An Overview of New Media Art Exhibitions in China (2017–2022)

scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.

Header Abstract Content Author and article information REFERENCES Comments

Record: found
Abstract: found
Conference Proceedings: found

Is Open Access

An Overview of New Media Art Exhibitions in China (2017–2022)

Published

proceedings-article

Author(s): Huan Fan , Jonathan P. Bowen

Publication date (Print): July 2023

Conference name: Proceedings of EVA London 2023 (EVA 2023)

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

Keywords: Chinese art, Contemporary art, Digital culture, New media art

Bookmark

Abstract

Content

Author and article information

Contributors

Huan Fan

Jonathan P. Bowen: http://www.jpbowen.com

Conference

Publication date: July 2023

Publication date (Print): July 2023

Pages: 145-151

Affiliations

[0001]Sichuan University

Chengdu

China

[0002]London South Bank University

London, UK

Article

DOI: 10.14236/ewic/EVA2023.24

SO-VID: 2cac00a8-6444-459e-afe2-a22eadadd90f

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

Conference number:

Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.24

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

J. P. Bowen and H. Fan (2022) The Chengdu Biennale and Wikipedia art information. In Bowenet al. (2022), pp. 103–110, DOI: 10.14236/ewic/EVA2022.23.
J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: 10.14236/ewic/EVA2021.3.
J. P. Bowen, J. Weinel, A. Borda, and G. Diprose (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0.
Designboom (2017) teamLab magnifies the lifecycle of plants with 'Living Digital Forest' installation in Beijing. Designboom. http://www.designboom.com/art/teamlab-flower-forest-pace-gallery-beijing-10-05-2017/
H. Fan (2019) The new “Theatricality” in perform-ance and media arts. In Weinelet al. (2019), pp. 274–275. DOI: 10.14236/ewic/EVA2019.52.
H. Fan (2020) The spectator fulfilling the concept of liveness. In Weinelet al. (2020), pp. 363–364. DOI: 10.14236/ewic/EVA2020.65.
T. Giannini and J. P. Bowen (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6.
T. Giannini and J. P. Bowen (2022a) Museums and digital culture: From reality to digitality in the age of COVID-19. Heritage, 5 (1), 192–214. DOI: 10.3390/heritage5010011.
T. Giannini and J. P. Bowen (2022b) Computational culture: Transforming archives practice and education for a post-Covid world. ACM Journal on Computing and Cultural Heritage, 15 (3), 1–18. DOI: 10.1145/3493342.
J. Li and J. P. Bowen (2022) Female self-presentation through online dating applications. In Bowenet al. (2022), pp. 111–118, DOI: 10.14236/ewic/EVA2022.23.
I. Narea (2017) TeamLab magnifies the lifecycle of plants with ‘living digital forest' installation in Beijing. Designboom, 5 October 2017. URL: http://www.designboom.com/art/teamlab-flower-forest-pace-gallery-beijing-10-05-2017/
Y. H. Qiu (2018) ????? [Expensive Bloom]. FX361.com, 6 July 2018. URL: http://www.fx361.com/page/2018/0706/3760815.shtml
Rauschenberg (1986) Sino-Trolley / ROCI CHINA. Robert Rauschenberg Foundation, New York, USA. http://www.rauschenbergfoundation.org/art/artwork/sino-trolley-roci-china
Rauschenberg (2022) Rauschenberg Overseas Culture Interchange (ROCI). Robert Rauschenberg Foundation, New York, USA. http://www.rauschenbergfoundation.org/art/art-context/roci
X. J. Wang (2008) Transcendence and Regression: Post-85 New Wave Art. In G. Minglu and Y. Zhou (eds.), The '85 Movement: The Enlightenment of Chinese Avant-Garde, pp.329–330. Guilin: Guangxi Normal University Press.
J. Weinel, J. P. Bowen, A. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2021.0.
J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2019.0.
J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2020.0.
Y. Zhang (2005) 新媒体艺术 [New Media Art]. Science Press.

Comments

Comment on this article

[1] J. P. Bowen and H. Fan (2022) The Chengdu Biennale and Wikipedia art information. In Bowenet al. (2022), pp. 103–110, DOI: 10.14236/ewic/EVA2022.23.

[2] J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: 10.14236/ewic/EVA2021.3.

[3] J. P. Bowen, J. Weinel, A. Borda, and G. Diprose (eds.) (2022) EVA London 2022: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2022.0.

[4] Designboom (2017) teamLab magnifies the lifecycle of plants with 'Living Digital Forest' installation in Beijing. Designboom. http://www.designboom.com/art/teamlab-flower-forest-pace-gallery-beijing-10-05-2017/

[5] H. Fan (2019) The new “Theatricality” in perform-ance and media arts. In Weinelet al. (2019), pp. 274–275. DOI: 10.14236/ewic/EVA2019.52.

[6] H. Fan (2020) The spectator fulfilling the concept of liveness. In Weinelet al. (2020), pp. 363–364. DOI: 10.14236/ewic/EVA2020.65.

[7] T. Giannini and J. P. Bowen (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: 10.1007/978-3-319-97457-6.

[8] T. Giannini and J. P. Bowen (2022a) Museums and digital culture: From reality to digitality in the age of COVID-19. Heritage, 5 (1), 192–214. DOI: 10.3390/heritage5010011.

[9] T. Giannini and J. P. Bowen (2022b) Computational culture: Transforming archives practice and education for a post-Covid world. ACM Journal on Computing and Cultural Heritage, 15 (3), 1–18. DOI: 10.1145/3493342.

[10] J. Li and J. P. Bowen (2022) Female self-presentation through online dating applications. In Bowenet al. (2022), pp. 111–118, DOI: 10.14236/ewic/EVA2022.23.

[11] I. Narea (2017) TeamLab magnifies the lifecycle of plants with ‘living digital forest' installation in Beijing. Designboom, 5 October 2017. URL: http://www.designboom.com/art/teamlab-flower-forest-pace-gallery-beijing-10-05-2017/

[12] Y. H. Qiu (2018) ????? [Expensive Bloom]. FX361.com, 6 July 2018. URL: http://www.fx361.com/page/2018/0706/3760815.shtml

[13] Rauschenberg (1986) Sino-Trolley / ROCI CHINA. Robert Rauschenberg Foundation, New York, USA. http://www.rauschenbergfoundation.org/art/artwork/sino-trolley-roci-china

[14] Rauschenberg (2022) Rauschenberg Overseas Culture Interchange (ROCI). Robert Rauschenberg Foundation, New York, USA. http://www.rauschenbergfoundation.org/art/art-context/roci

[15] X. J. Wang (2008) Transcendence and Regression: Post-85 New Wave Art. In G. Minglu and Y. Zhou (eds.), The '85 Movement: The Enlightenment of Chinese Avant-Garde, pp.329–330. Guilin: Guangxi Normal University Press.

[16] J. Weinel, J. P. Bowen, A. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: 10.14236/ewic/EVA2021.0.

[17] J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2019.0.

[18] J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: 10.14236/ewic/EVA2020.0.

[19] Y. Zhang (2005) 新媒体艺术 [New Media Art]. Science Press.

UK Computing Summit 2025: Navigating change (surviving and beyond) - 29-30 April @ Sheffield Hallam University - Register here.

An Overview of New Media Art Exhibitions in China (2017–2022)

Contributors

Conference

Affiliations

Article

History

Product

Categories

Comment on this article