literature, 2008(01):14–21.
Yang Juan (2011) Wang Yuyang: Let things speak for themselves [J]. Oriental Art, 2011(09):70–71.
Zhu Qi (2009) The History and Current Situation of Chinese New Media Art [J]. Art Criticism. Beijing: China National Academy of Arts. pp. 36–40+30.

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Comment on this article

[1] Artda (2012) 1988–2011 Chronological list of Chinese video art related events [OL]. http://www.artda.cn/view.php?tid=7664&cid=20

[2] Chen Yousong (1999) Digital Wave, pp. 30–31, China Youth Publishing House.

[3] Cui Tiange (2011) Tian Xiaolei: Traditional philosophy in digital [J]. Oriental Art, 2011(21):114–115.

[4] P. Christiane (2005) Digital Art. Thames & Hudson world of art. US. New York.

[5] Dai Fu (2016) Bu Hua's Recommendation of “Animation” and “Art” [J]. Fine Arts Literature. pp. 30–33.

[6] Feng Mengbo (2009) Long March: Restart [J]. Oriental Art, 2009(17):76–77.

[7] Huang Mingfen (1997) On Computer Art [J]. Journal of Xiamen University (A Quarterly for Studies in Arts & Social Sciences). pp. 89–94.

[8] Hu Zuhao (2012) My view on the development of digital art [J]. Science & Technology Information, 2012(20): 208.

[9] Kong Lingwei (2009) The Configuration of China's Modern Art -- Rethinking the “Star Art Exhibition”, “the 85 Movement” and “Westernism” since the 1990s [J]. Art Criticism.

[10] Li Lizhu, Yang Mei (2017) Research on the current situation and development trend of Chinese digital media art [J]. Digital Communication world, 2017(09): 227.

[11] Li Sida (2015) An Introduction to Digital Media Arts [M]. Tsinghua University publishing house co. ltd. The third edition. pp. 233–246.

[12] Liu Xuguang (2012) Introduction to New Media Art [M]. Hebei Fine Arts Publishing House.

[13] Ma Lixin. (2009). Digital Art Outline. Jilin Literature and History Publishing House.

[14] Miao Xiaochun (2008) [J]. Fine Arts Literature, 2008(06):4+6–13.

[15] Nick Lambert (2003) A Critical Examination of “Computer Art” [OL]. http://computer-arts-society.com/casarchive/computerartsthesis/index.html

[16] Wang Li (2009) The Comprehensive Survey of New Media Art Development. TONGJI UNIVERSITY PRESS.

[17] Yang Fudong (2008) [J]. Fine Arts Literature, 2008(01):14–21.

[18] Yang Juan (2011) Wang Yuyang: Let things speak for themselves [J]. Oriental Art, 2011(09):70–71.

[19] Zhu Qi (2009) The History and Current Situation of Chinese New Media Art [J]. Art Criticism. Beijing: China National Academy of Arts. pp. 36–40+30.

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